This week we have two movies for you. First, we review V/H/S/99 (1:56), the latest annoyingly mixed bag in the V/H/S horror anthology franchise. Somehow it’s Shudder’s most streamed movie of all-time?! Next, we delve into Park Chan-wook’s intriguing, yet lengthy film noir-inspired romance and slow-burn thriller DECISION TO LEAVE (32:26). And in this week’s Patreon exclusive audio, we talk about the winner of our zombie movie poll, Bruce McDonald’s 2008 movie PONTYPOOL!
It’s October, so of course we start off this week by reviewing NIGHTBOOKS (2:19), David Yarovesky’s surprisingly enjoyable Netflix horror film, about a boy (Winslow Fegley) who must tell scary stories to survive after he’s imprisoned by a witch (Krysten Ritter). Next, we discuss Maria Schrader’s delightful and layered German sci-fi romance I’M YOUR MAN (21:40), starring Maren Eggert and Dan Stevens (yes, THAT Dan Stevens). Lastly, we cover V/H/S/94 (37:31), the uneven fourth film in the V/H/S horror anthology franchise. And in this week’s Patreon exclusive audio, we talk about the winner of our train movie poll, Sang-ho Yeon’s 2016 horror film TRAIN TO BUSAN!
This week Kris proposes a new tactic for disposing of excess Halloween candy that involves a door-to-door Australian accent. Dave is still on paternity leave so Kris and Evan ride duo for this episode, but they keep a chair open in Dave’s honor. Before they get into the movies, Evan gives his quick impressions of the 80s musical ROCK OF AGES (4:34), discussing differences between the current tour and the 2012 film. Then Kris reviews THE BALLAD OF BUSTER SCRUGGS (8:31), the miniseries turned anthology film by the Coen Brothers, which lets you know that everything is on the table with its funny, violent, and tragic short stories. Kris is so captivated by them that he barely even spoils them, encouraging you to take everything in for yourself in theaters or when the film hits Netflix soon. After that both Kris and Evan cover A PRIVATE WAR (26:46), a compelling drama about real-life war correspondent Marie Colvin played by the incredible Rosamund Pike. The film directed by documentarian Matthew Heineman makes a compelling case for the value of journalism by embedding you with Colvin and exploring the impact of PTSD on journalists like her who report on the horrors of war.