We kick off this week’s show by reviewing Leah Purcell’s THE LEGEND OF MOLLY JOHNSON (2:09), a grim feminist Western about a bushwoman (Purcell) in Australia struggling to raise a family in the face of harsh elements and harsh people. We respect what it’s going for but have a couple major criticisms of it. Next, we cover Rebekah McKendry’s GLORIOUS (26:57), a horror film about a man (Ryan Kwanten) trapped in a rest-stop bathroom with a mysterious figure in the stall next to him (J.K. Simmons). We like elements of the movie although we have major critiques of this one too. And in this week’s Patreon exclusive audio, we discuss John Carpenter’s 1982 sci-fi horror film THE THING!
Kicking things off this week, we review Everardo Gout’s THE FOREVER PURGE (5:58), the latest entry in the PURGE franchise! It stars Ana de la Reguera, Tenoch Huerta, and Josh Lucas. Megan and Dave discuss its relevance to recent American political events and why they really dug its political commentary. Next, we all talk about Chris McKay’s long and disappointing sci-fi flick THE TOMORROW WAR (23:54), which has decent action, but a lot of bad writing and acting (especially from Chris Pratt). We wrap up with Cate Shortland’s much anticipated movie BLACK WIDOW (40:48), starring Scarlett Johansson in the second female-led superhero film in the Marvel Cinematic Universe. One of us loved it, but two of us had some mixed feelings about its performances and pacing. And in this week’s Patreon exclusive audio, we tackle Karyn Kusama and Diablo Cody’s 2009 horror comedy JENNIFER’S BODY!
This week Dave recalls a random middle school experience that struck a chord with him for very middle school reasons. Following his hilarious anecdote, the guys all review the Ben Affleck thriller THE ACCOUNTANT (at 4:36), which has good solid killing, a scrappy Anna Kendrick, and a story that’s delightfully narrow in scope, however it does fall victim to clunky exposition in its second act. Next, Kris reviews THE DYBBUK (at 45:16), a really good pre-World War II Polish movie in Yiddish about possession and conjuring Satan (which make it so metal). Lastly, Dave covers with the Swedish picture A MAN CALLED OVE (at 55:24), a story you’ve seen a million times about an old guy with a dead wife. Its characterization of this perpetual grump’s interactions with young people and his botched attempts at killing himself are charming in a way that only a non-American filmmaker could pull off.