This week Kris comes up with a compelling concept for a technologically-themed horror film before the guys dig into new releases. For the first movie, he and Evan construct their take on THE LEGO MOVIE 2: THE SECOND PART (4:00), an animated sequel that operates the same way as its predecessor, with different degrees of success depending on which of them you ask. Next, Dave and Evan argue about KILLERS WITHIN (17:16), a home invasion horror flick playing at the Boston Sci-Fi Film Festival, which they are very divided on. Finally, they all review Dan Gilroy’s Netflix feature VELVET BUZZSAW (29:55), a weird art-based horror movie that Evan seems to like for some reason, even though Dave and Kris don’t.
This week, we welcome our old friend Sam Cohen back on the show! Things kick off with two Crewinds: NORTH BY NORTHWEST (4:09) and CITIZEN KANE (7:23), both of which Evan saw on Filmstruck. If you have classic films that have been on your watchlist for years, FilmStruck is here to help (not a sponsored message, we just dig the service). Next up, Kris (pardon his scratchy post-illness voice) catches up with an old Soviet classic WALKING THE STREETS OF MOSCOW (12:30), a film by Georgiy Daneliya that brings the heart and soul of the French New Wave to 1960s Russia. Sam then talks BAD TIMES AT THE EL ROYALE (21:16), bad times that were unfortunately had by the audience as well. Kris gets everyone excited for A STAR IS BORN (31:41) which is going to win a whole bunch of Oscars and that’s okay. Evan then finishes things off with THE SISTERS BROTHERS (44:20), the latest stark, brutal Western about the lawlessness of the early American Frontier.
This week the guys talk about the wacky world of Colorado marijuana dispensaries before they delve into three very different movies. Dave and Kris lead off with STRONGER (3:18), the David Gordon Green/Jake Gyllenhaal film about one man’s struggle to overcome the trauma of losing his legs in the Boston Marathon Bombing, while he deals with the pressure of living in the public eye. Then Evan reviews YEAR BY THE SEA (30:38)*, a tale about an older woman who finds herself by moving to Cape Cod. And last, but certainly not least, all three guys discuss MOTHER! (42:49), the polarizing Darren Aronofsky picture that they have completely different opinions about.
*YEAR BY THE SEA opens in the following Boston-area theaters:
- West Newton Cinema (West Newton, MA)
- Dedham Community Theatre (Dedham, MA)
- Capawock Theatre (Vineyard Haven, MA)
- Martha’s Vineyard Film Center (Vineyard Haven, MA) (9/27 & 9/28 only)
This week the guys attempt to answer the age old question, “Who’s the luckiest person in show business?” with mixed results. Each of them have some catching up to do on movies that they’ve seen, so they do some quick recaps (starting at 4:26) before they dive into these week’s movies. Kris shares short takes on BEAUTY AND THE BEAST and PERSONAL SHOPPER, prior to Evan offering brief thoughts on 10 CLOVERFIELD LANE, and Dave revealing what he took away from the rest of OJ: MADE IN AMERICA. After that Kris and Evan discuss WILSON (at 19:32), a film based on a Daniel Clowes graphic novel, where Woody Harrelson plays a guy walking through life telling everyone bullshit and acting like an asshole. Then all three guys discuss the sci-fi horror movie LIFE (at 41:11) which has great actors giving mediocre performances. They compare various parts to 2001: A SPACE ODYSSEY, LITTLE SHOP OF HORRORS, and ALIEN, however they describe why it gets dumber the more you think about it.
We’ve got movies coming out the wazoo this week! First, Dave and Kris tackle the ambitious Harry Potter prequel FANTASTIC BEASTS AND WHERE TO FIND THEM (at 4:00), which tries to cram five movies into one. Much to their annoyance, only three of those five movies are good. Next, Dave explores NOCTURNAL ANIMALS (at 24:56), writer/director/fashion designer Tom Ford’s sophomore film. It has two stories about toxic masculinity that don’t add up to a whole movie, so during the review Kris develops a new segment called “Dr. Kris, Medicine Man,” where he shares how he’d fix the film. Following that segment, Dave offers his brief thoughts on the music documentaries OASIS: SUPERSONIC and RUSH: TIME STAND STILL, which only seem to be for diehard fans. Evan bats cleanup with three more movies from the Boston Jewish Film Festival (at 51:00): the mediocre crime thriller A GRAIN OF TRUTH, the emotionally compelling documentary FREEDOM TO MARRY, and the thought-provoking comedy doc THE LAST LAUGH.
This week Dave tells everyone more about why he loves HIDING OUT with John Cryer and poses an interesting theory about Jim Carrey before Kris shares that he was wearing flannel before it was cool. Evan kept his promise to see THE TRIBE so he can’t wait to share his thoughts about how fucked up its graphic scenes of violence and sex are. Then he tries to summarize the plot for PIXELS, while explaining how terrible it is to Dave and Kris. Thankfully Kris shifts momentum to discuss SOUTHPAW, which is about a boxer who isn’t a southpaw, but he does have his own entourage. Dave wraps up the episode by reviewing INFINITELY POLAR BEAR, a film he enjoyed where Mark Ruffalo plays the kind of bipolar father who tells rivers to go fuck themselves.
Evan couldn’t make the recording so Kris and Dave are joined by friend and fellow critic Deirdre Crimmins (check out her work on allthingshorror.com!). This week we yap a ton about horror movies (because this episode premieres on Halloween), and we also get into the excellent Jake Gyllenhaal flick NIGHTCRAWLER and Alexandre Aja’s HORNS. The horror movies we touch on include FRANKENSTEIN (1931), THE LOST BOYS, EVIL DEAD II, EATEN ALIVE, GHOULIES (which we forgot to mention), and THE INCREDIBLE MELTING MAN, which is easily one of the worst movies to ever grace the silver screen.