WIDOWS, BOY ERASED, PRIVATE LIFE, and more with special guest Megan Kearns on Episode #226

Viola Davis stands in a trenchcoat holding a Post-it note, while Cynthia Erivo stands leaning against a punching bag in workout clothes in the Steve McQueen film Widows

Viola Davis and Cynthia Erivo are incredible in Steve McQueen’s heist film WIDOWS

This week, our friend Megan Kearns returns to the show! She kicks things off with PRIVATE LIFE (3:02), a frank and moving depiction of a couple’s attempts to conceive. Next is Evan with LIFE WITHOUT BASKETBALL (7:37), a documentary about a Muslim American woman who faces discriminatory rules regarding dress, preventing her from advancing her basketball career. Then, Kris runs us through SALEM’S LOT (11:31), the classic spooky miniseries based on the Stephen King story, as well as Orson Welles’s THE OTHER SIDE OF THE WIND (15:33), a film forty years in the making. It’s a true masterpiece, argues Kris, and you should all see it on Netflix now. Then, Kris and Evan look at BOY ERASED (21:48), Joel Edgerton’s film about  gay conversion therapy, with some good qualities but an unfortunate amount of overlap with THE MISEDUCATION OF CAMERON POST. Last up, all three get less and less enthusiastic about Steve McQueen’s WIDOWS (40:11).

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Episode #13: THE JUDGE AND GONE GIRL

The Judge 1

It’s time to talk Robert Downey Jr., Robert Duvall and THE JUDGE, and so much of the movie works but even more of it doesn’t. How many subplots can one film have? Well, how often can we break off into tangents (covering Van Halen, David Fincher’s body of work, how watching THE BIG LEBOWSKI is kind of like watching THE JUDGE except better, and the pros of having Evan AND Kris on this week’s episode) when discussing GONE GIRL? HOW MANY, WE ASK YOU? And somehow ANNABELLE snuck in for a moment this week, but that’s what evil dolls do.

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Download Here – and don’t forget to subscribe on iTunes! Call us at 862-21PIECE (862-217-4323) or send us an e-mail: spoilerpiece gmail.com.