This episode begins with epic tales of Dave’s film school smoking habits, which were quite epic. Then it’s on to the main event, where Kris tells of his recent Netflix adventures with BIG MOUTH (5:45), the new animated show featuring Nick Kroll, John Mulaney, Jessi Klein, and a host of guest stars. It cuts deep with the preadolescent awkwardness, but it’s worth your time. Next up is THEY LOOK LIKE PEOPLE (11:35), an atmospheric, psychological horror film about two friends: one who is having a slow psychotic break where he can’t trust anything he sees or hears, and the other whose entire existence is a facade erected to protect is insecurity. It’s great, and Kris convinces Dave and Evan to see it right away. Last up is ONLY THE BRAVE (32:37) a true-ish story about the Granite Mountain Hotshots, whose heroism deserves a much more thoughtful, intelligent, and coherent movie than the one they got.
Evan, Kris, and Dave are joined by special guest (and Evan’s fiancee) Shauna Harris! As a practicing attorney, she sits in to expound on MARSHALL (34:06), the new biopic about the first African-American Supreme Court justice (before he was on the Supreme Court) Thurgood Marshall. Before that, Evan and Shauna Crewind to RAW (18:15), the 2016 flick about French-Belgian cannibals, which, we’re not ashamed to say, leads to “Cannibalismpiece Theatre” at 31:09, when the gang names a bunch of let’s-eat-people movies. But to kick things off, Kris relays his feelings about THE LEGO BATMAN MOVIE (4:23) in a fresh segment of “Keeping up with the Jensons,” and Dave waxes philosophic (not really) about LUCKY (9:48), the last movie Harry Dean Stanton appeared in before his death in September.
This week Dave reveals something he feels like he has done right as a parent before any movies are discussed. Since Kris caught VICTORIA AND ABDUL (3:09), he leads off by explaining why Dave is right about it, before expressing some insights of his own. After that, Evan covers the Online New England Film Festival (6:02) by sharing the festival’s award winners and some of his favorite shorts. Next, Dave talks about David Lynch’s DUNE (13:52), raising several questions, including, ‘Who thought it was a good idea to let Toto do the score?’ Following this “Riedel’s Recap,” Kris spoilerpieces the Netflix film GERALD’S GAME (23:08), getting into grisly detail about why it made him want to throw up. Finally, Dave and Evan review the week’s big movie BLADE RUNNER 2049 (44:35) by discussing its atmosphere, aesthetic, and length in comparison to Ridley Scott’s original.
This week begins with a discussion of bad movies, and why video game adaptations are particularly egregious. Evan then kicks things off with a recap of his experience at Somerville Theatre’s 70mm Festival, featuring THE DARK CRYSTAL (4:47). The Crewind continues with Evan’s “Triple Cruise” where he watched two classics — RAIN MAN (11:30) and the under-recognized DAYS OF THUNDER (15:17), before being joined by Dave to dissect AMERICAN MADE (21:55). The short version: it’s awesome. Dave then Spoilerpieces no one into wanting to see VICTORIA & ABDUL (37:35), the latest example that director Stephen Frears should take it easy on the aristocracy for a while. It’s finely made with a great turn by Eddie Izzard, but totally familiar. Last up, Dave and Kris are excited to talk about the many victories of BATTLE OF THE SEXES (42:02), both in the narrative and the filmmaking. It’s good, funny, thoughtful, and entirely necessary.
This week the guys talk about the wacky world of Colorado marijuana dispensaries before they delve into three very different movies. Dave and Kris lead off with STRONGER (3:18), the David Gordon Green/Jake Gyllenhaal film about one man’s struggle to overcome the trauma of losing his legs in the Boston Marathon Bombing, while he deals with the pressure of living in the public eye. Then Evan reviews YEAR BY THE SEA (30:38)*, a tale about an older woman who finds herself by moving to Cape Cod. And last, but certainly not least, all three guys discuss MOTHER! (42:49), the polarizing Darren Aronofsky picture that they have completely different opinions about.
*YEAR BY THE SEA opens in the following Boston-area theaters:
- West Newton Cinema (West Newton, MA)
- Dedham Community Theatre (Dedham, MA)
- Capawock Theatre (Vineyard Haven, MA)
- Martha’s Vineyard Film Center (Vineyard Haven, MA) (9/27 & 9/28 only)
We have a bumper crop of movies on this week’s show (have we used that description before?)! First, it’s a bout of RIEDEL’S RECAPS, with James Bridges’ BRIGHT LIGHTS, BIG CITY (3:57) and John McTiernan’s THE HUNT FOR RED OCTOBER (10:03). Then we’re KEEPING UP WITH THE JENSON’s and his take on MEMINO (14:32) (not to be confused with MEMENTO or former Boston mayor Tom Menino). Evan takes one for the team and watches REBEL IN THE RYE, which is NOT about Rebel Wilson, but J.D. Salinger (27:00). Then it’s THE WOMEN’S BALCONY (36:02), an Israeli film that Evan missed at the Boston Jewish Film Festival but is making up for it now. Lastly, it’s AMERICAN ASSASSIN (42:33), which Kris and Dave saw together against their better judgment (Evan took a pass – kudos to him).
This week the guys marvel at technology’s ability to be accidentally stupid before they discuss movies. Kris starts off the show with a segment of “Keepin’ Up with the Jensons” where he describes his experience watching TWIN PEAKS (3:06), before he reviews GOOD BURGER (7:46), a super 90s movie starring Kenan (Thompson) and Kel (Mitchell), he found charming, funny, and very inoffensive. Next, Dave reviews THE TRIP TO SPAIN (19:50), the third installment in Michael Winterbottom’s travel-themed series, which has a lot fewer impressions and very confusing ending. Then the guys arrive at their main event, IT (30:05), the big screen adaptation of Stephen King’s famous novel that’s creative and creepy with a great cast and special effects, even if it does have some flaws. Stay tuned after the credits for a bonus conversation from this week.