PACIFIC RIM UPRISING swaps Idris Elba for John Boyega and Guillermo del Toro for Steven S. DeKnight. The results are so-so.
Hey gang! It’s a big week on Spoilerpiece! Before our awesome theme music kicks in, Evan, Kris, and Dave have a big announcement about the new Spoilerpiece Patreon! (Cue music?) But before launching into this week’s flicks, Dave asks that you please please PRETTY GODDAMN PLEASE go to his Twitter page and vote for “Chronological Coens” or “Chronological Cronenberg” (3:37). And yes, that means he’ll watch the Coen brothers’ movies from BLOOD SIMPLE to HAIL CAESAR! or STEREO to MAPS OF THE STARS, depending on which you choose, dear listeners. Poll closes at roughly 5 p.m. ET Friday, March 23, 2018. As for the big movies this week, it’s Steven Soderbergh’s UNSANE (9:38), which Kris and Dave more or less agree on with one important difference. Then everyone talks PACIFIC RIM UPRISING (35:03), the next chapter in the PACIFIC RIM series. Plus, Kris and Evan talk a little bit about the upcoming Boston Underground Film Festival (31:06)! Stay tuned after the closing music for (very) brief silliness.
Hello from snowy Boston, MA! This week’s show begins with the very solid VERONICA (3:40), a horror movie from Paco Plaza, director of REC. It’s on Netflix now and people are buzzing about its atmosphere and terrifying set pieces. They’re mostly right, according to Kris, except that the scares stop halfway through once you become invested in the story in its own right. Next up, Dave saw 7 DAYS IN ENTEBBE (21:54), a new thriller based on a true story involving Israel, Uganda, and a hijacked plane. Despite a few interesting side characters, there’s nothing keeping ENTEBBE in the air. Last up is TOMB RAIDER (33:08), starring Alicia Vikander in the role of Lara Croft. She’s great, as are other members of the cast, but the movie around her is not for its go-nowhere plot, strange self-contradictions, and pointlessly preposterous twist.
Oprah the All-Powerful is fantastic in Disney’s A WRINKLE IN TIME.
Things are a bit different this week at Spoilerpiece as technical glitches force us to employ some improvised recording methods, so please excuse any changes in pacing/audio quality! Dave couldn’t be here, so Evan and Kris are joined by special guest critic Kristen Halbert of Forces of Geek, who describes some rather unique experiences at Comic-Con. Kris fell short of his goal to watch everything nominated for an Oscar in every category — 51 out of 59 films — and gives his thoughts on some of the categories he felt were a bit off (5:23). Then it’s on to the main event, A WRINKLE IN TIME (14:02), Ava DuVernay’s valiant and heartfelt attempt to adapt the unadaptable and beloved novel by Madeleine L’Engle. All three hosts were touched in some way, and though it occasionally suffers from odd pacing and other issues, it can be quite dazzling and powerful when it works. A definite see!
J-Law looking like Dave and Kris felt after seeing her latest movie RED SPARROW.
After some discussion of weather, moods, and major singing in the cold open, the guys get down to tha movies. ROMAN J. ISRAEL, ESQ. is the focus of this week’s installment of “Keeping Up with the Jensons” (3:59). (Kris is trying to see all the Oscar nominees before Academy Awards ceremony.) Then Evan regales everyone with his breakdown of MUTE (12:39), Duncan Jones’ new weirdo flick starring Alexander Skarsgårdas a mute guy trying to find his girlfriend. Note: Paul Rudd is the heavy in this one. Lastly, Kris and Dave talk about RED SPARROW (27:30), the new Jennifer Lawrence/Francis Lawrence collaboration with an ending you should see coming, but the preview audience was totes surprised.
Jason Bateman and Rachel McAdams take cover in the surprising action comedy GAME NIGHT.
Hello there! On this week’s episode, Evan and Dave run us through quintessential early ’90s psycho stalker flick PACIFIC HEIGHTS (5:04) that lets Keaton be Keaton. Next up, Dave unleashes his disdain for the pointless and needlessly infuriating THE LEISURE SEEKER (17:19), which thankfully no one is going to see anyway. Then it’s on to Kris, who watched two films nominated for Best Animated Feature, THE BOSS BABY (24:41) and LOVING VINCENT (30:48). He hated one and tolerated the other. Guess which is which — then flip that guess, and that’s the correct answer. Last up is the main event, GAME NIGHT (33:55), which has massively undersold just how funny and exciting it is through awful, horrendous trailers. It’s the rarest of all movies: an action-thriller-comedy where all three components work!
With great visuals, performances, and subtext, Ryan Coogler’s BLACK PANTHER has it all.
It’s a one-movie show this week, but boy what a movie! The guys are joined by Cape Cod Times sportswriter and lifelong comics enthusiast Matt Goisman, who gives his view of what makes a worthwhile sports movie before they all jump into the main event. BLACK PANTHER (13:15), Ryan Coogler’s mighty impressive statement on the long-term effects of colonialism that asks if it is possible for utopia to exist, should it? And oh yeah, it’s a superhero movie to boot. With amazing visuals, rich performances, and thoughtful subtext wrapped in an entertaining package, BLACK PANTHER is one to see whether you’re into Marvel movies or not.
Marriage is the least insane thing to happen to Anastasia Steele and Christian Grey in FIFTY SHADES FREED.
This week starts with the guys yakking about the READY PLAYER ONE trailer, since Dave and Evan were forced to watch it twice in one sitting. The rest is about two new pictures coming to theaters. First, Kris reviews FIFTY SHADES FREED (3:41), the final chapter in the franchise, which he says redefines the term “captive audience.” Kris laughs at its batty kidnapping plot and explains how it connects to FIFTY SHADES DARKER, a movie that recently made him subscribe to HBO, just so he didn’t have to buy it on Amazon. Next, Evan and Dave take on Clint Eastwood’s THE 15:17 TO PARIS (29:22), a film so bad it actually makes Evan jealous of Kris. They rail against Eastwood’s decision to use real people instead of actors, its terrible dialogue, and its boring focus on minutiae.