After Evan tells Kris and Dave about his exploding sofa cushions, they delve into the week’s movies. First there’s THE DISASTER ARTIST (6:30), the absolutely wonderful making-of-THE-ROOM movie directed by James Franco and starring Franco as Tommy Wiseau and his brother Dave Franco as Greg Sestero. Then there’s Sean Baker’s THE FLORIDA PROJECT (22:07), which all three guys saw and have lots of opinions about.
On this week’s episode, Dave and Kris are still in the process of recovering from various plagues (Apologies for the occasional coughing!), but that doesn’t slow them down from getting to the bottom of this week’s releases. First up is Kris with an installment of Keepin’ Up with the Jensons, revisiting THE KILLING OF A SACRED DEER (4:50). Rather than rehash the plot, Kris ponders the point of it all, with some unsatisfying conclusions. Next up, Evan walks through ROMAN J. ISRAEL, ESQ. (9:24), the new film from NIGHTCRAWLER director Dan Gilroy featuring Denzel Washington and Colin Farrell. It’s not necessarily a bad film and it boasts some fine performances, but it ultimately suffers from a terminal case of not having a firm grasp on its own point, leading to an uneven tone and baffling plot twists. Last up is Dave and Kris with COCO (30:09), the new Pixar film guaranteed to make you cry. It’s a delight to behold that is gorgeous and heartfelt despite some issues of predictability, and is a welcome addition to the Pixar tradition of finding worthwhile, emotional stories in just about anything.
This week our good friend and co-host Kristofer Jenson is sidelined by the plague, so honorary fourth member Sean Burns fills in. He gets things started off (3:40) with a special guest segment, “Burned Out with Sean Burns,” in which he tells Dave and Evan what he thinks of THREE BILLBOARDS OUTSIDE EBBING, MISSOURI. Evan follows things up with IN BETWEEN and KEEP THE CHANGE (8:50), which are showing at the Boston Jewish Film Festival. Then Sean and Dave weigh in on Richard Linklater’s LAST FLAG FLYING (18:00), the spiritual sequel to THE LAST DETAIL. Finally, it’s superhero time as Evan and Dave discuss JUSTICE LEAGUE (28:55) and Sean more or less correctly guesses the plot even though he hasn’t seen it.
Big week at Spoilerpiece! Lotsa movies. Evan fills us in on the Boston Jewish Film Festival (3:45) with the four shorts (JOIN THE CLUB with Ari Graynor, WIG SHOP with Emily Mortimer, BLACK SWELL with Richard Kind, and THE CHOP, about a Jewish butcher who gets a job in halal shop), and one feature (WINTER HUNT) he watched in anticipation of the festival’s run from November 8-20. Dave follows at 17:20 with Frances McDormand in THREE BILLBOARDS OUTSIDE EBBING, MISSOURI, which he characterizes as one of the best films of 2017. Next up is Kris and Dave with Kenneth Branagh’s MURDER ON THE ORIENT EXPRESS at 30:00. Lastly, all three guys saw Greta Gerwig’s masterful LADY BIRD and take turns gushing about how much they love it.
This week starts with Dave’s recap of the all-night Halloween Marathon at Brookline’s Coolidge Corner Theatre (2:30) featuring some of the best in classic zombie flicks. Next up, Kris recounts his spooky double feature, LET’S SCARE JESSICA TO DEATH and MESSIAH OF EVIL (16:09), both of which are great slices in 1970s weirdness. Dave runs us through THE KILLING OF A SACRED DEER (28:32) and does not buy into the hype. Dave and Evan team up for LBJ (34:39), the latest take on the president with a complicated legacy. Last up, all three talk about the surprisingly delightful THOR: RAGNAROK (44:37) from Taika Waititi.
This week the guys reminisce about long-gone insults of yesteryear before Kris offers a unique barb of his own design. For the movies, Evan delivers a “Crewind” of G.I. JANE (5:00), the Ridley Scott picture where Demi Moore is a badass Navy SEAL in training trapped in a story that gets a little muddled with conspiracy plots. Next Dave covers TOO FUNNY TO FAIL (17:17), a rollicking documentary on Hulu about the short-lived DANA CARVEY SHOW that explains that the inspiration for some of the show’s best sketches while reflecting on its failure. Then the guys take on SUBURBICON (28:35), a George Clooney film that borrows an old Coen Brothers script, but fails to imitate them effectively. While they chide it for being too heavy-handed and trying to cover too much narrative ground, they can all agree that Oscar Isaac injects much-needed vitality into his brief scenes.
This episode begins with epic tales of Dave’s film school smoking habits, which were quite epic. Then it’s on to the main event, where Kris tells of his recent Netflix adventures with BIG MOUTH (5:45), the new animated show featuring Nick Kroll, John Mulaney, Jessi Klein, and a host of guest stars. It cuts deep with the preadolescent awkwardness, but it’s worth your time. Next up is THEY LOOK LIKE PEOPLE (11:35), an atmospheric, psychological horror film about two friends: one who is having a slow psychotic break where he can’t trust anything he sees or hears, and the other whose entire existence is a facade erected to protect is insecurity. It’s great, and Kris convinces Dave and Evan to see it right away. Last up is ONLY THE BRAVE (32:37) a true-ish story about the Granite Mountain Hotshots, whose heroism deserves a much more thoughtful, intelligent, and coherent movie than the one they got.