Dave is on vacation, so Charlie Nash joins Evan and Kris to discuss Ed Sheeran’s distracting GAME OF THRONES cameo before they dig into this week’s movies. Before they get into any new ones, Kris shares his most recent experience with ALTERED STATES (4:25), and his invigorating trip to a sensory deprivation chamber that inspired his viewing. Then Charlie and Evan cover GIRLS TRIP (14:23), a comedy that’s way funnier and raunchier than they expected, with many scene-stealing moments by Tiffany Haddish. After that, Kris and Charlie attempt to review VALERIAN AND THE CITY OF A THOUSAND PLANETS (28:26), a colorful Luc Besson sci-fi film that’s bloated, convoluted, and predictable despite its endearing silliness. Finally, all of them tackle Christopher Nolan’s DUNKIRK (48:55), a World War II film that blew them away with its massive scale, pulse-pounding score, and breakneck pacing.
It’s been a rough year, but 2016 has finally come to a close, and not a moment too soon given all of the beloved celebrities who have left us! Unfortunately neither Dave nor Kris could make it for this week’s episode, so special guest stars Charlie Nash and Sean Burns join Evan to put the year to bed. They join forces to tear PATRIOTS DAY a new one (at 4:39). All three of them delve into the reasons this Peter Berg/Mark Wahlberg vehicle about the 2013 Boston Marathon Bombing is insulting to Bostonians — like Walhberg’s made up character, its exploitative shots of grisly carnage, its selective focus on victims, and its hard-on for authoritarianism. Not surprisingly, there is an overlap between that segment and the next one, where the guys discuss the Worst Movies of 2016 (at 33:54). Several films come up that have been mentioned on the show before, although the most spirited debate occurs between Charlie and Sean over ARRIVAL and CAPTAIN FANTASTIC, which make them feel very emotions.
This week Evan and Kris explain what “Rick Rolling” is to Charlie Nash, who is filling in for Dave. Then all three of them speculate why they think INDEPENDENCE DAY: RESURGENCE (at 5:28) wasn’t screened for the press before its release. After some discussion about Jeff Goldblum, SAN ANDREAS, and Roland Emmerich disaster movies like 2012, they jump into this week’s films. First up is Nicolas Winding Refn’s THE NEON DEMON (at 13:44), a sick, twisted picture that the guys love, even though it’s fucked up and vile in every sense of the word. Their conversation about a particularly jarring scene involving a dead body allows for a convenient transition into Charlie’s take on SWISS ARMY MAN (at 50:22), a movie where Paul Dano learns to survive on a desert island with Daniel Radcliffe’s farting corpse. Charlie admits that it feels very Sundancey for its story about a nerdy guy trying to get back to a girl, but he is surprised by how much he likes it. Finally, he wraps up with his quick thoughts on MCCABE & MRS. MILLER (at 58:32), which is playing in Boston at the Brattle Theatre. Charlie shares why it’s one of his top five westerns of all time, and why Robert Altman’s film immerses you in a world that feels lived in.
Dave couldn’t make it at the last minute, so frequent guest Charlie Nash steps in to help out this week. After the guys discuss an idea Kris has for a movie, that he definitely shouldn’t be the one to write, they delve into the zany short film KUNG FURY. Charlie hasn’t seen it, so Kris and Evan convince him to check it out by spoilerpiecing how its hero acquires his kung fu powers. Then it’s up to Evan to describe MY BIG FAT GREEK WEDDING 2, or as he calls it, MY BIG FAT SEQUEL. He’s annoyed by how hypocritical it is, which leads to a tangent about another hypocritical movie: I NOW PRONOUNCE YOU CHUCK AND LARRY. Once he finishes sharing all the reasons why MBFGW2 wasn’t good, all three guys tear into BATMAN V SUPERMAN: DAWN OF JUSTICE. Charlie describes how it looks like shit (dark, murky, and brown) and explains why Batman and Superman are wrong in their worldviews. Evan craps on it too for its poor direction and editing. Kris is no fan either, but he provides interesting context for the movie in relation to comic book storylines and describes the few things he did actually like about it.
This week Charlie Nash makes his second Spoilerpiece appearance to share his experiences at the Coolidge Corner Halloween Horror Movie Marathon and the New York Film Festival with Evan and Kris. At the 12-hour movie marathon, which he dubs “a cinephile’s wet dream,” Charlie saw horror films that stimulated his overactive imagination like HALLOWEEN, NIGHT OF THE DEMONS, THE CHANGELING, and THE HITCHER. Also, at the New York Film Festival he watched CAROL and SON OF SAUL, two important movies that he breaks down. Charlie and Kris then take on SPECTRE, the James Bond picture that Kris dubs “more of a postscript than an epilogue” to Daniel Craig’s entries in the franchise. It’s overly long, self-congratulatory, and worst of all—it has a shitty theme song. Thankfully all three of the guys saw SPOTLIGHT, a tremendous film that chronicles the Boston Globe’s report that exposed sexual scandal in the Catholic Church. Not only is it a better Boston movie than BLACK MASS, but SPOTLIGHT is elegant, subtle, and gripping based on its story and the performances by its leads.
Charlie Nash of Movie Mezzanine, Edge on the Net, All Things Horror, and Cinematic Essential joins Evan and Kris this week to take on INSIDE OUT, DOPE, and ME AND EARL AND THE DYING GIRL. The guys start by bitching about jerks who spoil GAME OF THRONES before they share why Pixar’s film INSIDE OUT moved them to tears. All three enjoyed it so much that they can’t think of a single bad thing to say about it. Next up, Kris and Charlie summarize DOPE, while attempting to separate its promising parts from the misfires it makes and detours it takes. Then they wrap things up with the abhorrent ME AND EARL AND THE DYING GIRL, a picture that’s so bad it makes Kris angry for once. He and Charlie spoilerpiece what makes it so awful for Evan, which gives him some pretty awful ideas of his own for what to do with it when it comes out on DVD.