This week Kris shares the unusual tale of his 10 year high school reunion. The guys carry their silliness from that story over into their intro, where they ask, you the listener, which 60 Minutes anchor you think they are. It’s a good thing they get to the movies, because there are several to cover. Kris starts with a segment of “Keepin’ up with the Jensons,” where he talks about why he liked SWISS ARMY MAN (at 6:00) more than he expected. Then he and Dave join forces for a recap of HELL OR HIGH WATER (at 18:04), where they joke about the title, discuss the score, and dissect its Western elements. They get to new movies with their review of THE HANDMAIDEN (at 28:09), a three hour movie that flies by due to a layered story and perfect performances, set design, and camerawork. Next, Evan quickly reviews KRISHA (at 42:23), a tough film about a woman spending Thanksgiving with her estranged family that’s shot and edited in an unsettling way. Lastly, he and Kris review MANCHESTER BY THE SEA (at 48:32), an effective examination of grief that also reveals how frustrating it is to drive in Massachusetts.
As the Beastie Boys said, “Another plane, another train, another bottle in the brain, another girl, another fight, another drive all night.” What does that have to do with Spoilerpiece? IT’S MIDNIGHT, WHO KNOWS, DON’T JUDGE US. What we do know is that we got through 24 inches of snow (that’s twice the length of “Informer,” as far as we know) and convened for a late episode discussing the Mike Binder-directed Kevin Costner vehicle BLACK OR WHITE and J.C. Chandor’s third flick, A MOST VIOLENT YEAR. We also got into tangents about parking, abandoning cars, and Kris had a great story about drunk wasps. Evan didn’t leave his house for two days and there are birds in Dave’s bedroom. It was, as Dave’s college R.A. would have said, a fuggin’ week.