Jamie Lee Curtis goes into full in survivalist mode David Gordon Green’s very entertaining HALLOWEEN.
This week, Sean Burns returns to the Spoilerpiece guest chair! First up, Evan continues his adventure through film classics with ROSEMARY’S BABY (3:25) and THE STEPFORD WIVES (8:09) — both coincidentally based on Ira Levin novels. Then it’s on to HALLOWEEN (11:10)! Sean has been working his way through many of the series entries ahead of the new film by David Gordon Green (!!), so we pick his brain about what the hell that was all about before zeroing in on the surprisingly effective entry that is worthy of its title.
Get ready for jump scares in THE NUN, you’ll be seeing a lot of them.
Somehow DMX comes up again in conversation this week, but this time it’s in the context of an animated show! Kris kicks off the episode’s movies by talking about POINT BREAK (3:40), which he and his fiancé accidentally watched on Keanu Reeves’ birthday. After the guys gush about Kathryn Bigelow’s directing and Reeves’ general awesomeness, Kris moves on to MOM AND DAD (11:38), Brian Taylor’s madcap thriller where Nicolas Cage and Selma Blair play homicidal parental units. Next, Dave covers SORCERER (21:00), one of the all-time great movies with one of the all-time most confusing titles, and THE AGE OF INNOCENCE (28:00), a Scorsese period piece that Dave forgot is really funny, yet also really sad. Evan jumps in to rave about SEARCHING (30:43), a smart, tense thriller starring John Cho as a father searching (see what they did there?) for his missing daughter. And finally to wrap everything up, the guys review THE NUN (42:00), a toothless, glacially paced horror movie brimming with bizarre accents and equally bizarre plot choices.
Dwayne Johnson stars in RAMPAGE, a ridiculous video game movie that plays things straight.
This week’s episode begins with another installment of Keepin’ Up with the Jensons (2:43), in which Kris dives into his cinematic weekend with three very different movies that he recommends nonetheless: THE DEATH OF STALIN, CREEP 2, and HAPPY DEATH DAY. Then it’s Dave with LEAN ON PETE (16:51), a very well made sad-animal-sad-people saga about a runaway teen with nothing but his horse. Then it’s back to Kris with RAMPAGE (27:40), another movie about the bond between beast and man, this time between a monster gorilla and The Rock as they battle obstinate military men, evil corporations, and the other monsters they produced. It’s as good as this movie can conceivably be, and really, what else can you ask for? Closing out this episode is TRUTH OR DARE (43:20), yet another risky endeavor from Blumhouse that capitalizes on a clever story and terrific cast to make its flaws of secondary concern so the audience can just focus on having a good time.
Emily Blunt seeks shelter in a bathtub to avoid the frightening monsters in A QUIET PLACE.
On this week’s show, three good movies with nary a stinker among them! First up is Dave with FINDING YOUR FEET (3:31), a totally predictable, utterly cliche English comedy-drama that will nonetheless reel you in with its sincerity. Next up, Dave and Kris dig into THE INSULT (19:26), this year’s Best Picture nominee from Lebanon, a film in which a minor dispute between a Christian mechanic and a Palestinian engineer in Beirut threatens to reopen wounds of the Civil War. It boasts phenomenal performances and a raw emotional core that carry it past some conventional narrative choices. Last up is A QUIET PLACE (37:58), John Krasinski’s new horror film in which a family’s only hope of survival is to remain completely silent among monsters who hunt by sound. It’s tense from the very first moments, genuinely inventive with its premise, and utterly gripping.
Hello from snowy Boston, MA! This week’s show begins with the very solid VERONICA (3:40), a horror movie from Paco Plaza, director of REC. It’s on Netflix now and people are buzzing about its atmosphere and terrifying set pieces. They’re mostly right, according to Kris, except that the scares stop halfway through once you become invested in the story in its own right. Next up, Dave saw 7 DAYS IN ENTEBBE (21:54), a new thriller based on a true story involving Israel, Uganda, and a hijacked plane. Despite a few interesting side characters, there’s nothing keeping ENTEBBE in the air. Last up is TOMB RAIDER (33:08), starring Alicia Vikander in the role of Lara Croft. She’s great, as are other members of the cast, but the movie around her is not for its go-nowhere plot, strange self-contradictions, and pointlessly preposterous twist.
Insidious: The Last Key. Yes, this moment is super creepy.
After discussing the trailer for the upcoming TRUTH OR DARE and a rumored long-lost Clint Eastwood movie, Evan, Kris, and Dave get down to answering some questions posed by a listener about Quentin Tarantino and rumors of his possible attachment to a new STAR TREK movie (5:00). Then they answer more questions and Kris fills the guys in on his return to letterboxd.com (15:45). Finally, it’s off to the main event, the new Leigh Whannel-written INSIDIOUS: THE LAST KEY (18:30), and what the hell it all means in the context of the INSIDIOUS series. Stay warm, New England.
Josh Brolin berates a seemingly eyebrowless Miles Teller in ONLY THE BRAVE.
This episode begins with epic tales of Dave’s film school smoking habits, which were quite epic. Then it’s on to the main event, where Kris tells of his recent Netflix adventures with BIG MOUTH (5:45), the new animated show featuring Nick Kroll, John Mulaney, Jessi Klein, and a host of guest stars. It cuts deep with the preadolescent awkwardness, but it’s worth your time. Next up is THEY LOOK LIKE PEOPLE (11:35), an atmospheric, psychological horror film about two friends: one who is having a slow psychotic break where he can’t trust anything he sees or hears, and the other whose entire existence is a facade erected to protect is insecurity. It’s great, and Kris convinces Dave and Evan to see it right away. Last up is ONLY THE BRAVE (32:37) a true-ish story about the Granite Mountain Hotshots, whose heroism deserves a much more thoughtful, intelligent, and coherent movie than the one they got.