Longtime friend of the show Dede Crimmins joins the guys this week to discuss what they know about the band Foghat. They have so many movies to talk about that they have a hard time figuring out where to begin. Dave goes first with lightning fast “Riedel’s Recaps” of BAD COMPANY (6:25), MENASHE (7:55), and THE BIG SICK (11:44), before Dede shares her top pics from this year’s Fantasia International Film Festival: MY FRIEND DAHMER (14:43), MOHAWK (18:15), and LOWLIFE (19:54). Then she, Dave, and Kris spoilerpiece ANNABELLE: CREATION (24:15), which is so creepy that Kris watched some scenes through his fingers. Next, Dave gives his one-minute take on GOOD TIME (49:41), a movie with Robert Pattinson making the best bad decisions, that he says is one of the best he’s ever seen. Following that, Evan reviews KEEPING UP WITH THE JONESES (51:49), a cute spy comedy that he’s surprised more people haven’t seen. Finally, Dave and Kris conclude with WIND RIVER (1:00:17), a procedural about a murder on an Indian reservation that they agree is one of the best films of this year.
On this week’s episode, Dave gripes about his record club’s inability to send him records he wants, before discussing his burgeoning November beard and his latest Baby Henry story. After the guys get some good laughs in to compensate for their election sadness, Kris gets things going with ARRIVAL (at 6:10), a sci-fi film starring Amy Adams as a linguist that speaks heptapod. Adams plays the same character she always does, but it does some very interesting things Kris doesn’t expect and really turns out to be the kind of high concept sci-fi he enjoys. Next, Evan and Dave keep the good movie momentum with their description of LOVING (at 21:26), an emotional drama based on a true story with amazing performances by Ruth Negga and Joel Edgerton. Kris follows with his take on MOONLIGHT (at 33:32) a three-party story of a gay man’s life that’s not revolutionary, but so well-assembled that it kind of is. Evan closes out the show with THE ORIGIN OF VIOLENCE (at 48:36), a French film playing at the Boston Jewish Film Festival that turned out to be more about the Holocaust than he expected, although not in a bad way, since the film uses it to tell a compelling story.