THE PREDATOR and THE WIFE on Episode #218

A Predator from the movie The Predator aiming a red laser from its mask at the camera with a canon on its shoulder.

The picture is way cooler than anything that’s actually *in* THE PREDATOR

Two new big releases on the show this week. After Dave corrects a mistake he made in last week’s episode (re: whether TRESPASS by Genesis was released in 1970 or 1971), they get into THE WIFE (3:30), which features a fine performance by Jonathan Pryce and an EPIC Glenn Close performance. Kris and Dave disagree on how good it is (and Kris gets in a good dig at Dave at about 14:30), but they’re definitely on the same page about Close’s performance (also, Dave mixed up his pronouns at 20:59 and should have said, “He takes that from her,” not the other way around). Then it’s Shane Black’s THE PREDATOR (30:04), which everyone saw. Two-thirds of the guys hated it and one-third liked it. If you are a Patreon member (patreon.com/spoilerpiece), you’ll find THREE pieces of extra audio on the Patreon page over the next few days.

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THE NUN, SEARCHING, MOM AND DAD, SORCERER, POINT BREAK, and THE AGE OF INNOCENCE on Episode #217

Taissa Farmiga dressed as a nun holding a lantern in a dark hallway while a ghost of anun with no face walks behind her in the movie The Nun

Get ready for jump scares in THE NUN, you’ll be seeing a lot of them.

Somehow DMX comes up again in conversation this week, but this time it’s in the context of an animated show! Kris kicks off the episode’s movies by talking about POINT BREAK (3:40), which he and his fiancé accidentally watched on Keanu Reeves’ birthday. After the guys gush about Kathryn Bigelow’s directing and Reeves’ general awesomeness, Kris moves on to MOM AND DAD (11:38), Brian Taylor’s madcap thriller where Nicolas Cage and Selma Blair play homicidal parental units. Next, Dave covers SORCERER (21:00), one of the all-time great movies with one of the all-time most confusing titles, and THE AGE OF INNOCENCE (28:00), a Scorsese period piece that Dave forgot is really funny, yet also really sad. Evan jumps in to rave about SEARCHING (30:43), a smart, tense thriller starring John Cho as a father searching (see what they did there?) for his missing daughter. And finally to wrap everything up, the guys review THE NUN (42:00), a toothless, glacially paced horror movie brimming with bizarre accents and equally bizarre plot choices.

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KIN, OPERATION FINALE, THE BOY, and WAYNE’S WORLD on Episode #216

Myles Truitt aims a very big laser gun down a hallway to protect his brother played by Jack Reynor in the movie Kin

The gun that Myles Truitt wields in KIN is no BFG, but it wishes it could be.

This week, Kris kicks things off with one of his favorite movies from childhood, WAYNE’S WORLD (5:35). Sometimes revisiting films you loved in your youth is disappointing, but Kris found new appreciation for the subtler moments and supporting characters, and the authenticity of Penelope Spheeris’s direction. Then he segues into THE BOY (13:56), which is one huge letdown and a misuse of of good design, fine performances, and terrific cinematography. Then it’s on to new releases: OPERATION FINALE (23:05), which follows the abduction of Nazi war criminal Adolf Eichmann by Mossad to face justice. Unfortunately, they bent the worthwhile history lesson to fit a hokey template, devaluing both the story its potential impact. Last up is KIN (41:33), which is either instantly forgettable or utterly enraging; either way, its lack of coherent vision and overreliance on one specific pop culture reference means we certainly can’t recommend it.

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ALPHA, CRAZY RICH ASIANS, MILE 22, NEVER GOIN’ BACK, SKATE KITCHEN and Crewind on Episode #214

Mark Wahlberg points a gun in a tactical stance with burning cars behind him in Mile 22.

We liked MILE 22 better the first time we saw it when it was called 16 BLOCKS.

Aerosmith has a Las Vegas residency and the guys have thoughts about it before they brainstorm more old-man-injury-themed bands. Evan opens with a Crewind where he recaps his epic double feature of MENACE II SOCIETY and CITY OF GOD (3:12), two excellent movies that make similar statements about the cyclical nature of poverty, crime and corruption. Then Kris takes over to discuss ALPHA (11:18), a film about the first human/canine companionship that he really wishes was better. Next Dave reviews CRAZY RICH ASIANS (26:11), a romantic comedy that largely fits the genre mold aside from the fact that the whole cast is Asian and the male lead is boring. After that Evan quickly covers NEVER GOIN’ BACK and SKATE KITCHEN (39:55), two films written and directed by women (yay) about high school girls cutting loose. Last, and certainly least, Dave and Kris wrap up with MILE 22 (44:47), the choppily edited Mark Walhberg/Peter Berg vehicle that’s too timid to identify the countries it maligns.

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THE EQUALIZER 2, UNFRIENDED: THE DARK WEB, MAKTUB, and pot movies galore on Episode #210

Denzel Washington holding two pistols, crossing his arms and leaning around a corner in The Equalizer 2.

Even a dual-wielding Denzel isn’t enough to make THE EQUALIZER 2 as good as its predecessor.

Just how old was the PEZ that Evan ate recently? Find out on this week’s episode! After the guys chomp through the answer, Evan and Kris share their most triumphant experience watching the Slaughterhouse Movie Club’s burlesque show and presentation of BILL & TED’S EXCELLENT ADVENTURE (5:15) on the big screen. Next Dave fills them in on his not-so-hazy adventure tracing the evolution pot films (8:37), where he saw cannabis classics like REEFER MADNESS, MARIHUANA, SHE SHOULD HAVE SAID NO, EASY RIDER, and 9 TO 5. Once the smoke clears, Evan digs into MAKTUB (20:46), the adorable Israeli film about two mobsters who attempt reform by granting people’s wishes…in their own way. Unfortunately following his glowing review, Dave must reveal why UNFRIENDED: THE DARK WEB (31:00), a movie Evan and Kris hoped to see, is a terrible sequel to its smart predecessor. Finally, Kris and Dave wrap things up with THE EQUALIZER 2, another sequel that doesn’t measure up, mainly because, as they point out, it doesn’t feel nearly as dangerous, and lacks cohesiveness with its pacing and plot.

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Episode #209: “Leave No Trace,” “Skyscraper,” “Ant-Man and the Wasp,” Documentary Round-Up and Recaps galore!

skyscraper

Die Hard‘s blue screen was better.

HAPPY FOURTH ANNIVERSARY TO SPOILERPIECE! We forgot to mention it until the end, so we thought we’d mention it here up front. Kris is out of town so we’re joined by special guest Sean Burns. On the docket: Riedel’s Recaps with SNEAKERS (3:00) and ANT-MAN AND THE WASP (7:18). Then it’s a documentary download with RBG (10:54), WHITNEY (15:55), and THE KING (18:30). Then Evan hits us up with SKYSCRAPER (21:38). Everyone recaps CHEECH & CHONG’S UP IN SMOKE (32:30) before getting to Debra Granik’s excellent LEAVE NO TRACE (40:10). Don’t forget our Patreon! patreon.com/spoilerpiece

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Episode #207 – “Sicario: Day of the Soldado,” “Damsel,” and “Nancy” with special guest Andy Crump!

sicario-2-movie-review-2018-read-25297d5b-fc67-42dd-b25f-93937ed1cf35

This picture almost makes me think Josh Brolin and pals are looking at the director and saying, “You want me to play the scene like what, motherfucker?”

It’s another week of weddings (sort of) on Spoilerpiece, as Kris shares some big news. Then Kris and Dave are joined by Andy Crump of way-too-many-outlets-to-list as discusses NANCY (3:42) starring Andrea Riseborough. He and Dave take on the Zellners’ DAMSEL (14:57) after that, and then Kris and Dave hoot and holler about SICARIO: DAY OF THE SOLDADO (33:45), the sequel no one asked for from a franchise that doesn’t need one. Ho ho! Hot takes abound on Spoilerpiece, just as they do in this description page! Don’t forget to check out our Patreon page!

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