This week Dave can’t make it, so Dede Crimmins, the Alec Baldwin of Spoilerpiece, fills in! After discussing cats on Zoom, we dive into this week’s movies. First up is Shudder’s A NIGHTMARE WAKES (3:25), Nora Unkel’s period horror flick which follows Mary Shelley as she writes Frankenstein. Next, we review THE WANTING MARE (13:00), Nicholas Ashe Bateman’s surreal fantasy about dreams, longing, and yes, a mare. Then it’s Netflix’s MALCOLM & MARIE (26:43), Sam Levinson’s movie starring Zendaya and John David Washington about a couple’s volatile night of arguments. Finally, we cover SAINT MAUD (46:38), Rose Glass’s outstanding horror film about a pious nurse (Morfydd Clark) who becomes unhealthily obsessed with trying to save her patient’s soul. And on this week’s Patreon exclusive audio, we discuss James Cameron’s 1992 film TERMINATOR 2: JUDGMENT DAY.
Dede Crimmins, the Alec Baldwin of Spoilerpiece, fills in for Dave this week, and a conversation about masks takes some unexpected turns. First, Dede recaps some of her favorite films from the Fantasia Festival so far (3:22). Then Evan and Megan join in to discuss the documentary YOU CANNOT KILL DAVID ARQUETTE (18:06). Then they all review CENTIGRADE (37:37), a subzero survival tale. They wrap up with GET DUKED! (47:54), a comedy about teens being hunted in the Scottish Highlands. On this week’s exclusive Patreon bonus episode, they discuss the winner of the August poll: Bruce Brown’s classic 1965 surfing documentary, THE ENDLESS SUMMER.
Dave is on vacation so friend of the show Dede Crimmins returns as a guest this week! She starts off with her picks for Women in Horror Month: THE LODGE (6:47), PELICAN BLOOD (13:00), and DEAD DICKS (14:50). Then Evan reviews INCITEMENT (20:31), a tense thriller from the Boston Israeli Film Festival. Next Megan and Dede tackle GRETEL & HANSEL (30:35), a fun spin on the classic fairy tale. The gang wraps up with HORSE GIRL (45:05), the Netflix thriller starring Alison Brie that’s annoyingly ambiguous.
This week, returning guest/friend of the show/current Chicagoan Dede Crimmins returns via Skype to give us her top picks from this year’s Fantasia Festival in Montreal (3:35). Following that is LUZ (18:30), the German surrealist exorcism/hypnotism flick that everyone should see. Dede then runs us through SCARY STORIES TO TELL IN THE DARK (29:14), based on the series of books that scared you silly as a kid. And the good news is, this one is also pretty dang creepy! The episode then closes with our take on tween coming-of-age comedy GOOD BOYS (43:00).
Miranda Otto tries to ward off demons in ANNABELLE: CREATION.
Longtime friend of the show Dede Crimmins joins the guys this week to discuss what they know about the band Foghat. They have so many movies to talk about that they have a hard time figuring out where to begin. Dave goes first with lightning fast “Riedel’s Recaps” of BAD COMPANY (6:25), MENASHE (7:55), and THE BIG SICK (11:44), before Dede shares her top pics from this year’s Fantasia International Film Festival: MY FRIEND DAHMER (14:43), MOHAWK (18:15), and LOWLIFE (19:54). Then she, Dave, and Kris spoilerpiece ANNABELLE: CREATION (24:15), which is so creepy that Kris watched some scenes through his fingers. Next, Dave gives his one-minute take on GOOD TIME (49:41), a movie with Robert Pattinson making the best bad decisions, that he says is one of the best he’s ever seen. Following that, Evan reviews KEEPING UP WITH THE JONESES (51:49), a cute spy comedy that he’s surprised more people haven’t seen. Finally, Dave and Kris conclude with WIND RIVER (1:00:17), a procedural about a murder on an Indian reservation that they agree is one of the best films of this year.
Matthew McConaughey and Edgar Ramirez bromancing in GOLD
Baby Henry is under the weather, prompting Dave to quarantine himself – so guest Dede Crimmins joins Evan and Kris this week to talk about the ‘90s and lots of film-related topics. Dede fills the guys in on her latest adventures, which include recording a DVD commentary, and participating on panels at the Arisia science fiction convention. Following some philosophical discussion about horror, Dede shares three movies to look out for this year (at 13:00): RAW, THE BAD BATCH, and COLOSSAL. After that, she and the guys discuss the 2017 Oscar nominations (at 21:52), revealing surprises and disappointments in the major categories. Finally, all three of them review this week’s new release GOLD (at 33:50), the Matthew McConaughey gold prospecting movie that Kris describes as AMERICAN HUSTLE on NyQuil. Evan and Dede find it charming for McConaughey’s spirited performance as a balding, overweight, drunk, but they admit that they’ll probably forget it in a week.
Alicia Vikander and Michael Fassbender in THE LIGHT BETWEEN OCEANS.
Dave is feeling under the weather so fan favorite Dede Crimmins joins Evan and Kris this week. She and Kris lead off by discussing the Massachusetts Independent Film Festival (at 5:02). They share a few of their favorite films, before Dede transitions into COMPLETE UNKNOWN (at 11:41). Dede finds Rachel Weisz’s character fascinating in it, but she wishes there was more to the movie’s simple plot. Next, Kris talks about how war leaves scars long after hostilities end in THE INNOCENTS (at 21:32), a heavy post-World War II film about rescuing babies. Then Evan and Dede review THE LIGHT BETWEEN OCEANS (at 35:46), a long, slow drama about babies and post-war tensions that also stars Rachel Weisz and features Michael Fassbender as a brooding lighthouse hunk. Dede wraps everything up with MORGAN (at 54:16) a mashup of SPLICE, EX MACHINA, and BLADE RUNNER that has the most wasted cast she has ever seen and an ending that thinks it’s clever without actually being clever.
Channing Tatum’s delightful dance number in HAIL, CAESAR!
Illness strikes and claims Dave yet again, although thankfully frequent guest Dede Crimmins is able to fill in. After discussing workout motivation with the guys, she and Kris talk about the new Coen Brothers movie HAIL, CAESAR! Both she and Kris say it’s delight with a lot of plot, but not a lot of story. They talk about how funny it is by summing up its bawdy humor and by comparing Josh Brolin’s character to Liz Lemon. This inevitably leads to comparisons between the film and other pictures by the Coens, and at least one good band name. Following a brief diversion into 2016’s horror slate where Dede recommends THE BOY (seriously—go see it), everyone tackles PRIDE AND PREJUDICE AND ZOMBIES. Kris thinks it’s a pile of shit where Seth Grahame-Smith did a CTRL+F to replace words with zombies and is annoyed by its pandering, however Dede and Evan don’t think it’s that bad. Everyone can agree though that the zombies aren’t scary, rules about them aren’t established, and it doesn’t effectively blend Jane Austen’s novel with zombies. With the small amount of remaining time, the gang diverges into a tangent on some of their favorite TV.