This week the guys muse about pugs before they dive into their full slate of movies. First Kris deals with TRANSFORMERS: THE LAST KNIGHT (3:20), a movie that feeds into Marky Mark’s savior complex with a story dating back to medieval times. Beaten, a little bruised, and exhausted by its stupidity, Kris passes the baton to Evan, who tackles the Netflix film WAR MACHINE (19:57), a glacially-paced bore with a strangely stacked cast led by Brad Pitt, and a narrator that doesn’t show up until halfway through the picture. Dave enters the fray next with THE JOURNEY (34:14), a decent Irish drama with light comedy and two leads using very different acting styles. Kris wraps everything up with THE BAD BATCH (46:00), a gritty post-apocalyptic Western with Jason Mamoa, Keanu Reeves, and Jim Carrey?! Before signing off, Evan gives a shout out to Max Covill and John Gilpatrick for having him on their show It’s the Pictures to talk about 80s films and his book.
Although Boston meteorologists predicted that Snowmageddon would decimate the area this week, the guys were still able to record their episode before disaster struck. The show starts with a first, Kris spoilerpiecing vinyl album covers, before Evan shares his experience watching the touchstone ‘80s film FLASHDANCE (at 5:20) for the very first time. He agrees that it’s crazy he hadn’t seen it before, as he discusses how impeccably lit it is, how fantastic its music is, and how sultry its epic dance numbers are under the direction of Adrian Lyne. Next, Dave reviews THE LEGO BATMAN MOVIE (at 18:10), which is exactly what you think it would be. Will Arnett is perfect as Batman and the movie is chock full of one-liners, but it doesn’t quite have the same impact as THE LEGO MOVIE. After that Dave and Kris join forces to review JOHN WICK: CHAPTER 2 (at 26:50), a movie that they both loved, and not just because it fulfilled one of three big criteria for good films declared by Dave’s uncle. It compellingly continues mythology established in the first picture without retconning, and features dynamite action scenes, as well as Keanu Reeves speaking multiple languages. Lastly, before they completely wrap, the guys take a moment to thank a fan for her kind email.
Baby Henry is under the weather, prompting Dave to quarantine himself – so guest Dede Crimmins joins Evan and Kris this week to talk about the ‘90s and lots of film-related topics. Dede fills the guys in on her latest adventures, which include recording a DVD commentary, and participating on panels at the Arisia science fiction convention. Following some philosophical discussion about horror, Dede shares three movies to look out for this year (at 13:00): RAW, THE BAD BATCH, and COLOSSAL. After that, she and the guys discuss the 2017 Oscar nominations (at 21:52), revealing surprises and disappointments in the major categories. Finally, all three of them review this week’s new release GOLD (at 33:50), the Matthew McConaughey gold prospecting movie that Kris describes as AMERICAN HUSTLE on NyQuil. Evan and Dede find it charming for McConaughey’s spirited performance as a balding, overweight, drunk, but they admit that they’ll probably forget it in a week.
This week the guys talk about bread (yeah, that’s right, bread) before Evan shares some BIG news. Then Kris starts things off by talking about ZOOTOPIA, a hard-PG Disney film about racism. His commentary leads to an odd tangent about Tom Selleck and a brief tangent on politics. Afterward, he, Dave, and Evan discuss BILL & TED’S EXCELLENT ADVENTURE, one of their favorite dumb movies. The guys comment on how fast-paced and lean it is with its perfect dialogue, while sharing visual gags and suspect editing they didn’t notice in previous viewings. In the process of reviewing it, they delve into BILL & TED’S BOGUS JOURNEY and the BILL & TED cartoon too. In the final part of the show, they express their gripes with this year’s Oscars. They also get into lengthy discussions about the Best Original Screenplay category by way of EX MACHINA and the Best Original Song category by way of Sam Smith. Speaking of songs, stick around after the closing credits for Dave’s fresh take on a Beatles classic.
This week we talk about Keanu Reeves’ old-guy-kicking-ass movie JOHN WICK, Alejandro González Iñárritu’s BIRDMAN, and the very French THE BLUE ROOM. Tangents this week include why trailers suck, the French as a people, the Byronic hero, and lots of other stuff. Plus, Dave sings “Two Heads Are Better Than One” for a half-chorus (it’s Evan’s fault), and Kris explains how John Wick (the character) comes to violence (short version: The bad guys came at him on the WRONG day).