Megan is on vacation, so Dede Crimmins, the Alec Baldwin of Spoilerpiece, is back to fill in! Before we talk about this week’s movies though, Dede has a bone to pick with Dave about MALIGNANT. After that we review John Pollono’s gritty New England drama SMALL ENGINE REPAIR (6:32), about three lifelong friends (Pollono, Jon Bernthal, and Shea Whigham) faced with an ethical dilemma inside a small engine repair shop. Next, we discuss Clint Eastwood’s slow period drama CRY MACHO (25:40), which follows an old cowboy who heads down to Mexico to retrieve his boss’s son. Lastly, we dig into DEAR EVAN HANSEN (44:23), the big-screen adaptation of the Broadway musical that everyone’s talking about. And in this week’s Patreon exclusive audio, we cover Clint Eastwood’s 2008 drama GRAN TORINO!
This week Megan is on vacation so we’re joined by guest Lady Wan from the Screen Run podcast! First, we review Neill Marshall’s torturous period horror film THE RECKONING (2:24) about a woman falsely accused of being a witch. Next, we cover David Charbonier and Justin Powell’s tense horror film THE DJINN (16:44), about a mute boy who asks a dark entity to grant his wish. Then, we wrap up with Robert Machoian’s claustrophobic relationship drama THE KILLING OF TWO LOVERS (24:58), about a couple trying to work through their marriage. And in this week’s Patreon exclusive audio, we review Alex Cox’s 1984 cult classic REPO MAN!
This week Dave can’t make it, so Dede Crimmins, the Alec Baldwin of Spoilerpiece, fills in! After discussing cats on Zoom, we dive into this week’s movies. First up is Shudder’s A NIGHTMARE WAKES (3:25), Nora Unkel’s period horror flick which follows Mary Shelley as she writes Frankenstein. Next, we review THE WANTING MARE (13:00), Nicholas Ashe Bateman’s surreal fantasy about dreams, longing, and yes, a mare. Then it’s Netflix’s MALCOLM & MARIE (26:43), Sam Levinson’s movie starring Zendaya and John David Washington about a couple’s volatile night of arguments. Finally, we cover SAINT MAUD (46:38), Rose Glass’s outstanding horror film about a pious nurse (Morfydd Clark) who becomes unhealthily obsessed with trying to save her patient’s soul. And on this week’s Patreon exclusive audio, we discuss James Cameron’s 1992 film TERMINATOR 2: JUDGMENT DAY.
In this bonus episode, Evan chats on the phone with Ariana Cohen-Halberstam, Artistic Director of Boston Jewish Film. She reveals how the pandemic shaped this year’s virtual Boston Jewish Film Festival and how her team is trying to go “beyond the screen” with classes and musical performances. She also talks about exciting filmmaker Q&As, important films in the lineup about Jews of color, and this year’s Israeli TV binge, where viewers can watch an entire season of the show UNCHAINED. Other films discussed include SAUL & RUBY’S HOLOCAUST SURVIVOR BAND, IN YOUR EYES I SEE MY COUNTRY, ASIA, HONEYMOOD, SHARED LEGACIES, and THEY AIN’T READY FOR ME.
Dave’s on vaca one last week, so Kristen Halbert fills in to discuss a panel about video game to film adaptations (4:05) that she and Evan attended at PAX East. After they explore ideas for future adaptations, Megan reviews the new Pixar film ONWARD (21:23), a heartwarming family tale. Next she and Evan discuss THE LODGE (29:30), a creepy horror flick they’re split on. Finally, everyone digs into THE WAY BACK (47:35), a Ben Affleck film about addiction that leaves one host feeling less than enthusiastic.
In this bonus episode recorded at the Boston Jewish Film Festival, Evan chats with writer/director Dan Schechter about SAFE SPACES (now called AFTER CLASS), the festival’s opening night film. They discuss how the movie, which stars Justin Long, mines quasi-autobiographical material to deftly tackle emotionally complicated subject matter. They also cover Jewish themes in the story, his casting process, what he hopes viewers will take away from the movie, and most importantly, his bagel order.
Kris out on his mini-moon this week so guest Charlie Nash joins Dave and Evan to share his results for the meme “Your Gender Studies Thesis.” After they each get a good chuckle sharing the titles of their fictional papers, Evan reviews TALL GIRL (6:57), a Netflix movie about vertically advantaged high schooler that barely scratches the emotional surface of its main character’s life. Then Dave and Evan recount their experience watching RAÚL JULIÁ: THE WORLD’S A STAGE (18:18), a PBS documentary about the late actor that celebrates his talent, his authenticity, and his inspirational status to Latinx performers everywhere. Next Charlie and Dave delve into HER SMELL (28:50), Alex Ross Perry drama starring Elisabeth Moss that explores the life of a rock star in the throes of addiction. Lastly, Evan and Dave cover LATE NIGHT (44:20), the Mindy Kaling comedy that’s funny and poignant without being preachy.
Joining Evan and Dave while Kris prepares for his wedding is friend-of-Spoilerpiece Megan Kearns! She starts things off with a review of VITA & VIRGINIA (3:59), a love story about Vita Sackville-West (Gemma Arterton) and Virginia Woolf (Elizabeth Debicki). Next up Dave and Megan tackle the new release THE GOLDFINCH (14:20), an adaptation of Donna Tartt’s Pulitzer Prize-winning long-ass novel. Then Megan and Evan get to the J. Lo/Constance Wu movie HUSTLERS (40:54), and all three wrap up with UNTOUCHABLE (57:45), the new Hulu documentary about Harvey Weinstein.
This week, returning guest/friend of the show/current Chicagoan Dede Crimmins returns via Skype to give us her top picks from this year’s Fantasia Festival in Montreal (3:35). Following that is LUZ (18:30), the German surrealist exorcism/hypnotism flick that everyone should see. Dede then runs us through SCARY STORIES TO TELL IN THE DARK (29:14), based on the series of books that scared you silly as a kid. And the good news is, this one is also pretty dang creepy! The episode then closes with our take on tween coming-of-age comedy GOOD BOYS (43:00).
This week Kris recounts the time he couldn’t go to Lenin’s Tomb because it was “closed for inventory,” leaving Evan and returning guest Megan Kearns completely confused. Megan leads off the episode by describing two films she saw recently THEM THAT FOLLOW (4:11), a somber film about religion and snake charming, and THE PERFECTION (10:00), a more engaging movie about classical musicians that takes some fascinating twists and turns before spiraling into body horror. Then Evan shares his experience watching Ari Aster’s MIDSOMMAR (14:05), which may or may not be “an Evan movie.” Lastly, all three of them dissect THE KITCHEN (28:50), a disappointing kitchen-sink crime drama chock full of critical themes about gender, race, and class that it only superficially addresses, and thinly drawn characters whose motivations don’t make any sense.