We start off this week with S.K. Dale’s entertaining thriller TILL DEATH (2:37), which stars Megan Fox as a woman who must outwit two men trying to find her…while handcuffed to her dead husband. Next we discuss Frida Kempff’s thriller KNOCKING (19:10), an effective commentary on gaslighting about a woman tortured by knocking sounds in her apartment. Finally, we review Denis Villeneuve’s sci-fi epic DUNE (30:25), the first part in a proposed two-part adaptation of Frank Herbert’s famous sci-fi novel, starring Timothée Chalamet, Rebecca Ferguson, Oscar Isaac, Josh Brolin, Zendaya, Sharon Duncan-Brewster, Jason Momoa, and Javier Bardem. We dig its scope, its cast, and its take on the story. And in this week’s Patreon exclusive audio, we talk about Adam Wingard’s YOU’RE NEXT, a 2011 home invasion horror film we all enjoy!
This week Dave reveals something he feels like he has done right as a parent before any movies are discussed. Since Kris caught VICTORIA AND ABDUL (3:09), he leads off by explaining why Dave is right about it, before expressing some insights of his own. After that, Evan covers the Online New England Film Festival (6:02) by sharing the festival’s award winners and some of his favorite shorts. Next, Dave talks about David Lynch’s DUNE (13:52), raising several questions, including, ‘Who thought it was a good idea to let Toto do the score?’ Following this “Riedel’s Recap,” Kris spoilerpieces the Netflix film GERALD’S GAME (23:08), getting into grisly detail about why it made him want to throw up. Finally, Dave and Evan review the week’s big movie BLADE RUNNER 2049 (44:35) by discussing its atmosphere, aesthetic, and length in comparison to Ridley Scott’s original.
It’s been a rough year, but 2016 has finally come to a close, and not a moment too soon given all of the beloved celebrities who have left us! Unfortunately neither Dave nor Kris could make it for this week’s episode, so special guest stars Charlie Nash and Sean Burns join Evan to put the year to bed. They join forces to tear PATRIOTS DAY a new one (at 4:39). All three of them delve into the reasons this Peter Berg/Mark Wahlberg vehicle about the 2013 Boston Marathon Bombing is insulting to Bostonians — like Walhberg’s made up character, its exploitative shots of grisly carnage, its selective focus on victims, and its hard-on for authoritarianism. Not surprisingly, there is an overlap between that segment and the next one, where the guys discuss the Worst Movies of 2016 (at 33:54). Several films come up that have been mentioned on the show before, although the most spirited debate occurs between Charlie and Sean over ARRIVAL and CAPTAIN FANTASTIC, which make them feel very emotions.
On this week’s episode, Dave gripes about his record club’s inability to send him records he wants, before discussing his burgeoning November beard and his latest Baby Henry story. After the guys get some good laughs in to compensate for their election sadness, Kris gets things going with ARRIVAL (at 6:10), a sci-fi film starring Amy Adams as a linguist that speaks heptapod. Adams plays the same character she always does, but it does some very interesting things Kris doesn’t expect and really turns out to be the kind of high concept sci-fi he enjoys. Next, Evan and Dave keep the good movie momentum with their description of LOVING (at 21:26), an emotional drama based on a true story with amazing performances by Ruth Negga and Joel Edgerton. Kris follows with his take on MOONLIGHT (at 33:32) a three-party story of a gay man’s life that’s not revolutionary, but so well-assembled that it kind of is. Evan closes out the show with THE ORIGIN OF VIOLENCE (at 48:36), a French film playing at the Boston Jewish Film Festival that turned out to be more about the Holocaust than he expected, although not in a bad way, since the film uses it to tell a compelling story.
Dave makes a historic Spoilerpiece proclamation! But first Evan and Kris tease their coverage of THE MARTIAN by telling Dave about the book. It’s a busy day on the show with lots of ground to cover. Kris starts off by sharing what fucking disaster Roland Emmerich’s STONEWALL is and how it insultingly makes up facts. Then Dave gives his first positive review of the week in describing Regina Casé’s beautiful performance in THE SECOND MOTHER. Evan’s up next to spoilerpiece Dave and Kris into wanting to see Denis Villeneuve’s suspenseful film SICARIO. Dave jumps in after that with a (gasp) second positive review to describe the good mind fuckery of BLIND and finally, Evan talks about why he thinks De Niro’s performance in THE INTERN might be his best of the millennium.