THE UNBEARABLE WEIGHT OF MASSIVE TALENT, THE AVIARY, and FIREBIRD on Episode 407

Nicolas Cage and Pedro Pascal run for cover in the movie The Unbearable Weight of Massive TalentHi gang! Evan is on vacation so it’s just Megan and Dave holding down the fort. They start things off with the Nicolas Cage comedy THE UNBEARABLE WEIGHT OF MASSIVE TALENT (2:41), a very silly romp through a weekend in the star’s fictionalized life. Then it’s THE AVIARY (14:54), a tense psychological drama about two women trying to escape a cult. Finally, they talk about FIREBIRD (30:50), a based-on-a-true-story movie about a soulful young soldier who embarks on a clandestine affair with a charismatic fighter pilot on a Soviet Air Force Base at the height of 1970’s Communist rule. Over on the Patreon exclusive audio, Megan and Dave talk about the 1979 Disney cult classic (question mark?) THE BLACK HOLE.

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HOUSE OF GUCCI, THE CARD COUNTER, and WEST SIDE STORY with Guest Charlie Nash on Episode #387

Lady Gaga smirks with a cigarette in her mouth that she's about to light in the movie House of Gucci

We don’t all agree on HOUSE OF GUCCI, but we do all agree that Lady Gaga is great in it

Frequent guest Charlie Nash stops by this week to fill in for Megan. He offers a quick plug for his new podcast, Almost Major, before he reviews Steven Spielberg’s adaptation of WEST SIDE STORY (6:09), which despite his admitted bias against a particular actor in it, offers great spectacle and inspired tweaks to the original story. Next, we all discuss Paul Schrader’s THE CARD COUNTER (16:30), an intense tale about trauma and guilt starring Oscar Isaac, Tye Sheridan, Tiffany Haddish, and Willem Dafoe. After that we delve into Ridley Scott’s HOUSE OF GUCCI (39:28), a movie about wealth and manipulation that we have polarized reactions to. One thing we do agree on: Lady Gaga is great in it. And in this week’s Patreon exclusive audio, we talk about a Patron’s request, Ted Demme’s 1994 dark Christmas comedy, THE REF, starring Denis Leary!

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THE KITCHEN, THE PERFECTION, THEM THAT FOLLOW and MIDSOMMAR revisited on Episode #265

Elisabeth Moss, Melissa McCarthy, and Tiffany Haddish stand seriously in the movie The Kitchen
Elisabeth Moss, Melissa McCarthy, and Tiffany Haddish deserve better than THE KITCHEN

This week Kris recounts the time he couldn’t go to Lenin’s Tomb because it was “closed for inventory,” leaving Evan and returning guest Megan Kearns completely confused. Megan leads off the episode by describing two films she saw recently THEM THAT FOLLOW (4:11), a somber film about religion and snake charming, and THE PERFECTION (10:00), a more engaging movie about classical musicians that takes some fascinating twists and turns before spiraling into body horror. Then Evan shares his experience watching Ari Aster’s MIDSOMMAR (14:05), which may or may not be “an Evan movie.” Lastly, all three of them dissect THE KITCHEN (28:50), a disappointing kitchen-sink crime drama chock full of critical themes about gender, race, and class that it only superficially addresses, and thinly drawn characters whose motivations don’t make any sense.

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THE HATE U GIVE, FIRST MAN, THE OATH, and JOLLY FELLOWS on Episode #222

Amandla Stenberg and Algee Smith in the reddish glow of a party looking at each other and smiling in the film The Hate U Give

One of the few lighthearted moments in THE HATE U GIVE.

First things first: Congratulations to Dave and Joan on the birth of their son Edward (aka Teddy)! Special guest Kristen Halbert sits in for Dave this week, and thankfully Kris and Evan have their own microphones this time. After they all have a good laugh about the technical difficulties during Kristen’s last visit, Kris leads off with JOLLY FELLOWS (3:10), an absurdly joyful Russian film from the ’30s. Then Kristen covers THE OATH (8:55) a social satire from Ike Barinholtz that attempts to emulate GET OUT, but ends up more like SCARY MOVIE 4. Next Kris reviews FIRST MAN (15:20), the Damien Chazelle drama about Neil Armstrong that inspires him to make space puns left, right, and center. Lastly, everyone discusses THE HATE U GIVE (29:38), a gripping, layered drama that tactfully tackles issues of race, class, and police brutality through one brave young woman’s experience.

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NIGHT SCHOOL and NAPPILY EVER AFTER with guest Shauna Harris on Episode #220

Kevin Hart and Tiffany Haddish standing in a high school hallway talking to Taran Killam in the movie Night School.

Given its all-star cast of comedians NIGHT SCHOOl should be much funnier.

It’s Dave’s last week on Spoilerpiece for a while, as his family is about to expand by one person and he’s preparing for massive sleep deprivation. Kris couldn’t make the show (because he had to attend a screening) and Dave couldn’t do a late show, so the excellent Shauna Harris sits in. She and Evan saw all of NAPPILY EVER AFTER (3:52) and Dave saw half of it. The entire gang saw NIGHT SCHOOL (27:59), the new Kevin Hart vehicle. One movie everyone is on board with, and one movie everyone is not. Be sure to check our Patreon for extra audio at patreon.com/spoilerpiece.

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DUNKIRK, GIRLS TRIP, VALERIAN AND THE CITY OF A THOUSAND PLANETS, and ALTERED STATES on Episode #158

Soldiers attempting to take cover in DUNKIRK.

Soldiers attempting to take cover during the fray in DUNKIRK.

Dave is on vacation, so Charlie Nash joins Evan and Kris to discuss Ed Sheeran’s distracting GAME OF THRONES cameo before they dig into this week’s movies. Before they get into any new ones, Kris shares his most recent experience with ALTERED STATES (4:25), and his invigorating trip to a sensory deprivation chamber that inspired his viewing. Then Charlie and Evan cover GIRLS TRIP (14:23), a comedy that’s way funnier and raunchier than they expected, with many scene-stealing moments by Tiffany Haddish. After that, Kris and Charlie attempt to review VALERIAN AND THE CITY OF A THOUSAND PLANETS (28:26), a colorful Luc Besson sci-fi film that’s bloated, convoluted, and predictable despite its endearing silliness. Finally, all of them tackle Christopher Nolan’s DUNKIRK (48:55), a World War II film that blew them away with its massive scale, pulse-pounding score, and breakneck pacing.

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