This week the guys discuss the narrative differences between Mary Shelley’s “Frankenstein” and film adaptations of her tale at the start of the show. Then Evan reviews Macon Blair’s directorial debut I DON’T FEEL AT HOME IN THIS WORLD ANYMORE (at 5:01), which has a title that sounds like a Facebook status Kris would have written if it had existed in 1995. Blair borrows stylistic elements from director Jeremy Saulnier, but his film lacks the intensity, excitement, and payoff of Saulnier’s movies. Next Dave spoilerpieces Evan and Kris into never seeing THE PROMISE (at 27:22), which is like PEARL HARBOR with more death, and a less interesting love story. If you’re looking for context or history behind the Armenian genocide depicted in the movie, you won’t find it. Lastly, Kris closes with Ben Wheatley’s FREE FIRE (at 47:30), a short, stylized action flick with an outcome that is not as funny as its set up. Kris talks about how Wheatley seems more interested in color, movement, and brutality than getting you to care about what his characters are saying, and why that’s disappointing as a viewer.
Evan couldn’t make the recording so Kris and Dave are joined by friend and fellow critic Deirdre Crimmins (check out her work on allthingshorror.com!). This week we yap a ton about horror movies (because this episode premieres on Halloween), and we also get into the excellent Jake Gyllenhaal flick NIGHTCRAWLER and Alexandre Aja’s HORNS. The horror movies we touch on include FRANKENSTEIN (1931), THE LOST BOYS, EVIL DEAD II, EATEN ALIVE, GHOULIES (which we forgot to mention), and THE INCREDIBLE MELTING MAN, which is easily one of the worst movies to ever grace the silver screen.
Two-thirds of the Spoilerpiece Theatre podcast attended the 12-hour horror movie marathon at the Coolidge Corner Theatre in Brookline, Mass., over the weekend. The movies, in the order shown, were:
1. Frankenstein (1931);
2. The Lost Boys;
3. Evil Dead II;
4. Eaten Alive (shown under the title “Starlight Slaughter,” and one of the worst movies we’ve ever seen);
6: The Incredible Melting Man (in which a man melts for 84 minutes, and his name, “Steve,” is uttered approximately 450 times);
7. The Wicker Man.
It was a great time, and our good friend and fellow film critic Sam Cohen tweeted the following afterward:
Well said, sir.