CREED III, THE YEAR BETWEEN, and LA CIVIL on Episode #451

Michael B. Jordan stands facing Jonathan Majors in the film Creed III.Dave leads off by reviewing Michael B. Jordan’s directorial debut, CREED III (2:15), which isn’t as strong as the other films in the CREED series but has a compelling antagonist played by Jonathan Majors. Next, we all discuss THE YEAR BETWEEN (13:45), writer/director/star Alex Heller’s semi-autobiographical dramedy about a college student named Clemence, who moves in with her family after she’s diagnosed with bipolar disorder. It lands with one of us, but two of us aren’t big fans of it. Then we cover Teodora Mihai’s ethically thorny drama LA CIVIL (34:38), which is about a mother (Arciela Ramírez), whose teenage daughter is kidnapped in Northern Mexico and decides to do whatever it takes to get her back. And in this week’s Patreon exclusive audio, we talk about Steven Spielberg’s WWII drama SAVING PRIVATE RYAN in honor of its 25th anniversary this year! 

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RAMPAGE, TRUTH OR DARE (HORROR!), LEAN ON PETE and rapid-fire recaps of THE DEATH OF STALIN, CREEP 2, and HAPPY DEATH DAY on Episode #196

Dwayne Johnson with the giant ape George in RAMPAGE.

Dwayne Johnson stars in RAMPAGE, a ridiculous video game movie that plays things straight.

This week’s episode begins with another installment of Keepin’ Up with the Jensons (2:43), in which Kris dives into his cinematic weekend with three very different movies that he recommends nonetheless: THE DEATH OF STALIN, CREEP 2, and HAPPY DEATH DAY. Then it’s Dave with LEAN ON PETE (16:51), a very well made sad-animal-sad-people saga about a runaway teen with nothing but his horse. Then it’s back to Kris with RAMPAGE (27:40), another movie about the bond between beast and man, this time between a monster gorilla and The Rock as they battle obstinate military men, evil corporations, and the other monsters they produced. It’s as good as this movie can conceivably be, and really, what else can you ask for? Closing out this episode is TRUTH OR DARE (43:20), yet another risky endeavor from Blumhouse that capitalizes on a clever story and terrific cast to make its flaws of secondary concern so the audience can just focus on having a good time.

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