This week the guys marvel at technology’s ability to be accidentally stupid before they discuss movies. Kris starts off the show with a segment of “Keepin’ Up with the Jensons” where he describes his experience watching TWIN PEAKS (3:06), before he reviews GOOD BURGER (7:46), a super 90s movie starring Kenan (Thompson) and Kel (Mitchell), he found charming, funny, and very inoffensive. Next, Dave reviews THE TRIP TO SPAIN (19:50), the third installment in Michael Winterbottom’s travel-themed series, which has a lot fewer impressions and very confusing ending. Then the guys arrive at their main event, IT (30:05), the big screen adaptation of Stephen King’s famous novel that’s creative and creepy with a great cast and special effects, even if it does have some flaws. Stay tuned after the credits for a bonus conversation from this week.
This week the guys surprise themselves by reflecting more on string cheese than any adult probably should. Then Evan delves into “Crewind,” the segment formerly known as “Catching up with Crean,” to share his experience watching CLUELESS (at 5:14) for the first time and rewatching Michael Mann’s HEAT (at 9:24) on blu-ray. After he’s done talking about the loving satire of CLUELESS and the awesome actors he forgot were in HEAT, he cedes the floor to Dave to cover IT COMES AT NIGHT (at 14:35), the sophomore effort by KRISHA director Trey Edward Shults. Dave explains why the film deserves a second and possibly third viewing, even though nothing really comes at night, before Evan and Kris explain why THE MUMMY (at 39:24) doesn’t deserve a single viewing due to its stupidity and failure to launch Universal’s Dark Universe franchise.
Strange things are afoot this week at Spoilerpiece Theatre, and we’ll just leave it at that. Kris leads off by reviewing THE BYE BYE MAN (at 3:48), a horror movie where the villain has no goal other than to mess with people until they die, so his dog can eat them. Just like with THE FOREST, Kris almost spoilerpieces Dave into wanting to see it, although thankfully Dave comes to his senses when he realizes how stupid it is. Evan follows with 20TH CENTURY WOMEN (at 26:48), a Mike Mills movie set in 1970s Santa Barbara with good bones, great camerawork, and charming performances, but annoying stream of consciousness storytelling like Mills’s film BEGINNERS. Then Kris and Dave wrap up with LIVE BY NIGHT (at 41:39), the Ben Affleck gangster picture where people do a lot of living by day. Sienna Miller blends in, Brendan Gleeson goes too soon, and Chris Messina is the only one who belongs in this story with lots of clothed sex and heavy involvement from the KKK. The guys reveal that it looks great despite being weird, even though they agree that you should probably live by not seeing it.
On this week’s episode the guys ponder the strange variety of foods available in New York City diners before they dive into movies. Kris kicks everything off with his rundown of HACKSAW RIDGE (at 4:50), Mel Gibson’s World War II film about a conscientious objector who volunteers for military service. The first half has a delicate touch, while the second half is standard Mel Gibson, which Kris emphasizes with enthusiasm. Evan jumps in next to talk about The Boston Jewish Film Festival (at 26:57). He comments on four films playing there; two documentaries (DISTURBING THE PEACE and WOMEN IN SINK) and two narrative shorts (AND THEN, VIOLENCE, and JEWISH BLIND DATE). He discusses the things that each do well, and the reasons why they’re all worth watching. Dave and Kris close out by recapping the 16th Annual Halloween Horror Movie Marathon at the Coolidge Corner Theatre (at 41:40). They share brief reactions to the films they saw there, which include SCREAM, SCREAM 2, THE FOG, THE HOWLING, CREEPSHOW, and GHOST STORY.
This week Kris shares how he learned to separate reality from movies as a child, before he reveals his reaction to Baz Luhrmann’s Netflix show THE GET DOWN (at 4:22). Next Evan talks about the Polish/Israeli horror film DEMON (at 11:11), which has Polish, English, and Yiddish, but no sign language. It’s not particular scary, yet Evan still captures Kris’s interest anyway with his description of it. Following some tangents about a Jewish themed X-FILES episode and Gary Gulman’s stand up, the guys reach their main movie, BLAIR WITCH (at 25:50), which miraculously they have all seen. Evan never saw THE BLAIR WITCH PROJECT so he thinks this sequel is okay, but Dave and Kris have, so they share their experiences seeing it for the first time, before they launch into their critique of the new movie, which they find redundant and needlessly confusing.
This week’s episode starts out with a conversation about Prince, where Kris gets real life events spoilerpieced. Then after a very brief review of BABES IN TOYLAND, a Janet Jackson tangent, and singing, the guys address some listener questions that arrived via voicemail and email. Along the way, they stumble into tangents about FORREST GUMP, Vin Diesel, and The Brattle Theatre’s owl before they move on to the main event: their review of THE WITCH. All three love its ratcheting sense of dread and how it becomes terrifying, bordering on horrifying in its final act. Plus early, Dave admits that there’s a moment in it that makes him feel very uncomfortable as a new dad. Following some differentiation between rabbits and hares, and talk of famous last words in the movie, they all laud THE WITCH for its good direction, great recreation of its time period, and excellent detail. In fact, they spend so much time talking about it, that they don’t get a chance to explore Tim Burton’s BATMAN, which was also on the agenda. Alas, they’ll just have to review it in Episode 85, so be sure to watch it in advance as prep.
This week Kris starts out by asking Dave an important question about how he intends to handle swearing around Baby Henry as he gets closer to actually understanding bad words. Then Evan laments how bad comedy sequels are when he discusses ZOOLANDER 2. The movie’s jokes about millennials suck and it has dumb mythology, but as a great Kiefer Sutherland, which leads to a Kiefer tangent before Kris and Evan tackle DEADPOOL. Friend of the podcast Sam Cohen didn’t care for it, so Evan and Kris start their review of this very funny fourth-wall breaking comic book film by addressing Sam’s issues. Following a GAME OF THRONES tangent, Kris spoilerpieces THE CANAL, an excellent Irish horror flick that he says is creepy, scary, and keeps you guessing. Evan wraps up by talking about horror as well with SOUTHBOUND, a horror anthology that’s freaky, well-put together, and very cohesive. And in case you missed it in the last episode, we are now on Stitcher, so be sure to subscribe to us there if you don’t have iTunes!