This week Kris recounts the time he couldn’t go to Lenin’s Tomb because it was “closed for inventory,” leaving Evan and returning guest Megan Kearns completely confused. Megan leads off the episode by describing two films she saw recently THEM THAT FOLLOW (4:11), a somber film about religion and snake charming, and THE PERFECTION (10:00), a more engaging movie about classical musicians that takes some fascinating twists and turns before spiraling into body horror. Then Evan shares his experience watching Ari Aster’s MIDSOMMAR (14:05), which may or may not be “an Evan movie.” Lastly, all three of them dissect THE KITCHEN (28:50), a disappointing kitchen-sink crime drama chock full of critical themes about gender, race, and class that it only superficially addresses, and thinly drawn characters whose motivations don’t make any sense.
Unclear restaurant hours can really throw a wrench in your morning, as Dave discovered this week. Once he finishes airing his grievances, he thanks Kris for his inspirational review of WAR AND PEACE from the previous episode, and proceeds to rip into Michael Mann’s MIAMI VICE (6:00), which takes the worst elements of the show and translates them into movie form. Next Kris breaks down MIDSOMMAR (15:11), the new film by Ari Aster, writer/director of HEREDITARY. According to Kris, this movie is very different, but also *not* very different from Aster’s previous work (i.e. he dug it). Lastly, everyone digs into ANNABELLE COMES HOME (39:45), a reasonably tense haunted house movie that throws several monsters at the wall to see what sticks.