We head over to MARTYRS LANE (2:14) to learn the meaning of the word “vicarage” and to discuss Ruth Platt’s eerie and allegorical horror film (now on Shudder), about a girl who visited nightly by another girl who slowly reveals shocking secrets about her family. Next, we delve into Cedric Nicolas-Troyan’s bloody and entertaining Netflix action film KATE (18:25), which stars Mary Elizabeth Winstead as poisoned assassin trying to get revenge on the gangsters who betrayed her before she dies. Lastly, we review Jonathan Butterell’s charming and glamorous Amazon musical EVERYBODY’S TALKING ABOUT JAMIE (35:26), a queer coming-of-age tale about a teenager who wants to be a drag queen. And in this week’s Patron exclusive audio, we cover Norman Jewison’s 1987 rom-com MOONSTRUCK starring Cher and Nicolas Cage!
This week Kris proposes a new tactic for disposing of excess Halloween candy that involves a door-to-door Australian accent. Dave is still on paternity leave so Kris and Evan ride duo for this episode, but they keep a chair open in Dave’s honor. Before they get into the movies, Evan gives his quick impressions of the 80s musical ROCK OF AGES (4:34), discussing differences between the current tour and the 2012 film. Then Kris reviews THE BALLAD OF BUSTER SCRUGGS (8:31), the miniseries turned anthology film by the Coen Brothers, which lets you know that everything is on the table with its funny, violent, and tragic short stories. Kris is so captivated by them that he barely even spoils them, encouraging you to take everything in for yourself in theaters or when the film hits Netflix soon. After that both Kris and Evan cover A PRIVATE WAR (26:46), a compelling drama about real-life war correspondent Marie Colvin played by the incredible Rosamund Pike. The film directed by documentarian Matthew Heineman makes a compelling case for the value of journalism by embedding you with Colvin and exploring the impact of PTSD on journalists like her who report on the horrors of war.
You want movies? We’ve got your movies this week! The episode opens with a segment of “Catching up with Crean,” aka “Crewind,” where Evan shares his issues with THE HANDMAIDEN (at 6:18) before he covers the sharp Netflix documentary 13TH (at 9:24), which has a well-formed argument about the exploitation of minorities by US lawmakers and the prison industrial complex. After that Evan tackles THE DRESSMAKER (at 13:32), a zany movie that’s overstuffed with plot, yet funny and engaging, with one hell of an ending. Starting at 24:00, Kris and Dave provide very brief recaps of several films including THE LITTLE PRINCE, RED TURTLE, THE FITS, DE PALMA, ZOOTOPIA, and MORRIS FROM AMERICA. Once they get tired of recapping, they move on to this week’s two main events. Dave shares the excruciating agony that is WHY HIM? (at 32:42), or as he calls it “Why Me?”. Then finally, he and Kris review LA LA LAND (at 42:24), a musical with Ryan Gosling and Emma Stone, which they really disagree about.