Viola Davis and Cynthia Erivo are incredible in Steve McQueen’s heist film WIDOWS
This week, our friend Megan Kearns returns to the show! She kicks things off with PRIVATE LIFE (3:02), a frank and moving depiction of a couple’s attempts to conceive. Next is Evan with LIFE WITHOUT BASKETBALL (7:37), a documentary about a Muslim American woman who faces discriminatory rules regarding dress, preventing her from advancing her basketball career. Then, Kris runs us through SALEM’S LOT (11:31), the classic spooky miniseries based on the Stephen King story, as well as Orson Welles’s THE OTHER SIDE OF THE WIND (15:33), a film forty years in the making. It’s a true masterpiece, argues Kris, and you should all see it on Netflix now. Then, Kris and Evan look at BOY ERASED (21:48), Joel Edgerton’s film about gay conversion therapy, with some good qualities but an unfortunate amount of overlap with THE MISEDUCATION OF CAMERON POST. Last up, all three get less and less enthusiastic about Steve McQueen’s WIDOWS (40:11).
Tom Cruise at his best, smirking his way through AMERICAN MADE.
This week begins with a discussion of bad movies, and why video game adaptations are particularly egregious. Evan then kicks things off with a recap of his experience at Somerville Theatre’s 70mm Festival, featuring THE DARK CRYSTAL (4:47). The Crewind continues with Evan’s “Triple Cruise” where he watched two classics — RAIN MAN (11:30) and the under-recognized DAYS OF THUNDER (15:17), before being joined by Dave to dissect AMERICAN MADE (21:55). The short version: it’s awesome. Dave then Spoilerpieces no one into wanting to see VICTORIA & ABDUL (37:35), the latest example that director Stephen Frears should take it easy on the aristocracy for a while. It’s finely made with a great turn by Eddie Izzard, but totally familiar. Last up, Dave and Kris are excited to talk about the many victories of BATTLE OF THE SEXES (42:02), both in the narrative and the filmmaking. It’s good, funny, thoughtful, and entirely necessary.