This week the guys wonder how the heck RoboCop ended up in a KFC commercial before they tackle the two movies on their docket. First, Kris and Evan review CAPTAIN MARVEL (4:35), the Brie Larson superhero flick that’s a pretty mixed bag. Really it’s no worse than any other mediocre Marvel movie, but they take the time to dissect the good things (like the chemistry between Larson and Samuel L. Jackson), as well as the bad things (like its heavy reliance on momentum-killing exposition). Next, Dave, joins in to cover LORDS OF CHAOS (28:57), an in-your-face film about the Norwegian black metal scene and the rise of the band Mayhem, which lived up to its name. That’s all for the regular show – but if you sign up to support us on our Patreon – you’ll also have the chance to hear exclusive audio of us discussing Evan’s double feature of THE FUGITIVE and U.S. MARSHALS, two very different entries in the same franchise.
Dave met Daniel from France! He was in town on vacation and they bumped into each other at the Coolidge Corner in Brookline. Dave tells that story, and then the guys have a few things to say about Charlottesville, Va., and then they get into the movies. Evan starts things off with THE HITMAN’S BODYGUARD (7:53), a movie he describes as “Not as bad as I thought it would be.” The guys head down under to BREAKER MORANT at 20:29, and Dave spends waaaaay too much time talking with a terrible Oz accent. Kris covers Errol Morris’ THE B-SIDE: ELSA DORFMAN’S PORTRAIT PHOTOGRAPHY starting at 30:27. Evan takes they guys on a stroll down Amnesia Lane to CROSSING DELANCEY at 38:15, which is a delightfully sweet romantic comedy from the late 1980s. Finally, Kris and Dave cover Werner Herzog’s AGUIRRE, THE WRATH OF GOD at 48:00, which screened on Monday, August 14 in 35mm. Everyone should have access to rep theaters like the Coolidge.
Are movie theaters a safe place for children to play? The guys weigh in with their thoughts on this week’s episode. Following their discussion, Dave offers his latest segment of “Riedel’s Recaps,” where he recounts the shocking, gruesome violence in LOGAN (at 4:27), and describes why he found the film to be a statement against hate. Following some tangents about their favorite comic book movies, and whether there are plot holes in DIE HARD, the guys arrive at the week’s main event, KONG: SKULL ISLAND (at 17:52). They share some serious laughs as they critique the film’s huge cast, its epic carnage, and its wide range of callbacks to other movies. They lament how confused it is about what type of picture it wants to be, however they celebrate its special effects, its long monster takes, and its perfect casting of John C. Reilly.
At the show’s outset, the guys wonder what a wiki site run by Kris would be like, before they dive into this week’s movies. First, Kris regales Dave and Evan with his thoughts on the cinematic implications of the Chinese/American collaboration THE GREAT WALL (at 3:06), an action film with Matt Damon in a non-white savior role that has great creature design, but ultimately is really dumb. Then Evan spoilerpieces FIST FIGHT (at 26:43), a completely nonsensical, failure of a comedy, that has bloopers funnier than its entire hour and a half runtime. Lastly, he and Dave explore I AM NOT YOUR NEGRO (at 45:42), the Oscar-nominated documentary that describes what it’s like to be black in America through the words of author James Baldwin. The brilliant insights Baldwin reveals really resonate with them intellectually and emotionally, although the documentary’s dense content prompts them to recommend more than one viewing, to take in all of its poignant commentary.
Merry Christmas from Spoilerpiece! Dave is out sick with a stomach bug, so Kris decides to share his own gross stomach bug experience out of solidarity. He and Evan then talk about the lush visuals and excellent craft in CAROL, a Todd Haynes movie that impressed their colleagues, but underwhelmed both of them with its inert plot. After that they review THE BIG SHORT, an unexpectedly sharp film about the financial crisis made by the same guy who did STEP BROTHERS and the ANCHORMAN movies. They wrap with their extensive thoughts on Quentin Tarantino’s latest picture THE HATEFUL EIGHT, a sadistic story that will forever change your perception of the song “Silent Night.”