THE HITMAN’S BODYGUARD, BREAKER MORANT, THE B-SIDE: ELSA DORFMAN’S PORTRAIT PHOTOGRAPHY, CROSSING DELANCEY, and AGUIRRE, THE WRATH OF GOD on Episode #162

Samuel L. Jackson pointing a gun at Ryan Reynolds in THE HITMAN'S BODYGUARD.

Samuel L. Jackson pissing Ryan Reynolds off in THE HITMAN’S BODYGUARD.

Dave met Daniel from France! He was in town on vacation and they bumped into each other at the Coolidge Corner in Brookline. Dave tells that story, and then the guys have a few things to say about Charlottesville, Va., and then they get into the movies. Evan starts things off with THE HITMAN’S BODYGUARD (7:53), a movie he describes as “Not as bad as I thought it would be.” The guys head down under to BREAKER MORANT at 20:29, and Dave spends waaaaay too much time talking with a terrible Oz accent. Kris covers Errol Morris’ THE B-SIDE: ELSA DORFMAN’S PORTRAIT PHOTOGRAPHY starting at 30:27. Evan takes they guys on a stroll down Amnesia Lane to CROSSING DELANCEY at 38:15, which is a delightfully sweet romantic comedy from the late 1980s. Finally, Kris and Dave cover Werner Herzog’s AGUIRRE, THE WRATH OF GOD at 48:00, which screened on Monday, August 14 in 35mm. Everyone should have access to rep theaters like the Coolidge.

Listen:

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ANNABELLE CREATION, GOOD TIME, WIND RIVER, and KEEPING UP WITH THE JONESES on Episode #161

Miranda Otto tries to ward off demons in ANNABELLE: CREATION.

Miranda Otto tries to ward off demons in ANNABELLE: CREATION.

Longtime friend of the show Dede Crimmins joins the guys this week to discuss what they know about the band Foghat. They have so many movies to talk about that they have a hard time figuring out where to begin. Dave goes first with lightning fast “Riedel’s Recaps” of BAD COMPANY (6:25), MENASHE (7:55), and THE BIG SICK (11:44), before Dede shares her top pics from this year’s Fantasia International Film Festival: MY FRIEND DAHMER (14:43), MOHAWK (18:15), and LOWLIFE (19:54). Then she, Dave, and Kris spoilerpiece ANNABELLE: CREATION (24:15), which is so creepy that Kris watched some scenes through his fingers. Next, Dave gives his one-minute take on GOOD TIME (49:41), a movie with Robert Pattinson making the best bad decisions, that he says is one of the best he’s ever seen. Following that, Evan reviews KEEPING UP WITH THE JONESES (51:49), a cute spy comedy that he’s surprised more people haven’t seen. Finally, Dave and Kris conclude with WIND RIVER (1:00:17), a procedural about a murder on an Indian reservation that they agree is one of the best films of this year.

Listen:

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DUNKIRK, GIRLS TRIP, VALERIAN AND THE CITY OF A THOUSAND PLANETS, and ALTERED STATES on Episode #158

Soldiers attempting to take cover in DUNKIRK.

Soldiers attempting to take cover during the fray in DUNKIRK.

Dave is on vacation, so Charlie Nash joins Evan and Kris to discuss Ed Sheeran’s distracting GAME OF THRONES cameo before they dig into this week’s movies. Before they get into any new ones, Kris shares his most recent experience with ALTERED STATES (4:25), and his invigorating trip to a sensory deprivation chamber that inspired his viewing. Then Charlie and Evan cover GIRLS TRIP (14:23), a comedy that’s way funnier and raunchier than they expected, with many scene-stealing moments by Tiffany Haddish. After that, Kris and Charlie attempt to review VALERIAN AND THE CITY OF A THOUSAND PLANETS (28:26), a colorful Luc Besson sci-fi film that’s bloated, convoluted, and predictable despite its endearing silliness. Finally, all of them tackle Christopher Nolan’s DUNKIRK (48:55), a World War II film that blew them away with its massive scale, pulse-pounding score, and breakneck pacing.

Listen:

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A GHOST STORY, THUNDERBOLT AND LIGHTFOOT, WAR FOR THE PLANET OF THE APES, THE LOVELESS, THE BUBBLE, and OKJA on Episode #157

Caesar covered in snow in WAR FOR THE PLANET OF THE APES.

Caesar takes things personally in WAR FOR THE PLANET OF THE APES.

It’s a heapin’ helpin’ of Spoilerpiece this week, as the guys tackle six movies (!!), and welcome special guest Max Covill! Max writes for Film School Rejects and co-hosts his own podcast, It’s the Pictures. Max gets things a-goin’ with A GHOST STORY (4:15), a movie that stars Casey Affleck as one of the kids from It’s the Great Pumpkin, Charlie Brown, and Rooney Mara as the woman who loves him. It’s the kind of movie Kris wishes he’d seen, but hasn’t yet. There’s a brief tangent into what makes a horror movie a horror movie (A GHOST STORY is not, FYI) at 12:30, and then Riedel’s Recaps with THUNDERBOLT AND LIGHTFOOT (17:00), one of Clint Eastwood’s least Clint Eastwood-like pictures. Max takes over at 27:15 for WAR FOR THE PLANET OF THE APES. Kris tackles THE LOVELESS (41:30), Kathryn Bigelow’s first film as director, and Evan spoilerpieces THE BUBBLE (47:50), a film in which an Israeli man and Palestinian man fall in love and lots of people are unhappy about it. The big ‘un this week is OKJA. Everyone has seen it. AND THERE ARE SUPER DIVERSE OPINIONS! This week’s episode was brought to you by factory farming, btw.

Listen:

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SPIDER-MAN: HOMECOMING, A FISTFUL OF DOLLARS, CADDYSHACK, OUTSIDE PROVIDENCE, and OUTSOURCED on Episode #156

Spider-Man hiding inside a pipe with his cellphone and backpack in SPIDER-MAN HOMECOMING

Peter Parker doesn’t have good luck with cellphones or backpacks in SPIDER-MAN: HOMECOMING

This week the guys discuss their favorite Beach Boys song before they talk movies. They only have one big film to talk about, so they spend some time catching up on others they caught recently. In a segment of “Evan Can Wait” aka “Crewind,” Evan shares his experiences watching CADDYSHACK (6:08) and OUTSIDE PROVIDENCE (14:01) again, as well as his first-time viewing of the romantic OUTSOURCED (20:00). Then Dave recaps his latest time through A FISTFUL OF DOLLARS (26:29), where he talks about what it has in common with other Sergio Leone Westerns and samurai films. Lastly, the guys all team up to review SPIDER-MAN: HOMECOMING (33:40), a Marvel superhero outing that they all really enjoy with believable teenagers facing believable troubles.

Listen:

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BABY DRIVER, THE BIG SICK, THE BEGUILED, and IT’S US on Episode #155

Ansel Elgort doing his best Ray Charles impression in BABY DRIVER.

Ansel Elgort doing his best Ray Charles impression in BABY DRIVER.

Before the guys get to their movies, Kris shares a story about an unconventional spice that he accidentally added to a friend’s coffee at the start of this week’s episode. First, Dave covers IT’S US (6:00), a painful, awkward drama with Eliza Coupe that’s one of the strangest relationship movies he has ever seen. Next, Evan reviews THE BIG SICK (15:45), a semi-autobiographical romantic comedy with Kumail Nanjiani that’s funny, sweet, and offers poignant thoughts on familial relationships. After that Dave tackles Sofia Coppola’s THE BEGUILED (28:06), a remake of the 1971 Don Siegel/Clint Eastwood film, where one of the noticeable differences is that Colin Farrell is purposely Irish. To wrap up,¬†all of the guys take on BABY DRIVER (42:40), the latest Edgar Wright action flick, which has a lot less driving than they expected, but some entertaining moments and performances none the less. And in case you’re wondering, here are the links to the animation for Dave’s Ray Winstone reading “Are You My Mother” and Evan’s interview with Kumail Nanjiani.

Listen:

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WONDER WOMAN, TWIN PEAKS: FIRE WALK WITH ME, and FAST FIVE Revisited on Episode #151

Gal Gadot in WONDER WOMAN.

Gal Gadot kicks ass in WONDER WOMAN.

While exploring the etymology of the word “sweater” this week, Evan and Dave learn a little more about Kris than they bargained for. Before the guys get to the week’s new release, they offer fresh takes on films they watched a second time. Dave starts with his thoughts on David Lynch’s TWIN PEAKS: FIRE WALK WITH ME (at 3:38), which is still longer than it needs to be, but has three powerful set pieces and a bleak narrative where Laura Palmer looks freaked out a lot. Evan is up next, with his insights¬†on FAST FIVE and FURIOUS 6 (at 11:44), two movies that stacked up very differently for him upon second viewing. Then all three guys take on WONDER WOMAN (at 17:50), a picture that’s far better than others in the DCU because it’s funnier, lighter on its feet, and takes itself seriously without going overboard. Their conversation gets slightly heated though, when Evan brings up several gripes he has with it. Wrestling matches are threatened, yet thankfully avoided, brother.

Listen:

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