TALL GIRL, HER SMELL, LATE NIGHT, AND RAUL JULIA: THE WORLD’S A STAGE on Episode #271 with Charlie Nash

Elisabeth Moss in the movie Her Smell grinning and looking away covered in sweat and glittery makeup
Elisabeth Moss stars in HER SMELL, a movie totally unrelated to that Lynyrd Skynyrd song

Kris out on his mini-moon this week so guest Charlie Nash joins Dave and Evan to share his results for the meme “Your Gender Studies Thesis.” After they each get a good chuckle sharing the titles of their fictional papers, Evan reviews TALL GIRL (6:57), a Netflix movie about vertically advantaged high schooler that barely scratches the emotional surface of its main character’s life. Then Dave and Evan recount their experience watching RAÚL JULIÁ: THE WORLD’S A STAGE (18:18), a PBS documentary about the late actor that celebrates his talent, his authenticity, and his inspirational status to Latinx performers everywhere. Next Charlie and Dave delve into HER SMELL (28:50), Alex Ross Perry drama starring Elisabeth Moss that explores the life of a rock star in the throes of addiction. Lastly, Evan and Dave cover LATE NIGHT (44:20), the Mindy Kaling comedy that’s funny and poignant without being preachy.

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SECRET OBSESSION and ONCE UPON A TIME…IN HOLLYWOOD on Episode #263

Brad Pitt and Leonardo DiCaprio in Once Upon a Time in Hollywood wearing period clothes and looking cool.
Looking this cool takes hard work for Brad Pitt and Leonardo DiCaprio

This week, Evan’s latest psycho stalker recap comes in the form of SECRET OBSESSION (3:43), now available on Netflix. And guess what, it sucks! Then it’s Kris and Dave with Quentin Tarantino’s latest, ONCE UPON A TIME…IN HOLLYWOOD (19:36). And guess what, it’s great!

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SHAFT, THE LAST BLACK MAN IN SAN FRANCISCO, I AM MOTHER, and ALWAYS BE MY MAYBE on Episode #257

Jessie T. Usher, Samuel L. Jackson and Richard Roundtree dressed in sunglasses and red coats with black turtlenecks in the movie Shaft
Three generation of Shafts come together, but that doesn’t make SHAFT any better.

After debating whether Janis Joplin wanted a pizza your heart, Kris, Evan, and Dave get down to the diverse slate of movies this week on Spoilerpiece. First up is festival-favorite THE LAST BLACK MAN IN SAN FRANCISCO (3:50). Then it’s SHAFT (16:12), which is not another reboot of SHAFT, but a sequel to SHAFT. Did that make sense? Yeah, SHAFT doesn’t either. Then Dave and Evan get into I AM MOTHER (33:45), a new Netflix flick about a robot that may or may not be evil. Then it’s ALWAYS BE MY MAYBE (45:48), with Ali Wong and Randall Park.

Listen:

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Boston Underground Film Festival, DUMBO, THE HUMMINGBIRD PROJECT, and JUANITA on Episode #246

Amanda Crew looks bloodied and beaten in the movie Tone-Deaf

Amanda Crew stars in TONE-DEAF, one of Kris and Evan’s favorite movies from this year’s Boston Underground Film Festival

This week the guys gripe about the MBTA and the weird white cones that have popped up in Evan’s neighborhood – but not for long – because Dave is back in “the studio” and they have a ton of movies to talk about! First, Kris sneaks in a quick review of Tim Burton’s DUMBO (4:15) a movie that tries to tell you what’s fun and fails. Next, Dave and Evan cover JUANITA (7:20) the Netflix film that’s perfectly predictable and nice, although pretty mediocre. After that Dave reviews THE HUMMINGBIRD PROJECT (15:55), which he describes as 2/3 of a good movie with Jesse Eisenberg and Alexander Skarsgard. Finally, they arrive at the main event: this year’s coverage of the Boston Underground Film Festival aka BUFF (25:40). Kris and Evan share their thoughts on a plethora of entertaining films including the delightful documentary HAIL SATAN?, the Boomers vs Millennials horror flick TONE-DEAF, the coming-of-age war-musical KANARIE, the queer Giallo slasher KNIFE + HEART, the creepy ghost tale THE NIGHTSHIFTER, and the sex-positive 90s indie MARY JANE’S NOT A VIRGIN ANYMORE. They even talk about a few shorts in between like I OWE YOU ONE BANANA AND TWO BLACK EYES by friend of the show Jim McDonough!

Listen:

[https://radiopublic.com/spoilerpiece-theatre-8Xr54V/ep/s1!cb410]

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Festival Roundup, ALITA: BATTLE ANGEL, ARCTIC, HAPPY DEATH DAY 2 U, and RUSSIAN DOLL on Episode #240

Jessica Rothe screaming angrily in the movie Happy Death Day 2 U
Jessica Rothe is a riot in the sci-fi comedy sequel HAPPY DEATH DAY 2 U.

On this week’s show, Evan runs us through his week in festivals: Boston Science Fiction Film Festival and Boston Israeli Film Festival (3:43). Then Kris makes the case for why you should take ALITA: BATTLE ANGEL (10:25) seriously and see it this weekend — prove the pundits wrong! Dave recaps ARCTIC (21:08), a strong film featuring Mads Mikkelsen in a grueling, survivalist role. Kris and Evan then wrap up with HAPPY DEATH DAY 2U and RUSSIAN DOLL (34:25), which arguably have similar plots but take them in radically different — and both extremely entertaining — directions.

Listen:

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The FYRE FESTIVAL documentaries on Netflix and Hulu, and Adam McKay’s VICE on Episode #238

Fyre

Because everyone is talking about the Fyre Festival documentaries on Netflix (FYRE) and Hulu (FYRE FRAUD), Kris, Dave, and Evan dive headlong into the two competing flicks (5:14). Think there isn’t enough Fyre disaster to support two documentaries? Think again! Then it’s onto Adam McKay’s VICE starring Christian Bale as Dick Cheney. Why is it Kris’ nomination as the worst movie to ever receive a Best Picture Oscar nomination? Explanations begin at 26:11. On our exclusive Patreon audio segment this week, we have a chat about how much we love the late Bill Paxton, and whether it’s possible to get the clap in space.

Listen:

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THE UPSIDE, BANDERSNATCH, and Sean Baker films with special guest Greg Vellante on Episode #235!

Bryan Cranston sits in the passenger seat looking out an open window with Kevin Hart in the driver's seat also looking out in the film The Upside.
Bryan Cranston and Kevin Hart try their best in THE UPSIDE

This week we’re joined by friend of the show Greg Vellante! Greg kicks things off with a recap of Sean Baker’s career. Best known for recent successes like TANGERINE and THE FLORIDA PROJECT, there are some real gems early in his filmography, in particular TAKE OUT (3:57). Stay tuned for Greg’s piece in Spectrum Culture! Next up, all three guys spent some time with BANDERSNATCH (18:37), the standalone BLACK MIRROR film where the viewer decides what happens next — or is it simply the illusion of choice?! Closing out the episode is THE UPSIDE (31:12), which is a very misleading name. There are no upsides to this movie.

Listen:

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