Dave is still on vacation so friend of the show Charlie Nash fills in for him this week. First, Megan reviews THE PHOTOGRAPH (3:43), a delightful romance that celebrates black lives. Then she and Charlie delve into THE ASSISTANT (13:57), a timely, anger-inducing movie about a day in the life of a harassed Hollywood assistant. Lastly, everyone talks about THE INVISIBLE MAN (33:48), a horrifying film with a gripping lead performance that’s incredibly triggering for the way it sensationalizes abuse.
This week Kris recounts the time he couldn’t go to Lenin’s Tomb because it was “closed for inventory,” leaving Evan and returning guest Megan Kearns completely confused. Megan leads off the episode by describing two films she saw recently THEM THAT FOLLOW (4:11), a somber film about religion and snake charming, and THE PERFECTION (10:00), a more engaging movie about classical musicians that takes some fascinating twists and turns before spiraling into body horror. Then Evan shares his experience watching Ari Aster’s MIDSOMMAR (14:05), which may or may not be “an Evan movie.” Lastly, all three of them dissect THE KITCHEN (28:50), a disappointing kitchen-sink crime drama chock full of critical themes about gender, race, and class that it only superficially addresses, and thinly drawn characters whose motivations don’t make any sense.
Happy new year, Spoilerpiecers! On this episode we each talk about our 10 favorite movies of 2014. There’s a lot of agreement and lots of disagreement. And then, totally organically, we venture into talk about cocaine, Aviator sunglasses, and Kenny Loggins. (Gotta love the tangents.) We hit upon LOCKE, THE DOUBLE, ENEMY, FRANK, SNOWPIERCER, ONLY LOVERS LEFT ALIVE, BLUE RUIN, COLD IN JULY, JODOROWSKY’S DUNE…just to name nine. There are a bunch more. We’ll get to the worst movies of 2014 next time. Sorry for the abrupt ending, but these things happen around the holidays.
It’s a goddamn bumper crop of movies on Spoilerpiece Theatre this week. We’ve got THE LAST OF ROBIN HOOD which only Kris has seen, THE CONGRESS, which Dave and Kris saw (and kind of wish they hadn’t), and Evan saw THE ONE I LOVE and delights in spoiling the hell out of it. In fact, this many be the first case of spoiling in history that got Dave and Kris to reeeeeally want to see a movie. There are also plenty of tangents and some anti-Connecticut sentiments throughout.