This week we discuss Gabriel Bier Gislason’s queer Jewish horror film ATTACHMENT (2:51), a smartly-told tale about a Danish woman (Josephine Park) who falls for a Jewish woman (Ellie Kendrick) but discovers some disturbing things after traveling back to London with her. Next, Megan and Dave cover MAGIC MIKE’S LAST DANCE (21: 47), Steven Soderbergh’s mediocre final chapter in the MAGIC MIKE series. Then we review a movie that two of us have a very visceral reaction to —THE OUTWATERS (39:16), Robbie Banfitch’s found footage horror film about a group of friends who get terrorized in the Mojave desert. And in this week’s Patreon exclusive audio, we watch TO LESLIE to find out what all the Oscar fuss is about.
We start the show this week by reviewing Claire Scanlon’s impressively unfunny comedy THE PEOPLE WE HATE AT THE WEDDING (2:30), which is about dysfunctional siblings (Kristen Bell and Ben Platt) who reluctantly travel to the UK with their mom (Allison Janney) for their half-sister’s wedding. Next, we delve into Mark Mylod’s delicious social satire/horror film THE MENU (18:48), where a hyper-exclusive dining experience turns into a battle of wits between its mastermind chef (Ralph Fiennes) and an unexpected diner (Anya Taylor-Joy). Then we wrap up with Rian Johnson’s wildly entertaining whodunnit GLASS ONION: A KNIVES OUT MYSTERY (42:10), the much-anticipated sequel to Johnson’s murder mystery hit KNIVES OUT. And in this week’s Patreon exclusive audio, we talk about a Patron’s choice, Griffin Dunne’s 1998 film PRACTICAL MAGIC, starring Sandra Bullock and Nicole Kidman!
Even though we go full tilt spoilers on STAR WARS: THE LAST JEDI with guest Tim Estiloz, this image doesn’t give anything away.
This week Kris, Evan, and Dave are joined by their good friend and fellow BOFCA member Tim Estiloz for a spirited discussion of I, TONYA (5:52) with Margot Robbie as figure skater Tonya Harding. Tim, a former professional ice skater and current news/film reporter-type, brings a unique perspective to the discussion and offers some insight on the real Harding’s skill as a skater. Then they guys get into STAR WARS: THE LAST JEDI (38:12). Yes, we give everything away (like always), but THE LAST JEDI is so much fun no spoilers could actually spoil it.
Emily Blunt transforms herself into an alcoholic in THE GIRL ON THE TRAIN.
In this very special episode, the guys welcome their first celebrity guest – actor Robert Davi! Mr. Davi miraculously heard last week’s episode, so he is anxious to talk with them about his elevator encounter with Dave, as well as other things he has going on, like his new documentary DAVI’S WAY. After chatting with Mr. Davi, the guys jump into this week’s films. Evan leads off with AMANDA KNOX (at 12:22), at Netflix documentary that proves police investigatory techniques are flawed all over the world. Next Dave talks all about THE GREASY STRANGLER (at 20:34), one of the least pleasant experiences he has ever had watching a movie. Then Kris and Dave explore THE BIRTH OF A NATION (at 32:36), a loaded movie with a lot of issues worthy of discussion, including the director’s past. Finally, Evan and Dave close with THE GIRL ON THE TRAIN (at 58:10), a mediocre thriller that’s great for its central female characters and their performances, but disappointing for its narrow focus on baby-related-drama.
Matt Damon in THE BOURNE REDUNDANCY aka JASON BOURNE.
Sean Burns joins Evan and Dave to discuss why Wesley Snipes movies have the best one-liners in their trailers. Since Sean hasn’t seen the week’s big movie JASON BOURNE (at 3:12), he plays a fun game where he tries to guess its plot while Evan and Dave tell him what he got right. Following some jokes about THE BOURNE LEGACY (or THE BOURNE LAZENBY as Sean calls it), some questions about why we got another Bourne movie, and a tangent on Michael Douglas, Sean covers Woody Allen’s CAFÉ SOCIETY (at 34:10). Listeners know that Dave normally hates Woody Allen, however Sean manages to spoilerpiece him into tolerating the movie by sharing how much Allen gives a shit visually in this 1930s outing. After Sean explores its message that “It ain’t like it used to be, and it never was,” he reviews Sian Heder’s TALLULAH (at 48:52), a strong first effort starring Ellen Page and Allison Janney. From there, they all descend into tangents about the Coolidge’s upcoming horror movie marathon and differing opinions on various De Palma films (mainly Sean and Dave’s).