ENOLA HOLMES 2 and THE GOOD NURSE on Episode #437

Millie Bobby Brown runs from police in Enola Holmes 2.

Enola Holmes 2. Millie Bobby Brown as Enola Holmes. Cr. Alex Bailey/Netflix © 2022

We start this week by reviewing Tobias Lindholm’s true crime drama THE GOOD NURSE (1:54), about an ER nurse (Jessica Chastain) who discovers that her charming colleague (Eddie Redmayne) is secretly murdering their patients. The film misses some areas it could dig deeper into this real-life tragedy, but it’s really well-acted and has a strong ensemble. Next, we cover Harry Bradbeer’s ENOLA HOLMES 2 (22:17), a plainly named sequel that provides another engaging adventure for Enola Holmes (Millie Bobby Brown). It’s a delightful romp that’s still a lot of fun even if it’s not quite as brisk as the first film. And in this week’s Patreon exclusive audio, we talk about the winner of our Noirvember poll, Jane Campion’s 2003 film IN THE CUT, starring Meg Ryan and Mark Ruffalo! For anyone who celebrated, we hope you had a Happy Thanksgiving! 

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POSSESSOR UNCUT, THE BOYS IN THE BAND, BLACK BOX, and THE LIE with Guest Charlie Nash on Episode #326

Andrea Riseborough looking worried and cast in an orange glow in the movie Possessor.

Guest Charlie Nash returns for this week’s show! The first films on the docket are BLACK BOX (3:36), a sci-fi film about a man suffering from amnesia undergoing a new treatment, and THE LIE (12:56), a thriller about two parents protecting their daughter; two horrorish flicks from Amazon’s Welcome to the Blumhouse series, which have varying success for each co-host. Next, everyone discusses the Netflix adaptation of the seminal queer play THE BOYS IN THE BAND (26:31), about gay friends at a birthday party in 1968 NYC, by digging into its differences from the original, and debating whether its story is still vital. Then, they delve deep into POSSESSOR UNCUT (52:04), Brandon Cronenberg’s graphic, psychological sci-fi horror. On this week’s Patreon bonus audio, we discuss KINDERGARTEN COP, which Charlie has never seen. Hilarity ensues.

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Halloween Horror Round-up, THE KILLING OF A SACRED DEER, LBJ, and THOR: RAGNAROK on Episode #173

Chris Hemsworth in THOR: Ragnarok

Chris Hemsworth looking like he’s having a lot less fun than he does in the rest of THOR: RAGNAROK.

This week starts with Dave’s recap of the all-night Halloween Marathon at Brookline’s Coolidge Corner Theatre (2:30) featuring some of the best in classic zombie flicks. Next up, Kris recounts his spooky double feature, LET’S SCARE JESSICA TO DEATH and MESSIAH OF EVIL (16:09), both of which are great slices in 1970s weirdness. Dave runs us through THE KILLING OF A SACRED DEER (28:32) and does not buy into the hype. Dave and Evan team up for LBJ (34:39), the latest take on the president with a complicated legacy. Last up, all three talk about the surprisingly delightful THOR: RAGNAROK (44:37) from Taika Waititi.

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GET OUT, Psycho Stalker Weekend, and “Keepin’ Up with the Jensons” on Episode #137

Daniel Kaluuya in Jordan Peele's fantastic directorial debut GET OUT.

Daniel Kaluuya is hypnotized in Jordan Peele’s fantastic directorial debut GET OUT.

This week Evan learns the meaning of the term “hippie lettuce” and the results are mind blowing, well to him anyway. Kris opens with a segment of “Keepin’ up with the Jensons” (at 4:40) where he talks about how great the performances in FENCES are and why he didn’t mind the Google Earth portions in LION as much as other people. Next, Evan shares his psycho stalker weekend. No he didn’t stalk anyone. He just watched THE BOY NEXT DOOR, FATAL ATTRACTION, and SINGLE WHITE FEMALE within two days and dug them all for their unhinged villains and insane plot twists. Lastly, the guys review the horror film GET OUT (at 30:38), Jordan Peele’s tremendous directorial debut, which they all had the privilege of seeing. They have so much fun spoilerpiecing their screening’s engaged audience, the sense of terrifying dread that Peele creates, and all of the subtle foreshadowing Peele lays down for the frightening events that follow, that they end up running a little longer than usual.

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ANOMALISA, 13 HOURS: THE SECRET SOLDIERS OF BENGHAZI, and MUSTANG on Episode #79

Anomalisa

After a discussion of their favorite unorthodox movie quotes, the guys kick off this week’s episode with a conversation about ANOMALISA, a film that neither Kris nor Dave enjoys. Kris describes it as a 60 minute idea in a 90 minute movie, while Dave harps on its unlikable main character and the fact that nothing happens. Dave likes like long movies where nothing happens, but apparently not short ones. Following some general talk about Charlie Kaufman movies, Evan and Kris jump into 13 HOURS: THE SECRET SOLDIERS OF BENGHAZI, a movie that Evan is super fired up to talk about. Not even a shirtless John Krasinski can stop him from ripping into its awful sense of time, complete lack of subtlety, and its brazen celebration of masculinity. A brief interlude on conspiracy theories almost threatens to derail the show, although the guys hold it together so Evan can describe MUSTANG, a French film set in Turkey with a great sense of humor, a strong feminist bent, and a fuck you ending that he really digs.

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THE HATEFUL EIGHT, THE BIG SHORT, and CAROL on Episode #76

Hateful Eight

It’s so fun watching Samuel L. Jackson play detective in THE HATEFUL EIGHT.

Merry Christmas from Spoilerpiece! Dave is out sick with a stomach bug, so Kris decides to share his own gross stomach bug experience out of solidarity. He and Evan then talk about the lush visuals and excellent craft in CAROL, a Todd Haynes movie that impressed their colleagues, but underwhelmed both of them with its inert plot. After that they review THE BIG SHORT, an unexpectedly sharp film about the financial crisis made by the same guy who did STEP BROTHERS and the ANCHORMAN movies. They wrap with their extensive thoughts on Quentin Tarantino’s latest picture THE HATEFUL EIGHT, a sadistic story that will forever change your perception of the song “Silent Night.”

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