We start this week by reviewing Adam McKay’s hotly-debated Netflix climate change satire, DON’T LOOK UP (2:17), digging into the many ways it’s ineffective, and the couple of ways it is. Then we cover Randall Okita’s tense thriller SEE FOR ME (21:20), about a blind woman stuck inside a house full of crooks with nothing but an app and an army vet on the other side of it to guide her. We wrap up with Pedro Almodóvar’s moving, complex drama PARALLEL MOTHERS (33:11), which is about two mothers who give birth on the same day, and oh so much more. We won’t spoil it here, but we sure will in the episode. And in this week’s Patreon exclusive audio, we finally review the 1985 John Hughes classic, THE BREAKFAST CLUB!
We start off this week with S.K. Dale’s entertaining thriller TILL DEATH (2:37), which stars Megan Fox as a woman who must outwit two men trying to find her…while handcuffed to her dead husband. Next we discuss Frida Kempff’s thriller KNOCKING (19:10), an effective commentary on gaslighting about a woman tortured by knocking sounds in her apartment. Finally, we review Denis Villeneuve’s sci-fi epic DUNE (30:25), the first part in a proposed two-part adaptation of Frank Herbert’s famous sci-fi novel, starring Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Zendaya, Sharon Duncan-Brewster, Jason Momoa, and Javier Bardem. We dig its scope, its cast, and its take on the story. And in this week’s Patreon exclusive audio, we talk about Adam Wingard’s YOU’RE NEXT, a 2011 home invasion horror film we all enjoy!
This week, friend of the show (and the hosts!) Charlie Nash returns to the guest seat in Dave’s absence. The first review of the night is Evan and Charlie with MOLLY’S GAME, Aaron Sorkin’s directorial debut. The famed writer of A FEW GOOD MEN, THE WEST WING, and THE SOCIAL NETWORK, known for his tight and layered dialogue, would have benefited from applying the same discipline to his camerawork and pacing, as a worthwhile story with good performances gets buried under its own weight (and penchant for mansplaining). Next up is Charlie with a captivating recap of CALL ME BY YOUR NAME, Luca Guadagnino’s coming of age tale love story starring Timothée Chalamet and Armie Hammer. It boasts lush visuals and a deep exploration of discovering sides of ourselves we neither understand how to express nor contain. Wrapping things up is THE POST, Steven Spielberg’s latest masterpiece — yes, it really is — about the publishing of the Pentagon Papers. With a top-notch cast and a clear understanding of the stakes, it’s a must-see for history buffs or anyone who cares about valuing truth and accountability above comfort and stability.