This episode begins with epic tales of Dave’s film school smoking habits, which were quite epic. Then it’s on to the main event, where Kris tells of his recent Netflix adventures with BIG MOUTH (5:45), the new animated show featuring Nick Kroll, John Mulaney, Jessi Klein, and a host of guest stars. It cuts deep with the preadolescent awkwardness, but it’s worth your time. Next up is THEY LOOK LIKE PEOPLE (11:35), an atmospheric, psychological horror film about two friends: one who is having a slow psychotic break where he can’t trust anything he sees or hears, and the other whose entire existence is a facade erected to protect is insecurity. It’s great, and Kris convinces Dave and Evan to see it right away. Last up is ONLY THE BRAVE (32:37) a true-ish story about the Granite Mountain Hotshots, whose heroism deserves a much more thoughtful, intelligent, and coherent movie than the one they got.
The show opens this week with a conversation about director Werner Herzog’s very unique perspective on life. Following a shout out to one of Dave’s favorite YouTubers and a discussion about Evan’s book, Your ‘80s Movie Guide to Better Living, the guys dig into the week’s new releases. First up is Kris, who discusses Herzog’s documentary LO AND BEHOLD, REVERIES OF THE CONNECTED WORLD (at 9:09). The filmmaker is more aware of his personal brand, so he features himself prominently in it, but it’s still a fascinating piece about the integration between humans and machines. Next, Evan reviews WAR DOGS (at 19:32). Even though it obviously rips off of GOODFELLAS, the movie is worth seeing because it’s funny, has great music, and showcases a tremendous lead performance by Jonah Hill. Lastly, Kris concludes with KUBO AND THE TWO STRINGS (at 36:20), which captivates with its stop motion animation and its take on ancient religion. Every place the characters go in the film and everything they do is enjoyable to watch, even if you’re aware the journey that they’re on.
On this week’s episode Kris shares his plans to weaponize peeing babies with Dave and Evan, before Evan tears FANTASTIC FOUR a new one. The film is terrible in many ways, but Evan just can’t let go of one particularly obnoxious plot hole. After the three of them engage in some Tenacious D-inspired swearing, Dave talks about SHAUN THE SHEEP, a delightful movie that everyone should see. Kris then discusses how Meryl Streep’s Republican grocery store cashier safely rebels through rock music in the confusing RICKI AND THE FLASH. Somehow that leads to Dave and Evan singing about squirrels. Finally, Evan closes everything out with THE STANFORD PRISON EXPERIMENT, a picture that would work better as a documentary, rockumentary, or shockumentary than the flat, repetitive narrative that it is. For some reason all the roads lead back to urine and squirrels in this episode.
“He marries her vindictively? Let’s analyze that statement.” In what kind of film does someone get married vindictively? In a film like THE GUNMAN (or in this case, specifically THE GUNMAN). Kris hated it so much he could barely get through spoilerpiecing it for Dave and Evan. They didn’t do much better with INSURGENT; Evan liked it. Dave didn’t. It’s YA action, adventure, and romance at its most bland (that’s what Dave thinks, anyway). And Kris touches briefly on Godard’s GOODBYE TO LANGUAGE. Tangents this week include reality TV shows that we wish existed so we could watch them; old-guy-killin’ movies; Dave’s dislike of Ray Winstone performances; the old, fat villain in COMMANDO; and we break down what Kris means when he says, “Sean Penn has made movies before?”