Joining Evan and Dave while Kris prepares for his wedding is friend-of-Spoilerpiece Megan Kearns! She starts things off with a review of VITA & VIRGINIA (3:59), a love story about Vita Sackville-West (Gemma Arterton) and Virginia Woolf (Elizabeth Debicki). Next up Dave and Megan tackle the new release THE GOLDFINCH (14:20), an adaptation of Donna Tartt’s Pulitzer Prize-winning long-ass novel. Then Megan and Evan get to the J. Lo/Constance Wu movie HUSTLERS (40:54), and all three wrap up with UNTOUCHABLE (57:45), the new Hulu documentary about Harvey Weinstein.
This week Kris recounts the time he couldn’t go to Lenin’s Tomb because it was “closed for inventory,” leaving Evan and returning guest Megan Kearns completely confused. Megan leads off the episode by describing two films she saw recently THEM THAT FOLLOW (4:11), a somber film about religion and snake charming, and THE PERFECTION (10:00), a more engaging movie about classical musicians that takes some fascinating twists and turns before spiraling into body horror. Then Evan shares his experience watching Ari Aster’s MIDSOMMAR (14:05), which may or may not be “an Evan movie.” Lastly, all three of them dissect THE KITCHEN (28:50), a disappointing kitchen-sink crime drama chock full of critical themes about gender, race, and class that it only superficially addresses, and thinly drawn characters whose motivations don’t make any sense.
This week, our friend Megan Kearns returns to the show! She kicks things off with PRIVATE LIFE (3:02), a frank and moving depiction of a couple’s attempts to conceive. Next is Evan with LIFE WITHOUT BASKETBALL (7:37), a documentary about a Muslim American woman who faces discriminatory rules regarding dress, preventing her from advancing her basketball career. Then, Kris runs us through SALEM’S LOT (11:31), the classic spooky miniseries based on the Stephen King story, as well as Orson Welles’s THE OTHER SIDE OF THE WIND (15:33), a film forty years in the making. It’s a true masterpiece, argues Kris, and you should all see it on Netflix now. Then, Kris and Evan look at BOY ERASED (21:48), Joel Edgerton’s film about gay conversion therapy, with some good qualities but an unfortunate amount of overlap with THE MISEDUCATION OF CAMERON POST. Last up, all three get less and less enthusiastic about Steve McQueen’s WIDOWS (40:11).
This week special guest and fellow BOFCA member Megan Kearns returns to join Kris and Evan on the show. She starts off by reviewing HOLD THE DARK, Jeremy Saulnier’s latest film about a man searching for a couple’s son in the Alaskan wilderness, which sadly doesn’t pack the same punch as his previous movies GREEN ROOM and BLUE RUIN. Next, Kris and Evan travel back in time to their youth for Jonah Hill’s directorial debut MID90s, a coming-of-age movie with some really strong elements like its eclectic music and camaraderie between its cast of skateboard teens that make it good, but some shortcomings that prevent it from being great. Lastly, all three of them review BOHEMIAN RHAPSODY (31:21), the long-awaited Freddie Mercury biopic, which attempts to do the late Queen frontman’s life justice and mostly succeeds.
Megan Kearns from Bitch Flicks joins Kris and Evan on this week’s episode to lament HANNIBAL’s cancellation by NBC before Evan shares a story about Mads Mikkelsen using his creeping powers for good. Then Kris and Megan give him the lowdown on TED 2, which Kris says is filled with “uncomfortable sincerity, along with a lot of failed jokes.” After that Evan and Megan talk about how much they enjoyed Queen Latifah and Mo’Nique’s performances in the HBO biopic BESSIE. Kris follows up with a brief interlude about foam penises and failed orgies in THE OVERNIGHT. Finally, Megan brings everything together with Kate Winslet’s A LITTLE CHAOS, which she appreciates for showing more than telling.