It’s a heapin’ helpin’ of Spoilerpiece this week, as the guys tackle six movies (!!), and welcome special guest Max Covill! Max writes for Film School Rejects and co-hosts his own podcast, It’s the Pictures. Max gets things a-goin’ with A GHOST STORY (4:15), a movie that stars Casey Affleck as one of the kids from It’s the Great Pumpkin, Charlie Brown, and Rooney Mara as the woman who loves him. It’s the kind of movie Kris wishes he’d seen, but hasn’t yet. There’s a brief tangent into what makes a horror movie a horror movie (A GHOST STORY is not, FYI) at 12:30, and then Riedel’s Recaps with THUNDERBOLT AND LIGHTFOOT (17:00), one of Clint Eastwood’s least Clint Eastwood-like pictures. Max takes over at 27:15 for WAR FOR THE PLANET OF THE APES. Kris tackles THE LOVELESS (41:30), Kathryn Bigelow’s first film as director, and Evan spoilerpieces THE BUBBLE (47:50), a film in which an Israeli man and Palestinian man fall in love and lots of people are unhappy about it. The big ‘un this week is OKJA. Everyone has seen it. AND THERE ARE SUPER DIVERSE OPINIONS! This week’s episode was brought to you by factory farming, btw.
At the show’s outset, the guys wonder what a wiki site run by Kris would be like, before they dive into this week’s movies. First, Kris regales Dave and Evan with his thoughts on the cinematic implications of the Chinese/American collaboration THE GREAT WALL (at 3:06), an action film with Matt Damon in a non-white savior role that has great creature design, but ultimately is really dumb. Then Evan spoilerpieces FIST FIGHT (at 26:43), a completely nonsensical, failure of a comedy, that has bloopers funnier than its entire hour and a half runtime. Lastly, he and Dave explore I AM NOT YOUR NEGRO (at 45:42), the Oscar-nominated documentary that describes what it’s like to be black in America through the words of author James Baldwin. The brilliant insights Baldwin reveals really resonate with them intellectually and emotionally, although the documentary’s dense content prompts them to recommend more than one viewing, to take in all of its poignant commentary.