To start this week, we discuss Aline Brosh McKenna’s directorial debut, YOUR PLACE OR MINE (2:13). This Netflix rom-com, which divides us, stars Reese Witherspoon and Ashton Kutcher as long-distance best friends who figure out their romantic feelings for each other while she stays in his apartment in NYC for grad school and he takes care of her son back in LA. Next, we review Matt Bettinelli-Olpin and Tyler Gillett’s SCREAM VI (30:40), the latest installment in the SCREAM franchise. We’re also divided about this movie, but we can all agree that setting it in the Big Apple was a smart move. And in this week’s Patreon exclusive audio, we talk about Vittorio De Sica’s Italian neo-realist drama BICYCLE THIEVES in honor of its 75th anniversary this year!
CREED III, THE YEAR BETWEEN, and LA CIVIL on Episode #451
Dave leads off by reviewing Michael B. Jordan’s directorial debut, CREED III (2:15), which isn’t as strong as the other films in the CREED series but has a compelling antagonist played by Jonathan Majors. Next, we all discuss THE YEAR BETWEEN (13:45), writer/director/star Alex Heller’s semi-autobiographical dramedy about a college student named Clemence, who moves in with her family after she’s diagnosed with bipolar disorder. It lands with one of us, but two of us aren’t big fans of it. Then we cover Teodora Mihai’s ethically thorny drama LA CIVIL (34:38), which is about a mother (Arciela Ramírez), whose teenage daughter is kidnapped in Northern Mexico and decides to do whatever it takes to get her back. And in this week’s Patreon exclusive audio, we talk about Steven Spielberg’s WWII drama SAVING PRIVATE RYAN in honor of its 25th anniversary this year!
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COCAINE BEAR, LINOLEUM, and THE QUIET GIRL on Episode #450
Megan kicks things off this week with a review of the Elizabeth Banks-helmed COCAINE BEAR (2:54), a grisly and gory, dark comedy about a bear that accidentally ingests cocaine and goes on a murderous rampage. Then, Evan and Dave tackle Colin West’s LINOLEUM (11:44), a frustrating sci-fi drama starring Jim Gaffigan as the host of a failed children’s science show, whose life takes some unsettling turns after he witnesses a bizarre accident. We all wrap up with THE QUIET GIRL (30:42), Colm Bairéad’s heartbreaking Irish drama about a withdrawn girl who thrives while living with relatives for the summer. And in this week’s Patreon exclusive audio, we talk about the winner of our February poll: Nijla Mumin’s 2018 coming-of-age drama JINN!
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RETURN TO SEOUL and SOMEBODY I USED TO KNOW on Episode #449
We kick off the show this week by reviewing Dave Franco and Alison Brie’s surprisingly nuanced romcom SOMEBODY I USED TO KNOW (2:09). It tells the story of a reality show producer (Brie) who returns to her quaint hometown and reconnects with her ex Sean (Jay Ellis), who is engaged to a woman (Kiersey Clemons) that reminds her of the person she used to be. Then, we cover Davy Chou’s RETURN TO SEOUL (25:50), a compelling and layered exploration of identity. It follows a French woman (Park Ji-min) who returns to Korea to experience the country and try to find her birth parents. And in this week’s Patreon exclusive audio, we talk about a Patron’s choice, the 1996 Mike Nichols queer comedy THE BIRDCAGE!
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Download – and don’t forget to follow us on Apple Podcasts, Pandora, Stitcher, or Spotify! Call us at 862-21–PIECE (862-217-4323) or send us an e-mail: spoilerpiece AT gmail.com.
MAGIC MIKE’S LAST DANCE, ATTACHMENT, and THE OUTWATERS on Episode #448
This week we discuss Gabriel Bier Gislason’s queer Jewish horror film ATTACHMENT (2:51), a smartly-told tale about a Danish woman (Josephine Park) who falls for a Jewish woman (Ellie Kendrick) but discovers some disturbing things after traveling back to London with her. Next, Megan and Dave cover MAGIC MIKE’S LAST DANCE (21: 47), Steven Soderbergh’s mediocre final chapter in the MAGIC MIKE series. Then we review a movie that two of us have a very visceral reaction to — THE OUTWATERS (39:16), Robbie Banfitch’s found footage horror film about a group of friends who get terrorized in the Mojave desert. And in this week’s Patreon exclusive audio, we watch TO LESLIE to find out what all the Oscar fuss is about.
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Download – and don’t forget to follow us on Apple Podcasts, Pandora, Stitcher, or Spotify! Call us at 862-21–PIECE (862-217-4323) or send us an e-mail: spoilerpiece AT gmail.com.
SHOTGUN WEDDING and ERIN’S GUIDE TO KISSING GIRLS on Episode #447
After the past few weeks of watching movies that have made us want to tear our hair out, we finally get a respite. ERIN’S GUIDE TO KISSING GIRLS (3:44) is a sweet teen rom-com that we all found delightful, even if we thought there were some gaps in characterization and story and some uneven performances. (That makes it sound like we didn’t like it; we did.) Then it’s onto SHOTGUN WEDDING, the number one (eek?) movie on Prime. J. Lo is great! But everything else? Hoo boy. And on the Patreon exclusive audio this week, we discuss the 1973 Bruce Lee classic ENTER THE DRAGON. Yay!
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LIFE UPSIDE DOWN, BLOOD, and 2023 Oscar Nominations on Episode #446
We kick off the show by discussing our reactions to the 2023 Oscar nominations (2:25), which dropped earlier in the week. Next, we review Brad Anderson’s frustrating horror/thriller BLOOD (15:46), which stars Michelle Monaghan as a desperate mother trying to protect her son after he gets bitten by a dog and undergoes an unsettling transformation. Then we review Cecilia Miniucchi’s disappointing COVID lockdown relationship comedy LIFE UPSIDE DOWN (34:55), a movie where Bob Odenkirk gives an uncharacteristically lousy performance. And in this week’s Patreon exclusive audio, we talk about the winner of our legacy sequels poll, TOP GUN: MAVERICK!
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SICK and THE SON on Episode #445
Welcome to a wacky week on Spoilerpiece. You’re gonna hear hotter takes than usual when we discuss SICK (2:42), a new horror-thriller from producer and co-writer Kevin Williamson. Is it like SCREAM? Is it something new? Who’s to say what’s new in Earth’s bizarre new cinematic landscape? The second movie is THE SON (25:26), starring Hugh Jackman and Laura Dern. We can’t say with certainty – because it’s only January – but this film may have afforded a couple Spoilerpiecers their most visceral reactions of the year. But like we said, it’s January. Hearts and minds can change! Don’t forget to check out this week’s Patreon exclusive: We talk about the 1973 film PAPER MOON, starring Ryan and Tatum O’Neal.
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SKINAMARINK and SAINT OMER on Episode #444
This week we start by reviewing Alice Diop’s emotionally compelling French courtroom drama SAINT OMER (3:11), which is about the trial of a Senegalese immigrant accused of killing her infant daughter. Then we cover Kyle Edward Ball’s hyper-stylized indie horror flick SKINAMARINK (24:31), which has nothing to do with Sharon, Lois, or Bram. It’s a movie about two kids who wake up in the middle of the night to discover that their father is gone, and all the windows in their house have disappeared. And because it’s turning 50 this year, in this week’s Patreon exclusive audio, we talk about George Roy Hill’s THE STING starring Paul Newman and Robert Redford.
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Download Here – and don’t forget to follow us on Apple Podcasts, Pandora, Stitcher, or Spotify! Call us at 862-21–PIECE (862-217-4323) or send us an e-mail: spoilerpiece AT gmail.com.
M3GAN, THE PALE BLUE EYE, and WHITE NOISE on Episode #443
Evan is off this week, so it’s the Dave and Megan show. But before the Dave and Megan show, Megan goes solo, covering M3GAN (3:01), the crazy AF killer A.I. robot movie starring Allison Williams. And—perfect timing—one of Dave’s children interrupts and scares the crap out of him as he and Megan discuss said killer robot movie. Yeesh! Next, Megan and Dave talk about Noah Baumbach’s adaptation of Don DeLillo’s unfilmable (question mark?) novel WHITE NOISE (17:41). They round things out with the new Christian Bale thriller THE PALE BLUE EYE (36:02), directed by Scott Cooper and featuring Harry Melling as a young Edgar Allan Poe. Don’t forget to check out this week’s Patreon exclusive audio in which Megan and Dave talk about Nora Ephron’s SLEEPLESS IN SEATTLE.
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