This episode begins with epic tales of Dave’s film school smoking habits, which were quite epic. Then it’s on to the main event, where Kris tells of his recent Netflix adventures with BIG MOUTH (5:45), the new animated show featuring Nick Kroll, John Mulaney, Jessi Klein, and a host of guest stars. It cuts deep with the preadolescent awkwardness, but it’s worth your time. Next up is THEY LOOK LIKE PEOPLE (11:35), an atmospheric, psychological horror film about two friends: one who is having a slow psychotic break where he can’t trust anything he sees or hears, and the other whose entire existence is a facade erected to protect is insecurity. It’s great, and Kris convinces Dave and Evan to see it right away. Last up is ONLY THE BRAVE (32:37) a true-ish story about the Granite Mountain Hotshots, whose heroism deserves a much more thoughtful, intelligent, and coherent movie than the one they got.
This week the guys surprise themselves by reflecting more on string cheese than any adult probably should. Then Evan delves into “Crewind,” the segment formerly known as “Catching up with Crean,” to share his experience watching CLUELESS (at 5:14) for the first time and rewatching Michael Mann’s HEAT (at 9:24) on blu-ray. After he’s done talking about the loving satire of CLUELESS and the awesome actors he forgot were in HEAT, he cedes the floor to Dave to cover IT COMES AT NIGHT (at 14:35), the sophomore effort by KRISHA director Trey Edward Shults. Dave explains why the film deserves a second and possibly third viewing, even though nothing really comes at night, before Evan and Kris explain why THE MUMMY (at 39:24) doesn’t deserve a single viewing due to its stupidity and failure to launch Universal’s Dark Universe franchise.
This week during a conversation about the new Domino’s commercials that parody FERRIS BUELLER’S DAY OFF, Dave shares a seemingly small aspect of the movie that really gets under his skin. Next he and Evan review THE ASSIGNMENT (at 7:56), a truly awful film by Walter Hill about a hitman (Michelle Rodriguez) who undergoes forced gender reassignment surgery, and seeks revenge on her mad scientist tormentor (Sigourney Weaver). They pick apart its terrible makeup, its endless exposition, its uninteresting revelations, and its nonsensical plot, which they argue no one could be good in. After that, Kris spoilerpieces ALI: FEAR EATS THE SOUL (at 36:30), a German film he was inspired to watch by Roger Ebert’s “The Great Movies.” He reveals why it’s worth watching, as he describes how the movie’s poignant, complicated love story addresses racism without sensationalizing it.
This week the guys attempt to answer the age old question, “Who’s the luckiest person in show business?” with mixed results. Each of them have some catching up to do on movies that they’ve seen, so they do some quick recaps (starting at 4:26) before they dive into these week’s movies. Kris shares short takes on BEAUTY AND THE BEAST and PERSONAL SHOPPER, prior to Evan offering brief thoughts on 10 CLOVERFIELD LANE, and Dave revealing what he took away from the rest of OJ: MADE IN AMERICA. After that Kris and Evan discuss WILSON (at 19:32), a film based on a Daniel Clowes graphic novel, where Woody Harrelson plays a guy walking through life telling everyone bullshit and acting like an asshole. Then all three guys discuss the sci-fi horror movie LIFE (at 41:11) which has great actors giving mediocre performances. They compare various parts to 2001: A SPACE ODYSSEY, LITTLE SHOP OF HORRORS, and ALIEN, however they describe why it gets dumber the more you think about it.
It’s been a rough year, but 2016 has finally come to a close, and not a moment too soon given all of the beloved celebrities who have left us! Unfortunately neither Dave nor Kris could make it for this week’s episode, so special guest stars Charlie Nash and Sean Burns join Evan to put the year to bed. They join forces to tear PATRIOTS DAY a new one (at 4:39). All three of them delve into the reasons this Peter Berg/Mark Wahlberg vehicle about the 2013 Boston Marathon Bombing is insulting to Bostonians — like Walhberg’s made up character, its exploitative shots of grisly carnage, its selective focus on victims, and its hard-on for authoritarianism. Not surprisingly, there is an overlap between that segment and the next one, where the guys discuss the Worst Movies of 2016 (at 33:54). Several films come up that have been mentioned on the show before, although the most spirited debate occurs between Charlie and Sean over ARRIVAL and CAPTAIN FANTASTIC, which make them feel very emotions.
This week Kris shares how he learned to separate reality from movies as a child, before he reveals his reaction to Baz Luhrmann’s Netflix show THE GET DOWN (at 4:22). Next Evan talks about the Polish/Israeli horror film DEMON (at 11:11), which has Polish, English, and Yiddish, but no sign language. It’s not particular scary, yet Evan still captures Kris’s interest anyway with his description of it. Following some tangents about a Jewish themed X-FILES episode and Gary Gulman’s stand up, the guys reach their main movie, BLAIR WITCH (at 25:50), which miraculously they have all seen. Evan never saw THE BLAIR WITCH PROJECT so he thinks this sequel is okay, but Dave and Kris have, so they share their experiences seeing it for the first time, before they launch into their critique of the new movie, which they find redundant and needlessly confusing.
Dave couldn’t make it at the last minute, so frequent guest Charlie Nash steps in to help out this week. After the guys discuss an idea Kris has for a movie, that he definitely shouldn’t be the one to write, they delve into the zany short film KUNG FURY. Charlie hasn’t seen it, so Kris and Evan convince him to check it out by spoilerpiecing how its hero acquires his kung fu powers. Then it’s up to Evan to describe MY BIG FAT GREEK WEDDING 2, or as he calls it, MY BIG FAT SEQUEL. He’s annoyed by how hypocritical it is, which leads to a tangent about another hypocritical movie: I NOW PRONOUNCE YOU CHUCK AND LARRY. Once he finishes sharing all the reasons why MBFGW2 wasn’t good, all three guys tear into BATMAN V SUPERMAN: DAWN OF JUSTICE. Charlie describes how it looks like shit (dark, murky, and brown) and explains why Batman and Superman are wrong in their worldviews. Evan craps on it too for its poor direction and editing. Kris is no fan either, but he provides interesting context for the movie in relation to comic book storylines and describes the few things he did actually like about it.