Evan is off this week, so it’s the Dave and Megan show. But before the Dave and Megan show, Megan goes solo, covering M3GAN (3:01), the crazy AF killer A.I. robot movie starring Allison Williams. And—perfect timing—one of Dave’s children interrupts and scares the crap out of him as he and Megan discuss said killer robot movie. Yeesh! Next, Megan and Dave talk about Noah Baumbach’s adaptation of Don DeLillo’s unfilmable (question mark?) novel WHITE NOISE (17:41). They round things out with the new Christian Bale thriller THE PALE BLUE EYE (36:02), directed by Scott Cooper and featuring Harry Melling as a young Edgar Allan Poe. Don’t forget to check out this week’s Patreon exclusive audio in which Megan and Dave talk about Nora Ephron’s SLEEPLESS IN SEATTLE.
Category Archives: Netflix
ENOLA HOLMES 2 and THE GOOD NURSE on Episode #437
Enola Holmes 2. Millie Bobby Brown as Enola Holmes. Cr. Alex Bailey/Netflix © 2022
We start this week by reviewing Tobias Lindholm’s true crime drama THE GOOD NURSE (1:54), about an ER nurse (Jessica Chastain) who discovers that her charming colleague (Eddie Redmayne) is secretly murdering their patients. The film misses some areas it could dig deeper into this real-life tragedy, but it’s really well-acted and has a strong ensemble. Next, we cover Harry Bradbeer’s ENOLA HOLMES 2 (22:17), a plainly named sequel that provides another engaging adventure for Enola Holmes (Millie Bobby Brown). It’s a delightful romp that’s still a lot of fun even if it’s not quite as brisk as the first film. And in this week’s Patreon exclusive audio, we talk about the winner of our Noirvember poll, Jane Campion’s 2003 film IN THE CUT, starring Meg Ryan and Mark Ruffalo! For anyone who celebrated, we hope you had a Happy Thanksgiving!
THE WONDER and RUN SWEETHEART RUN on Episode #434
This week we start by reviewing the surprising feminist horror film RUN SWEETHEART RUN (2:43), which involves much more than just a woman running for her life from a business dinner turned date that becomes violent. Then we cover Sebastián Lelio’s eerie period thriller THE WONDER (25:27), which takes place in 1862, and stars Florence Pugh as an English nurse investigating an Irish girl who has supposedly survived for months without eating. And in this week’s Patreon exclusive audio, we honor the late Angela Lansbury by discussing John Frankenheimer’s 1962 political thriller THE MANCHURIAN CANDIDATE!
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STARS AT NOON and DO REVENGE on Episode #431
Dave is under the weather this week, so Evan and Megan fly duo to review the movies. First up is Jennifer Kaytin Robinson’s candy-coated homage to 90s teen films, DO REVENGE (2:18), which is about two high schoolers (Camila Mendes and Maya Hawke) who team up to get revenge on the classmates who wronged them. Then we discuss Claire Denis’s low-octane thriller STARS AT NOON (20:33), which is about an American and Brit (Margaret Qualley and Joe Alwyn) in Nicaragua who fall for each other and must immediately flee from the authorities. And in this week’s Patreon exclusive audio, we talk about a Patron’s choice: Warren Beatty’s 1990 comic book film DICK TRACY!
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CHA CHA REAL SMOOTH, GOOD LUCK TO YOU, LEO GRANDE, and HALFTIME on Episode #414
We open this week with Amanda Micheli’s HALFTIME (2:31), a moving Netflix documentary that follows Jennifer Lopez as she reflects on her career and starts to navigate the second half of it, leading up to her halftime performance at the 2020 Super Bowl. Next, we discuss Sophie Hyde’s GOOD LUCK TO YOU, LEO GRANDE (22:56), a poignant dramedy about a widow (Emma Thompson) who hires a sex worker (Daryl MacCormack) to help her expand her sexual horizons. We wrap up with Cooper Raiff’s CHA CHA REAL SMOOTH (44:11), a charming dramedy about a recent college grad who strikes up an unlikely friendship with a mother and her autistic daughter while he’s working as a Bar/Bat Mitzvah party starter. And in this week’s Patreon exclusive audio, we talk about the winner of our Studio Ghibli poll, Hayao Miyazaki’s 1989 film KIKI’S DELIVERY SERVICE!
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ALL THE OLD KNIVES, MOTHERING SUNDAY, and WINDFALL on Episode #404
We kick things off this week with Charlie McDowell’s slow-burn character study WINDFALL (3:11), which is about a man (Jason Segel) who breaks into a tech billionaire’s empty vacation home, but has to radically change his plans when the mogul and his wife (Jesse Plemons and Lily Collins) unexpectedly arrive. Next, we review Eve Husson’s MOTHERING SUNDAY (21:31), a decades-spanning drama about grief and loss in the wake of WWI, which features a LOT of nude scenes. Then we cover Janus Metz’s ALL THE OLD KNIVES (40:54), a messy spy thriller starring Chris Pine and Thandiwe Newton whose title also happens to rhyme with a Blink 182 song. And in this week’s Patreon exclusive audio, we review Christopher Winterbauer’s 2022 HBO Max rom-com MOONSHOT!
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PARALLEL MOTHERS, DON’T LOOK UP, and SEE FOR ME on Episode #392
We start this week by reviewing Adam McKay’s hotly-debated Netflix climate change satire, DON’T LOOK UP (2:17), digging into the many ways it’s ineffective, and the couple of ways it is. Then we cover Randall Okita’s tense thriller SEE FOR ME (21:20), about a blind woman stuck inside a house full of crooks with nothing but an app and an army vet on the other side of it to guide her. We wrap up with Pedro Almodóvar’s moving, complex drama PARALLEL MOTHERS (33:11), which is about two mothers who give birth on the same day, and oh so much more. We won’t spoil it here, but we sure will in the episode. And in this week’s Patreon exclusive audio, we finally review the 1985 John Hughes classic, THE BREAKFAST CLUB!
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THE POWER OF THE DOG and THE NOVICE on Episode #388
Megan is back from vacation, so she’s excited to review this week’s films! We start with Lauren Hadaway’s fantastic unsettling psychological thriller THE NOVICE (2:24) about a college student’s obsessive quest to make her school’s varsity rowing team, starring Isabelle Fuhrman. Then, we review Jane Campion’s beautifully-shot Western THE POWER OF THE DOG (21:42), starring Benedict Cumberbatch, Kirsten Dunst, Kodi Smit-McPhee, and Jesse Plemons. The Netflix film has been racking up awards from many film critics groups, including the Boston Online Film Critics Association, so we have a lot to say about it. And in this week’s Patreon exclusive audio, we change things up a bit by talking about our favorite movie car chases!
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KING RICHARD, BRUISED, and THE HUMANS on Episode #385
The film’s amazing performances are KING RICHARD’s greatest strength
This week just in time for the holiday, we kick off our show with Stephen Karam’s Thanksgiving family drama THE HUMANS (1:41), which underwhelms despite its stacked cast. Next we discuss Halle Berry’s directorial debut BRUISED (16:32) a formulaic sports film about a down on her luck queer MMA fighter trying to find redemption. Then we review KING RICHARD (34:45), Reinaldo Marcus Green’s engaging sports biopic, which looks at how Venus and Serena Williams’ father Richard (Will Smith) propelled them into tennis superstardom from birth. And in this week’s Patreon exclusive audio, we talk about the winner of our November film noir poll, Robert Altman’s 1973 film THE LONG GOODBYE, starring Elliott Gould!
Check out this week’s episode of Spoilerpiece Theatre!
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THE HARDER THEY FALL, NIGHT RAIDERS, and BUKRA FIL MISH-MISH (BJFF) on Episode #383
This week we start by reviewing Tal Michael’s BUKRA FIL MISH-MISH (3:59), a fascinating documentary playing at the Boston Jewish Film Festival about three Jewish brothers who were pioneers of Egyptian animation. Next, we discuss Danis Goulet’s NIGHT RAIDERS (16:41), a smart Indigenous sci-fi film about a mother (Elle-Máijá Tailfeathers) trying to rescue her daughter (Brooklyn Letexier-Hart) from a fascist state. After that we review Jeymes Samuel’s THE HARDER THEY FALL (32:25), a bold Black Western with a stacked cast. And in this week’s Patreon exclusive audio, we talk about Lou Adler’s 1982 film LADIES AND GENTLEMEN, THE FABULOUS STAINS!
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Download Here – and don’t forget to follow us on Apple Podcasts, Pandora, Stitcher, or Spotify! Call us at 862-21–PIECE (862-217-4323) or send us an e-mail: spoilerpiece AT gmail.com.
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