Nicolas Cage becomes Nicolas RAGE when he sets out for bloody revenge in MANDY.
Welcome to Episode 219! This week: the unnaturally watchable GREY’S ANATOMY (4:03); the immortal PREDATOR (1987) (12:35); the surprisingly charming THE HOUSE WITH A CLOCK IN ITS WALLS (20:30); the slowest ax murderer movie ever made in LIZZIE (32:13); and the gorgeously gruesome yet respectful MANDY (42:24).
Casey Affleck and Lucas Hedges in MANCHESTER BY THE SEA
This week Kris shares the unusual tale of his 10 year high school reunion. The guys carry their silliness from that story over into their intro, where they ask, you the listener, which 60 Minutes anchor you think they are. It’s a good thing they get to the movies, because there are several to cover. Kris starts with a segment of “Keepin’ up with the Jensons,” where he talks about why he liked SWISS ARMY MAN (at 6:00) more than he expected. Then he and Dave join forces for a recap of HELL OR HIGH WATER (at 18:04), where they joke about the title, discuss the score, and dissect its Western elements. They get to new movies with their review of THE HANDMAIDEN (at 28:09), a three hour movie that flies by due to a layered story and perfect performances, set design, and camerawork. Next, Evan quickly reviews KRISHA (at 42:23), a tough film about a woman spending Thanksgiving with her estranged family that’s shot and edited in an unsettling way. Lastly, he and Kris review MANCHESTER BY THE SEA (at 48:32), an effective examination of grief that also reveals how frustrating it is to drive in Massachusetts.