Viola Davis and Cynthia Erivo are incredible in Steve McQueen’s heist film WIDOWS
This week, our friend Megan Kearns returns to the show! She kicks things off with PRIVATE LIFE (3:02), a frank and moving depiction of a couple’s attempts to conceive. Next is Evan with LIFE WITHOUT BASKETBALL (7:37), a documentary about a Muslim American woman who faces discriminatory rules regarding dress, preventing her from advancing her basketball career. Then, Kris runs us through SALEM’S LOT (11:31), the classic spooky miniseries based on the Stephen King story, as well as Orson Welles’s THE OTHER SIDE OF THE WIND (15:33), a film forty years in the making. It’s a true masterpiece, argues Kris, and you should all see it on Netflix now. Then, Kris and Evan look at BOY ERASED (21:48), Joel Edgerton’s film about gay conversion therapy, with some good qualities but an unfortunate amount of overlap with THE MISEDUCATION OF CAMERON POST. Last up, all three get less and less enthusiastic about Steve McQueen’s WIDOWS (40:11).
Vin Diesel goes rogue with Charlize Theron in THE FATE OF THE FURIOUS.
It’s been a while since the guys have done some singing, so they decide to make up for it at the start of the episode. There are just two films on their docket this week?one is animated, and one live action that’s also an action movie. First, Evan reviews YOUR NAME (at 4:00), a touching anime tale about two teenagers who mysteriously start swapping bodies. Dave tries to compare it to other body-swapping films like VICE VERSA and DREAM A LITTLE DREAM with moderate success, while Kris realizes he’s into it for reasons he doesn’t fully understand. Then all three of them set their sights on FATE OF THE FURIOUS (at 20:04), a loud action movie that’s almost unbelievable even by franchise standards, but boy is it still fun to watch, because it surprised them with some of its new tricks with cars.
Michelle Rodriguez deserves better than THE ASSIGNMENT.
This week during a conversation about the new Domino’s commercials that parody FERRIS BUELLER’S DAY OFF, Dave shares a seemingly small aspect of the movie that really gets under his skin. Next he and Evan review THE ASSIGNMENT (at 7:56), a truly awful film by Walter Hill about a hitman (Michelle Rodriguez) who undergoes forced gender reassignment surgery, and seeks revenge on her mad scientist tormentor (Sigourney Weaver). They pick apart its terrible makeup, its endless exposition, its uninteresting revelations, and its nonsensical plot, which they argue no one could be good in. After that, Kris spoilerpieces ALI: FEAR EATS THE SOUL (at 36:30), a German film he was inspired to watch by Roger Ebert’s “The Great Movies.” He reveals why it’s worth watching, as he describes how the movie’s poignant, complicated love story addresses racism without sensationalizing it.
We Make This Look Good – The cast of FURIOUS 7 strutting their stuff
Vin Diesel said FURIOUS 7 should win Best Picture if the Oscars want to be relevant. Hey, NOTHING could make the Oscars relevant, not even THIS KICK-ASS PIECE OF AWESOME MOVIE. Holy crap, is it amazing. It’s not FAST & FURIOUS 6, but it’s close. Also on the show, Dave shows off his love for the German accent when Evan talks about WOMAN IN GOLD, and Kris regales us with stories of DER SAMURAI and Passover cake. Plus, there’s a Steve Martin moment or two at the top.