We open the show by reviewing Julie Cohen and Betsy West’s compelling documentary MY NAME IS PAULI MURRAY (2:01). The film celebrates the life of Pauli Murray, a non-binary lawyer, poet, and priest, who you’ve probably never heard of, but definitely should have because of their enormous impact on civil rights in the U.S. Next, we take on Jonah Feingold’s DATING & NEW YORK (20:04), a disappointingly derivative rom-com that’s neither rom nor com to any of us. Lastly, we cover James Wan’s MALIGNANT (38:48), a bonkers film that we all had a blast watching, and have just as much fun spoiling, but has us arguing whether it qualifies as “horror” or a “psychological thriller.” And on this week’s Patreon exclusive audio, we talk about the 2009 Richard Curtis film PIRATE RADIO aka THE BOAT THAT ROCKED.
Welcome! This week, Evan revisits FIRST BLOOD (6:30), a movie with more human tragedy and societal messages than its notoriously jingoistic sequels are remembered for. Next up, Kris runs us through MARY POPPINS RETURNS (12:31), an unnecessary but nonetheless enjoyable remake/sequel. Last up is AQUAMAN (25:06), the DC Extended Universe’s first movie that’s only okay.
Spoilerpiece Theatre turns 100 this week, so the guys do something special to thank their fans! Since it’s the 100th episode that also means Dave has finally seen WALK HARD: THE DEWEY COX STORY. Does he appreciate it as emphatically as Kris? Find out starting at the 4:00 mark. Next Evan and Kris cover THE CONJURING 2 (at 17:53), a super long James Wan horror movie with a lot of jump scares and a lot of little annoying things that make Evan very angry. After his anger cools, Evan reviews NOW YOU SEE ME 2 (at 42:38), which has some great magic scenes, but a convoluted plot that relies too much on you remembering information from the first movie. Lastly, Kris discusses TALE OF TALES (at 54:54), a messed up Italian anthology film that confuses the heck out of Dave and Evan with its interwoven tales that have no connection. Kris uses the conversation as an opportunity to state his case about why there should be more anthology films and television shows.