Happy almost New Year dear listeners! This week, after Kris reveals the very painful way he thinks Dave can fix a messed up shoulder, Dave agrees with Charlie Nash’s commentary on MOLLY’S GAME (5:26) from the previous episode. Next the guys talk about holiday films (7:35) they watched like A CHRISTMAS STORY, MIRACLE ON 34TH STREET, EMMET OTTER’S JUG-BAND CHRISTMAS and CASABLANCA. Then they move onto their main event (16:00), a deep dive into their ballots for the Boston Online Film Critics Association’s annual awards. The guys each share their top 10 films from the year, while also debating the merits of their favorite performances, directors, screenplays, editing, cinematography and scores, which include work in movies never-before discussed on the show.
This week, friend of the show (and the hosts!) Charlie Nash returns to the guest seat in Dave’s absence. The first review of the night is Evan and Charlie with MOLLY’S GAME, Aaron Sorkin’s directorial debut. The famed writer of A FEW GOOD MEN, THE WEST WING, and THE SOCIAL NETWORK, known for his tight and layered dialogue, would have benefited from applying the same discipline to his camerawork and pacing, as a worthwhile story with good performances gets buried under its own weight (and penchant for mansplaining). Next up is Charlie with a captivating recap of CALL ME BY YOUR NAME, Luca Guadagnino’s coming of age tale love story starring Timothée Chalamet and Armie Hammer. It boasts lush visuals and a deep exploration of discovering sides of ourselves we neither understand how to express nor contain. Wrapping things up is THE POST, Steven Spielberg’s latest masterpiece — yes, it really is — about the publishing of the Pentagon Papers. With a top-notch cast and a clear understanding of the stakes, it’s a must-see for history buffs or anyone who cares about valuing truth and accountability above comfort and stability.