Jamie Lee Curtis goes into full in survivalist mode David Gordon Green’s very entertaining HALLOWEEN.
This week, Sean Burns returns to the Spoilerpiece guest chair! First up, Evan continues his adventure through film classics with ROSEMARY’S BABY (3:25) and THE STEPFORD WIVES (8:09) — both coincidentally based on Ira Levin novels. Then it’s on to HALLOWEEN (11:10)! Sean has been working his way through many of the series entries ahead of the new film by David Gordon Green (!!), so we pick his brain about what the hell that was all about before zeroing in on the surprisingly effective entry that is worthy of its title.
Get ready for jump scares in THE NUN, you’ll be seeing a lot of them.
Somehow DMX comes up again in conversation this week, but this time it’s in the context of an animated show! Kris kicks off the episode’s movies by talking about POINT BREAK (3:40), which he and his fiancé accidentally watched on Keanu Reeves’ birthday. After the guys gush about Kathryn Bigelow’s directing and Reeves’ general awesomeness, Kris moves on to MOM AND DAD (11:38), Brian Taylor’s madcap thriller where Nicolas Cage and Selma Blair play homicidal parental units. Next, Dave covers SORCERER (21:00), one of the all-time great movies with one of the all-time most confusing titles, and THE AGE OF INNOCENCE (28:00), a Scorsese period piece that Dave forgot is really funny, yet also really sad. Evan jumps in to rave about SEARCHING (30:43), a smart, tense thriller starring John Cho as a father searching (see what they did there?) for his missing daughter. And finally to wrap everything up, the guys review THE NUN (42:00), a toothless, glacially paced horror movie brimming with bizarre accents and equally bizarre plot choices.
Toni Collette is scared by something in Hereditary, which could be anything, because Hereditary is, uh, scary.
Evan is getting married this weekend! Before his brief break from the show for his honeymoon, he shares his thoughts on watching SCOTT PILGRIM VS. THE WORLD (6:10) for the dozenth time, a movie that does not lose anything on repeat viewings. Next, Dave gets everyone unexpectedly excited about AMERICAN ANIMALS (8:21), revealing that it’s not just another cool-guy heist movie but an examination of the formation, execution, and consequences of a monumentally bad idea. Next, Kris and Dave talk about how much TAG sucks. (18:37) Finally, the moment all (okay, some) have been waiting for, the full Spoilerpiecing of HEREDITARY (37:08). Kris thinks it’s a modern classic, Dave thinks it’s short of that but still very impressive in some ways, particularly the performances and an exceptional turn by Toni Collette.
Insidious: The Last Key. Yes, this moment is super creepy.
After discussing the trailer for the upcoming TRUTH OR DARE and a rumored long-lost Clint Eastwood movie, Evan, Kris, and Dave get down to answering some questions posed by a listener about Quentin Tarantino and rumors of his possible attachment to a new STAR TREK movie (5:00). Then they answer more questions and Kris fills the guys in on his return to letterboxd.com (15:45). Finally, it’s off to the main event, the new Leigh Whannel-written INSIDIOUS: THE LAST KEY (18:30), and what the hell it all means in the context of the INSIDIOUS series. Stay warm, New England.
Bill Skarsgard is creepy AF as Pennywise in Andy Muschietti’s IT.
This week the guys marvel at technology’s ability to be accidentally stupid before they discuss movies. Kris starts off the show with a segment of “Keepin’ Up with the Jensons” where he describes his experience watching TWIN PEAKS (3:06), before he reviews GOOD BURGER (7:46), a super 90s movie starring Kenan (Thompson) and Kel (Mitchell), he found charming, funny, and very inoffensive. Next, Dave reviews THE TRIP TO SPAIN (19:50), the third installment in Michael Winterbottom’s travel-themed series, which has a lot fewer impressions and very confusing ending. Then the guys arrive at their main event, IT (30:05), the big screen adaptation of Stephen King’s famous novel that’s creative and creepy with a great cast and special effects, even if it does have some flaws. Stay tuned after the credits for a bonus conversation from this week.
“Russell…your arms were too big to be a mathematician’s in “A Beautiful Mind.” I think they’re waaaaaaay too big to be Dr. Henry Jekyll’s, so just turn into Mr. fuckin’ Hyde, already, OK?”
This week the guys surprise themselves by reflecting more on string cheese than any adult probably should. Then Evan delves into “Crewind,” the segment formerly known as “Catching up with Crean,” to share his experience watching CLUELESS (at 5:14) for the first time and rewatching Michael Mann’s HEAT (at 9:24) on blu-ray. After he’s done talking about the loving satire of CLUELESS and the awesome actors he forgot were in HEAT, he cedes the floor to Dave to cover IT COMES AT NIGHT (at 14:35), the sophomore effort by KRISHA director Trey Edward Shults. Dave explains why the film deserves a second and possibly third viewing, even though nothing really comes at night, before Evan and Kris explain why THE MUMMY (at 39:24) doesn’t deserve a single viewing due to its stupidity and failure to launch Universal’s Dark Universe franchise.
Zoe Saldana and Ben Affleck in the beautiful, but weird LIVE BY NIGHT
Strange things are afoot this week at Spoilerpiece Theatre, and we’ll just leave it at that. Kris leads off by reviewing THE BYE BYE MAN (at 3:48), a horror movie where the villain has no goal other than to mess with people until they die, so his dog can eat them. Just like with THE FOREST, Kris almost spoilerpieces Dave into wanting to see it, although thankfully Dave comes to his senses when he realizes how stupid it is. Evan follows with 20TH CENTURY WOMEN (at 26:48), a Mike Mills movie set in 1970s Santa Barbara with good bones, great camerawork, and charming performances, but annoying stream of consciousness storytelling like Mills’s film BEGINNERS. Then Kris and Dave wrap up with LIVE BY NIGHT (at 41:39), the Ben Affleck gangster picture where people do a lot of living by day. Sienna Miller blends in, Brendan Gleeson goes too soon, and Chris Messina is the only one who belongs in this story with lots of clothed sex and heavy involvement from the KKK. The guys reveal that it looks great despite being weird, even though they agree that you should probably live by not seeing it.