THE DRY, THOSE WHO WISH ME DEAD, THE WOMAN IN THE WINDOW, and PSYCHO GOREMAN on Episode #358

Eric Bana in Robert Connolly's Australian murder mystery THE DRY

We start this week by reviewing Steven Kostanski’s strange yet uneven horror sci-fi comedy PSYCHO GOREMAN (2:08). Next, we cover Joe Wright’s derivative and inert Netflix mystery thriller THE WOMAN IN THE WINDOW (13:22), which wastes Amy Adams and a great supporting cast. Then we discuss Taylor Sheridan’s THOSE WHO WISH ME DEAD (28:43), an Angelina Jolie neo-Western forest fire thriller that really divided us. Lastly, we review Robert Connolly’s Australian murder mystery THE DRY (41:20) from IFFBoston 2021, which features a compelling lead performance by Eric Bana. And in this week’s Patreon exclusive audio, we review Peyton Reed’s 2000 cheerleading film BRING IT ON, starring Kirsten Dunst, Gabrielle Union, and Eliza Dushku.

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FANTASTIC BEASTS AND WHERE TO FIND THEM, NOCTURNAL ANIMALS, and More on Episode #123

fantastic-beasts

FANTASTIC BEASTS AND WHERE TO FIND THEM (i.e. inside Eddie Redmayne’s suitcase)

We’ve got movies coming out the wazoo this week! First, Dave and Kris tackle the ambitious Harry Potter prequel FANTASTIC BEASTS AND WHERE TO FIND THEM (at 4:00), which tries to cram five movies into one. Much to their annoyance, only three of those five movies are good. Next, Dave explores NOCTURNAL ANIMALS (at 24:56), writer/director/fashion designer Tom Ford’s sophomore film. It has two stories about toxic masculinity that don’t add up to a whole movie, so during the review Kris develops a new segment called “Dr. Kris, Medicine Man,” where he shares how he’d fix the film. Following that segment, Dave offers his brief thoughts on the music documentaries OASIS: SUPERSONIC and RUSH: TIME STAND STILL, which only seem to be for diehard fans. Evan bats cleanup with three more movies from the Boston Jewish Film Festival (at 51:00): the mediocre crime thriller A GRAIN OF TRUTH, the emotionally compelling documentary FREEDOM TO MARRY, and the thought-provoking comedy doc THE LAST LAUGH.

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ARRIVAL, LOVING, MOONLIGHT, and THE ORIGIN OF VIOLENCE on Episode #122

Alex R. Hibbert and Mahershala Ali in MOONLIGHT.

Alex R. Hibbert and Mahershala Ali in MOONLIGHT.

On this week’s episode, Dave gripes about his record club’s inability to send him records he wants, before discussing his burgeoning November beard and his latest Baby Henry story. After the guys get some good laughs in to compensate for their election sadness, Kris gets things going with ARRIVAL (at 6:10), a sci-fi film starring Amy Adams as a linguist that speaks heptapod. Adams plays the same character she always does, but it does some very interesting things Kris doesn’t expect and really turns out to be the kind of high concept sci-fi he enjoys. Next, Evan and Dave keep the good movie momentum with their description of LOVING (at 21:26), an emotional drama based on a true story with amazing performances by Ruth Negga and Joel Edgerton. Kris follows with his take on MOONLIGHT (at 33:32) a three-party story of a gay man’s life that’s not revolutionary, but so well-assembled that it kind of is. Evan closes out the show with THE ORIGIN OF VIOLENCE (at 48:36), a French film playing at the Boston Jewish Film Festival that turned out to be more about the Holocaust than he expected, although not in a bad way, since the film uses it to tell a compelling story.

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BATMAN V SUPERMAN: DAWN OF JUSTICE, MY BIG FAT GREEK WEDDING 2, and KUNG FURY on Episode #89

Batman v Superman

Ben Affleck’s concerned expression in BATMAN V. SUPERMAN: DAWN OF JUSTICE is the same one we had while we watching the movie.

Dave couldn’t make it at the last minute, so frequent guest Charlie Nash steps in to help out this week. After the guys discuss an idea Kris has for a movie, that he definitely shouldn’t be the one to write, they delve into the zany short film KUNG FURY. Charlie hasn’t seen it, so Kris and Evan convince him to check it out by spoilerpiecing how its hero acquires his kung fu powers. Then it’s up to Evan to describe MY BIG FAT GREEK WEDDING 2, or as he calls it, MY BIG FAT SEQUEL. He’s annoyed by how hypocritical it is, which leads to a tangent about another hypocritical movie: I NOW PRONOUNCE YOU CHUCK AND LARRY. Once he finishes sharing all the reasons why MBFGW2 wasn’t good, all three guys tear into BATMAN V SUPERMAN: DAWN OF JUSTICE. Charlie describes how it looks like shit (dark, murky, and brown) and explains why Batman and Superman are wrong in their worldviews. Evan craps on it too for its poor direction and editing. Kris is no fan either, but he provides interesting context for the movie in relation to comic book storylines and describes the few things he did actually like about it.

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