EVERYTHING EVERYWHERE ALL AT ONCE with Dan and Chris from Film Trace on Episode #408

Michelle Yeoh sweeps her arm in a martial arts move with flying papers and a googly eye on her forehead in the movie Everything Everywhere All at OnceMegan is on vacation this week so Evan and Dave are joined by Dan and Chris from the podcast Film Trace! They’re only talking about one movie, but that’s because there’s a lot to say about the Daniels’ latest film EVERYTHING EVERYWHERE ALL AT ONCE. They dig into this bonkers sci-fi action adventure comedy, discussing its hilarious absurdity, its incredible performances, its terrific editing, stunning special effects, and more. Plus, on this week’s Patreon exclusive audio, which is open to everyone for one week, Chris and Dan join Evan and Dave to talk about Robert Aldrich’s 1962 thriller WHAT EVER HAPPENED TO BABY JANE? starring Bette Davis and Joan Crawford! 

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Ti West’s “X” with special guest Jason from Binge Movies on Episode #402

Owen Campbell, Jenna Ortega, Kid Cudi and Brittany Snow walk through tall grass as a 1970s film crew in the horror movie "X"As promised, we’re going to start featuring more guests on the show, so this week Jason from Binge Movies joins us! After he briefly shares what his podcast is all about, we all review Ti West’s X (7:17), a horror movie about an adult film crew in 1970s rural Texas who are attacked by their elderly hosts. It stars starring Mia Goth, Jenna Ortega, Martin Henderson, Brittany Snow, Owen Campbell, Stephen Ure, and Scott Mescudi. A lot of critics have unabashedly praised this film, but we have both compliments and criticism in our robust, nuanced conversation of the well-crafted yet problematic film. And in this week’s Patreon exclusive audio, Jason also joins us to discuss Robert Zemeckis’ 2000 thriller WHAT LIES BENEATH starring Michelle Pfeiffer and Harrison Ford! 

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Episode #400: A Very Special Episode with Guests Galore

High NoonIt’s our 400th episode of Spoilerpiece Theatre, so we’ve cooked up something extra special for you, Spoilerpeeps! After some thank yous and very special announcements (hello Spoilerpiece merch), original Spoilerpiece co-host Kris Jenson stops by (16:00) to talk about Fred Zinnemann’s 1952 Western, HIGH NOON from the AFI Top 100 list! Then we have previous guests and friends of the show stop by to talk about spoilers in some of their favorite films. We chat with Max Covill from It’s the Pictures (49:03), Andy Crump (56:32), Dede Crimmins (65:48), Charlie Nash from Almost Major (1:12:31), J.C. from Screen Fix (1:21:24), Kristen Halbert (1:34:44), and The Lady-Wan from ScreenRun (1:49:15). And if that wasn’t enough, this week’s Patreon bonus audio, where we talk about Robin Hardy’s 1973 horror film THE WICKER MAN is available for everyone to hear!

HOUSE OF GUCCI, THE CARD COUNTER, and WEST SIDE STORY with Guest Charlie Nash on Episode #387

Lady Gaga smirks with a cigarette in her mouth that she's about to light in the movie House of Gucci

We don’t all agree on HOUSE OF GUCCI, but we do all agree that Lady Gaga is great in it

Frequent guest Charlie Nash stops by this week to fill in for Megan. He offers a quick plug for his new podcast, Almost Major, before he reviews Steven Spielberg’s adaptation of WEST SIDE STORY (6:09), which despite his admitted bias against a particular actor in it, offers great spectacle and inspired tweaks to the original story. Next, we all discuss Paul Schrader’s THE CARD COUNTER (16:30), an intense tale about trauma and guilt starring Oscar Isaac, Tye Sheridan, Tiffany Haddish, and Willem Dafoe. After that we delve into Ridley Scott’s HOUSE OF GUCCI (39:28), a movie about wealth and manipulation that we have polarized reactions to. One thing we do agree on: Lady Gaga is great in it. And in this week’s Patreon exclusive audio, we talk about a Patron’s request, Ted Demme’s 1994 dark Christmas comedy, THE REF, starring Denis Leary!

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SILENT NIGHT and ENCOUNTER with special guest Kris Jenson on Episode #386

A group of friends and their children sit around a Christmas dinner table, raising their glasses to toast to each other in the movie Silent Night.

Sadly, we will not be raising a glass to SILENT NIGHT

Megan’s on vacation (and we miss her), so we invite a very special guest to join us this week: former Spoilerpiece co-host Kris Jenson! We’re excited to have Kris back for an episode, but feel bad about the movies we made him watch. At least we have some great discussions about them! First up is Michael Pearce’s muddled sci-fi film ENCOUNTER (4:26), starring Riz Ahmed as a father trying to protect his two sons from an alien invasion. Then we cover Camille Griffin’s uneven mix of sci-fi and dark comedy, SILENT NIGHT (31:17), which is about old friends who get together on Christmas as one last hurrah before their imminent demise. And on this week’s Patreon exclusive audio, we talk with Kris about Paul Verhoeven’s 1990 sci-fi action film TOTAL RECALL, starring Arnold Schwarzenegger!

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Hanukkah Bonus: 2021 Boston Jewish Film Festival Shorts

Orthodox Jewish comedian Daniel Finkelstein holds a microphone in the documentary A Jew Walks into a Bar

A JEW WALKS INTO A BAR was one of our favorite shorts from the 32 Minutes or Less! block at this year’s Boston Jewish Film Festival

Happy Hanukkah! This year the holiday is coming early in real life and on the show. Our gift to you is a bonus episode where Evan and his co-host in life, Shauna, review the shorts programs from the 2021 Boston Jewish Film Festival. First up is the FreshFlix block, where they concentrate on THE MOHEL (1:25), PARADISE (10:46), and THE BINDING OF ITZIK (17:42), with brief comments on DEVEK, GANEF, SCUM BOY, and IMMERSION. Next they discuss Shorts Made in Quarantine with a focus on TANGLED UP IN JEWS (27:13), LONG DISTANCE (29:15), and DIALOGUES AND MONOLOGUES (32:07), and brief nods to VOICES FROM THE BALCONIES and YOM KIPPUR IN LOCKDOWN. They wrap up with the In 32 Minutes or Less! block, engaging in discussions about NEVER AGAIN / PARA NADIE (39:11), BECOMING NAKUSET (47:55), MOM’S IN TOWN AND SHE DIDN’T TELL ME (47:55), and A JEW WALKS INTO A BAR (51:15), while briefly mentioning THE COLLECTION and ZAIDA. Hopefully these reviews inspire you to check out the shorts at the Boston Jewish Film Festival, which runs virtually through November 20, 2021.

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DEAR EVAN HANSEN, CRY MACHO, and SMALL ENGINE REPAIR on Episode #376

Ben Platt looking bewildered standing in the spotlight on stage with cards in his hand and a cast on his wrist in the movie Dear Evan Hansen

Ben Platt looking way too old for a high schooler in DEAR EVAN HANSEN

Megan is on vacation, so Dede Crimmins, the Alec Baldwin of Spoilerpiece, is back to fill in! Before we talk about this week’s movies though, Dede has a bone to pick with Dave about MALIGNANT. After that we review John Pollono’s gritty New England drama SMALL ENGINE REPAIR (6:32), about three lifelong friends (Pollono, Jon Bernthal, and Shea Whigham) faced with an ethical dilemma inside a small engine repair shop. Next, we discuss Clint Eastwood’s slow period drama CRY MACHO (25:40), which follows an old cowboy who heads down to Mexico to retrieve his boss’s son. Lastly, we dig into DEAR EVAN HANSEN (44:23), the big-screen adaptation of the Broadway musical that everyone’s talking about. And in this week’s Patreon exclusive audio, we cover Clint Eastwood’s 2008 drama GRAN TORINO

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THE KILLING OF TWO LOVERS, THE DJINN, and THE RECKONING on Episode #357

Clayne Crawford stands by himself with his hands in his pockets in the movie The Killing of Two Lovers

Clayne Crawford gives a compelling performance in THE KILLING OF TWO LOVERS

This week Megan is on vacation so we’re joined by guest Lady Wan from the Screen Run podcast! First, we review Neill Marshall’s torturous period horror film THE RECKONING (2:24) about a woman falsely accused of being a witch. Next, we cover David Charbonier and Justin Powell’s tense horror film THE DJINN (16:44), about a mute boy who asks a dark entity to grant his wish. Then, we wrap up with Robert Machoian’s claustrophobic relationship drama THE KILLING OF TWO LOVERS (24:58), about a couple trying to work through their marriage. And in this week’s Patreon exclusive audio, we review Alex Cox’s 1984 cult classic REPO MAN

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SAINT MAUD, MALCOLM & MARIE, THE WANTING MARE, and A NIGHTMARE WAKES on Episode #344

Morfydd Clark looking directly at the camera in a creepy way in the horror movie Saint Maud

Morfydd Clark is supremely creepy in SAINT MAUD.

This week Dave can’t make it, so Dede Crimmins, the Alec Baldwin of Spoilerpiece, fills in! After discussing cats on Zoom, we dive into this week’s movies. First up is Shudder’s A NIGHTMARE WAKES (3:25), Nora Unkel’s period horror flick which follows Mary Shelley as she writes Frankenstein. Next, we review THE WANTING MARE (13:00), Nicholas Ashe Bateman’s surreal fantasy about dreams, longing, and yes, a mare. Then it’s Netflix’s MALCOLM & MARIE (26:43), Sam Levinson’s movie starring Zendaya and John David Washington about a couple’s volatile night of arguments. Finally, we cover SAINT MAUD (46:38), Rose Glass’s outstanding horror film about a pious nurse (Morfydd Clark) who becomes unhealthily obsessed with trying to save her patient’s soul. And on this week’s Patreon exclusive audio, we discuss James Cameron’s 1992 film TERMINATOR 2: JUDGMENT DAY.

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BONUS: 2020 Boston Jewish Film Festival Preview

They Aint Ready for Me

Tamar Manasseh, the subject of the documentary THEY AIN’T READY FOR ME, playing at the 2020 Boston Jewish Film Festival.

In this bonus episode, Evan chats on the phone with Ariana Cohen-Halberstam, Artistic Director of Boston Jewish Film. She reveals how the pandemic shaped this year’s virtual Boston Jewish Film Festival and how her team is trying to go “beyond the screen” with classes and musical performances. She also talks about exciting filmmaker Q&As, important films in the lineup about Jews of color, and this year’s Israeli TV binge, where viewers can watch an entire season of the show UNCHAINED. Other films discussed include SAUL & RUBY’S HOLOCAUST SURVIVOR BAND, IN YOUR EYES I SEE MY COUNTRY, ASIA, HONEYMOOD, SHARED LEGACIES, and THEY AIN’T READY FOR ME.

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