Any documentary that prominently features Laverne Cox is great in our book
This week we stop briefly in Vegantown before Megan offers two quick reviews. First, MY SPY (2:32), a mediocre but charming movie, and then IRRESISTIBLE (7:17), a disappointing Jon Stewart film. Next, Megan and Dave cover YOU SHOULD HAVE LEFT (13:20), a terrible Kevin Bacon/Amanda Seyfried horror flick. Then, everyone applauds MISS JUNETEENTH (23:06), a heartwarming drama about a Black beauty pageant and a tender mother-daughter relationship. Lastly, they praise DISCLOSURE (37:40), an incredible documentary on transgender representation in media. In honor of Pride month, we review Cheryl Dunye’s THE WATERMELON WOMAN, the winner of this month’s poll, in our Patreon exclusive audio.
It’s a new era of Spoilerpiece Theatre as new co-host Megan Kearns joins Evan and Dave! Megan kicks things off this week, talking about five films from the BOSTON WOMEN’S FILM FESTIVAL (5:15): PARADISE HILLS, THE AWAKENING OF THE ANTS, ENDZEIT, GOOD POSTURE, and FAST COLOR. (Of note: There are John Candy, Kevin Bacon, DEAD SNOW, and LAST OF US tangents. That’s right! Tangents return!) Evan talks about the Paul Haggis-Dan Krauss documentary 5B (34:05), and then Evan and Dave team up to talk about JOKER (40:55), the Joaquin Phoenix-starring Joker origin story. Be sure to check out our Patreon page where we talk about some psycho stalker movies!
Mark Wahlberg as the made up know-it-all cop Tommy Saunders in PATRIOTS DAY
It’s been a rough year, but 2016 has finally come to a close, and not a moment too soon given all of the beloved celebrities who have left us! Unfortunately neither Dave nor Kris could make it for this week’s episode, so special guest stars Charlie Nash and Sean Burns join Evan to put the year to bed. They join forces to tear PATRIOTS DAY a new one (at 4:39). All three of them delve into the reasons this Peter Berg/Mark Wahlberg vehicle about the 2013 Boston Marathon Bombing is insulting to Bostonians — like Walhberg’s made up character, its exploitative shots of grisly carnage, its selective focus on victims, and its hard-on for authoritarianism. Not surprisingly, there is an overlap between that segment and the next one, where the guys discuss the Worst Movies of 2016 (at 33:54). Several films come up that have been mentioned on the show before, although the most spirited debate occurs between Charlie and Sean over ARRIVAL and CAPTAIN FANTASTIC, which make them feel very emotions.