BRIGHTWOOD and BAD THINGS on Episode #475

Gayle Rankin covered in blood in the movie Bad Things.This week we start by reviewing Dane Elcar’s compelling sci-fi horror film BRIGHTWOOD (2:23), which follows a troubled couple (Dana Berger and Max Woertendyke) who become trapped in the woods while they’re out for a run. Next, we cover Stewart Thorndike’s frustrating horror movie BAD THINGS (24:19), which follows a group of friends (Gayle Rankin, Hari Nef, Annabelle Dexter-Jones, and Rad Pereira) who spend a chaotic weekend at the hotel one of them has inherited. And in this week’s Patreon exclusive audio, in honor of the late William Friedkin, we talk about his 1977 thriller SORCERER starring Roy Scheider, Bruno Cremer, and Francisco Rabal.

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THE NUN, SEARCHING, MOM AND DAD, SORCERER, POINT BREAK, and THE AGE OF INNOCENCE on Episode #217

Taissa Farmiga dressed as a nun holding a lantern in a dark hallway while a ghost of anun with no face walks behind her in the movie The Nun

Get ready for jump scares in THE NUN, you’ll be seeing a lot of them.

Somehow DMX comes up again in conversation this week, but this time it’s in the context of an animated show! Kris kicks off the episode’s movies by talking about POINT BREAK (3:40), which he and his fiancé accidentally watched on Keanu Reeves’ birthday. After the guys gush about Kathryn Bigelow’s directing and Reeves’ general awesomeness, Kris moves on to MOM AND DAD (11:38), Brian Taylor’s madcap thriller where Nicolas Cage and Selma Blair play homicidal parental units. Next, Dave covers SORCERER (21:00), one of the all-time great movies with one of the all-time most confusing titles, and THE AGE OF INNOCENCE (28:00), a Scorsese period piece that Dave forgot is really funny, yet also really sad. Evan jumps in to rave about SEARCHING (30:43), a smart, tense thriller starring John Cho as a father searching (see what they did there?) for his missing daughter. And finally to wrap everything up, the guys review THE NUN (42:00), a toothless, glacially paced horror movie brimming with bizarre accents and equally bizarre plot choices.

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