WIDOWS, BOY ERASED, PRIVATE LIFE, and more with special guest Megan Kearns on Episode #226

Viola Davis stands in a trenchcoat holding a Post-it note, while Cynthia Erivo stands leaning against a punching bag in workout clothes in the Steve McQueen film Widows

Viola Davis and Cynthia Erivo are incredible in Steve McQueen’s heist film WIDOWS

This week, our friend Megan Kearns returns to the show! She kicks things off with PRIVATE LIFE (3:02), a frank and moving depiction of a couple’s attempts to conceive. Next is Evan with LIFE WITHOUT BASKETBALL (7:37), a documentary about a Muslim American woman who faces discriminatory rules regarding dress, preventing her from advancing her basketball career. Then, Kris runs us through SALEM’S LOT (11:31), the classic spooky miniseries based on the Stephen King story, as well as Orson Welles’s THE OTHER SIDE OF THE WIND (15:33), a film forty years in the making. It’s a true masterpiece, argues Kris, and you should all see it on Netflix now. Then, Kris and Evan look at BOY ERASED (21:48), Joel Edgerton’s film about  gay conversion therapy, with some good qualities but an unfortunate amount of overlap with THE MISEDUCATION OF CAMERON POST. Last up, all three get less and less enthusiastic about Steve McQueen’s WIDOWS (40:11).

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BOHEMIAN RHAPSODY, MID90S, and HOLD THE DARK with special guest Megan Kearns on Episode #224

Rami Malek as Freddie Mercury in the film Bohemian Rhapsody singing at Live Aid with one arm in the air

Rami Malek shines as Freddie Mercury in the biopic BOHEMIAN RHAPSODY

This week special guest and fellow BOFCA member Megan Kearns returns to join Kris and Evan on the show. She starts off by reviewing HOLD THE DARK, Jeremy Saulnier’s latest film about a man searching for a couple’s son in the Alaskan wilderness, which sadly doesn’t pack the same punch as his previous movies GREEN ROOM and BLUE RUIN. Next, Kris and Evan travel back in time to their youth for Jonah Hill’s directorial debut MID90s, a coming-of-age movie with some really strong elements like its eclectic music and camaraderie between its cast of skateboard teens that make it good, but some shortcomings that prevent it from being great. Lastly, all three of them review BOHEMIAN RHAPSODY (31:21), the long-awaited Freddie Mercury biopic, which attempts to do the late Queen frontman’s life justice and mostly succeeds.

Listen:



Download Here
– and don’t forget to subscribe on iTunes or Stitcher! Call us at 862-21PIECE (862-217-4323) or send us an e-mail: spoilerpiece AT gmail.com.