ONLY THE BRAVE, BIG MOUTH, and THEY LOOK LIKE PEOPLE on Episode #171

"Supe" Eric Marsh (Josh Brolin) berates Brendan McDonough (Miles Teller) during training in Prescott National Forest in Columbia Pictures' ONLY THE BRAVE, THE TRUE STORY OF THE GRANITE MOUNTAIN HOTSHOTS.

Josh Brolin berates a seemingly eyebrowless Miles Teller in ONLY THE BRAVE.

This episode begins with epic tales of Dave’s film school smoking habits, which were quite epic. Then it’s on to the main event, where Kris tells of his recent Netflix adventures with BIG MOUTH (5:45), the new animated show featuring Nick Kroll, John Mulaney, Jessi Klein, and a host of guest stars. It cuts deep with the preadolescent awkwardness, but it’s worth your time. Next up is THEY LOOK LIKE PEOPLE (11:35), an atmospheric, psychological horror film about two friends: one who is having a slow psychotic break where he can’t trust anything he sees or hears, and the other whose entire existence is a facade erected to protect is insecurity. It’s great, and Kris convinces Dave and Evan to see it right away. Last up is ONLY THE BRAVE (32:37) a true-ish story about the Granite Mountain Hotshots, whose heroism deserves a much more thoughtful, intelligent, and coherent movie than the one they got.

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MARSHALL, LUCKY, RAW, and THE LEGO BATMAN MOVIE on Episode #170

Chadwick Boseman in MARSHALL.

MARSHALL: another movie that proves Chadwick Boseman should have his own Oscar category for great performances as historical African Americans.

Evan, Kris, and Dave are joined by special guest (and Evan’s fiancee) Shauna Harris! As a practicing attorney, she sits in to expound on MARSHALL (34:06), the new biopic about the first African-American Supreme Court justice (before he was on the Supreme Court) Thurgood Marshall. Before that, Evan and Shauna Crewind to RAW (18:15), the 2016 flick about French-Belgian cannibals, which, we’re not ashamed to say, leads to “Cannibalismpiece Theatre” at 31:09, when the gang names a bunch of let’s-eat-people movies. But to kick things off, Kris relays his feelings about THE LEGO BATMAN MOVIE (4:23) in a fresh segment of “Keeping up with the Jensons,” and Dave waxes philosophic (not really) about LUCKY (9:48), the last movie Harry Dean Stanton appeared in before his death in September.

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BLADE RUNNER 2049, GERALD’S GAME, DUNE, and the Online New England Film Festival on Episode #169

Ryan Gosling looking to Harrison Ford for answers in BLADE RUNNER 2049.

Ryan Gosling looking to Harrison Ford for answers in BLADE RUNNER 2049.

This week Dave reveals something he feels like he has done right as a parent before any movies are discussed. Since Kris caught VICTORIA AND ABDUL (3:09), he leads off by explaining why Dave is right about it, before expressing some insights of his own. After that, Evan covers the Online New England Film Festival (6:02) by sharing the festival’s award winners and some of his favorite shorts. Next, Dave talks about David Lynch’s DUNE (13:52), raising several questions, including, ‘Who thought it was a good idea to let Toto do the score?’ Following this “Riedel’s Recap,” Kris spoilerpieces the Netflix film GERALD’S GAME (23:08), getting into grisly detail about why it made him want to throw up. Finally, Dave and Evan review the week’s big movie BLADE RUNNER 2049 (44:35) by discussing its atmosphere, aesthetic, and length in comparison to Ridley Scott’s original.

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IT, THE TRIP TO SPAIN, and GOOD BURGER on Episode #165

Bill Skarsgard as Pennywise in IT with a balloon near his head.

Bill Skarsgard is creepy AF as Pennywise in Andy Muschietti’s IT.

This week the guys marvel at technology’s ability to be accidentally stupid before they discuss movies. Kris starts off the show with a segment of “Keepin’ Up with the Jensons” where he describes his experience watching TWIN PEAKS (3:06), before he reviews GOOD BURGER (7:46), a super 90s movie starring Kenan (Thompson) and Kel (Mitchell), he found charming, funny, and very inoffensive. Next, Dave reviews THE TRIP TO SPAIN (19:50), the third installment in Michael Winterbottom’s travel-themed series, which has a lot fewer impressions and very confusing ending. Then the guys arrive at their main event, IT (30:05), the big screen adaptation of Stephen King’s famous novel that’s creative and creepy with a great cast and special effects, even if it does have some flaws. Stay tuned after the credits for a bonus conversation from this week.

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THE HITMAN’S BODYGUARD, BREAKER MORANT, THE B-SIDE: ELSA DORFMAN’S PORTRAIT PHOTOGRAPHY, CROSSING DELANCEY, and AGUIRRE, THE WRATH OF GOD on Episode #162

Samuel L. Jackson pointing a gun at Ryan Reynolds in THE HITMAN'S BODYGUARD.

Samuel L. Jackson pissing Ryan Reynolds off in THE HITMAN’S BODYGUARD.

Dave met Daniel from France! He was in town on vacation and they bumped into each other at the Coolidge Corner in Brookline. Dave tells that story, and then the guys have a few things to say about Charlottesville, Va., and then they get into the movies. Evan starts things off with THE HITMAN’S BODYGUARD (7:53), a movie he describes as “Not as bad as I thought it would be.” The guys head down under to BREAKER MORANT at 20:29, and Dave spends waaaaay too much time talking with a terrible Oz accent. Kris covers Errol Morris’ THE B-SIDE: ELSA DORFMAN’S PORTRAIT PHOTOGRAPHY starting at 30:27. Evan takes they guys on a stroll down Amnesia Lane to CROSSING DELANCEY at 38:15, which is a delightfully sweet romantic comedy from the late 1980s. Finally, Kris and Dave cover Werner Herzog’s AGUIRRE, THE WRATH OF GOD at 48:00, which screened on Monday, August 14 in 35mm. Everyone should have access to rep theaters like the Coolidge.

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ANNABELLE CREATION, GOOD TIME, WIND RIVER, and KEEPING UP WITH THE JONESES on Episode #161

Miranda Otto tries to ward off demons in ANNABELLE: CREATION.

Miranda Otto tries to ward off demons in ANNABELLE: CREATION.

Longtime friend of the show Dede Crimmins joins the guys this week to discuss what they know about the band Foghat. They have so many movies to talk about that they have a hard time figuring out where to begin. Dave goes first with lightning fast “Riedel’s Recaps” of BAD COMPANY (6:25), MENASHE (7:55), and THE BIG SICK (11:44), before Dede shares her top pics from this year’s Fantasia International Film Festival: MY FRIEND DAHMER (14:43), MOHAWK (18:15), and LOWLIFE (19:54). Then she, Dave, and Kris spoilerpiece ANNABELLE: CREATION (24:15), which is so creepy that Kris watched some scenes through his fingers. Next, Dave gives his one-minute take on GOOD TIME (49:41), a movie with Robert Pattinson making the best bad decisions, that he says is one of the best he’s ever seen. Following that, Evan reviews KEEPING UP WITH THE JONESES (51:49), a cute spy comedy that he’s surprised more people haven’t seen. Finally, Dave and Kris conclude with WIND RIVER (1:00:17), a procedural about a murder on an Indian reservation that they agree is one of the best films of this year.

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DETROIT, SHINING THROUGH, and THOR on Episode #160

John Boyega in DETROIT

John Boyega looking about as happy as the guys were watching DETROIT.

This week Dave admits why he’s way too excited about his car getting detailed, before Kris declares that his beard might be magical. Prior to the week’s main event, the guys serve up a heaping helping of recaps. Evan leads off with a segment of “Crewind,” where he offers his take on PHOENIX (6:06), a film that Dave spoilerpieced many moons ago. After he talks about his reaction to the German film’s incredible ending, he tackles SHINING THROUGH (10:35), the Melanie Griffith picture where she’s a sharp half-Jewish woman who spies on the Germans with Michael Douglas during World War II. Then Dave takes over with “Riedel’s Recaps” of I DON’T FEEL AT HOME IN THIS WORLD ANYMORE (20:43), a movie he liked more than Evan, who spoilerpieced it earlier this year, and THOR (24:41), which he was not impressed by. Finally, all three gents delve into DETROIT (34:01), Kathryn Bigelow’s chronicle of the brutality and murder at the Algiers Motel during the 1967 Detroit riot. In their commentary, the guys address criticisms leveled by other critics that the film is exploitative, while also sharing their personal┬áreactions to it.

Listen:

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