PARALLEL MOTHERS, DON’T LOOK UP, and SEE FOR ME on Episode #392

Penelope Cruz and Milena Smit embrace each other tightly in the movie Parallel MothersWe start this week by reviewing Adam McKay’s hotly-debated Netflix climate change satire, DON’T LOOK UP (2:17), digging into the many ways it’s ineffective, and the couple of ways it is. Then we cover Randall Okita’s tense thriller SEE FOR ME (21:20), about a blind woman stuck inside a house full of crooks with nothing but an app and an army vet on the other side of it to guide her. We wrap up with Pedro Almodóvar’s moving, complex drama PARALLEL MOTHERS (33:11), which is about two mothers who give birth on the same day, and oh so much more. We won’t spoil it here, but we sure will in the episode. And in this week’s Patreon exclusive audio, we finally review the 1985 John Hughes classic, THE BREAKFAST CLUB

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GODZILLA VS KONG, ZACK SNYDER’S JUSTICE LEAGUE, WOLFWALKERS, and WOODLANDS DARK AND DAYS BEWITCHED: A HISTORY OF FOLK HORROR on Episode #351

Godzilla and King Kong fight each other above a city in the movie Godzilla vs Kong

Godzilla squares off with King Kong in GODZILLA VS. KONG

Dave keeps knives in his microwave?! Find out why this week. We kick off our reviews with ZACK SNYDER’S JUSTICE LEAGUE (4:21), a four-hour cut of the 2017 superhero film, which for better and worse, represents its original director’s vision. Next, we talk about the heartwarming Oscar-nominated animated fantasy tale WOLFWALKERS (20:04) by Tomm Moore and Ross Stewart of Cartoon Saloon. After that, we cover Kier-La Janisse’s three-hour documentary WOODLANDS DARK AND DAYS BEWITCHED: A HISTORY OF FOLK HORROR (28:59), which screened at SXSW and offers a fascinating dissection of folk horror films. Our main event is GODZILLA VS. KONG (43:00), a kaiju movie directed by Adam Wingard with some entertaining fights that’s, unfortunately, lacking in many other departments. And for our Patreon exclusive audio, we follow up on our recent PRETTY IN PINK discussion by talking about the John Hughes/Howard Deutch film SOME KIND OF WONDERFUL

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MOXIE, SOPHIE JONES, JUMBO, and films from the Boston Israeli Film Festival on Episode #348

Hadley Robinson stands in the rain angrily holding her zine Moxie in the movie Moxie

Moxie. Hadley Robinson as Vivian in Moxie. Cr /NETFLIX © 2020

Evan starts this week by recapping two feature-length films he saw from the Boston Israeli Film Festival (1:29). He talks about Nir Bergman’s HERE WE ARE, a drama about a father’s changing relationship with his autistic son, and Yohanan Weller’s LOVE IN SUSPENDERS, a rom-com about finding love again later in life. Then Megan and Dave review Zoé Wittock’s JUMBO (13:04), romantic drama about a woman who falls in love with an amusement park ride. Next, we all discuss Jessie Barr’s SOPHIE JONES (28:25), a coming-of-age story about a teenager processing the grief of her mother’s death. Lastly, we cover Amy Poehler’s MOXIE (44:52), a dramedy about a teenager who takes on sexism at her high school by starting a feminist zine. And on this week’s Patreon exclusive audio, we celebrate the 35th anniversary of PRETTY IN PINK with an in-depth discussion about the Howard Deutch/John Hughes 80s classic.

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FINDING DORY, FERRIS BUELLER’S DAY OFF, and THE UNTOUCHABLES on Episode #101

finding-dory

FINDING DORY hits the minimum bar that Pixar sets. It’s good, but not great.

On this week’s show Dave explains why a certain French filmmaker is just “too French.” Then Kris and Evan dive into FINDING DORY (at 4:50), a film that hits the lowest bar Pixar sets: it makes you laugh and cry at some point. However the movie didn’t make much of a splash with them, which is why they end up in Tangenttown making comparisons to JOE DIRT and TAKEN 2, in between talking about individual scenes that work well. At least a conversation on the use of baby voice leads to a cute Baby Henry story. Next up, the guys discuss FERRIS BUELLER’S DAY OFF (at 31:04) because of its recent 30th anniversary. They offer their revisionist take on the movie by revealing why Ferris is an arrogant unsympathetic character in an otherwise objectively funny picture. Evan wraps up by sharing his experience seeing THE UNTOUCHABLES (at 44:50) on the big screen for the first time. It’s a lot bloodier than what he remembers from many afternoon viewings on TNT, but he still enjoys its many exciting scenes, and doesn’t hesitate to describe them using his best Sean Connery impression. Don’t be surprised if some Celebrity Jeopardy SNL references end up in there too.

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CREED, THE GOOD DINOSAUR with bonus PLANES, TRAINS, & AUTOMOBILES, and every ROCKY movie on Episode #72

Creed

CREED is fantastic, and so is Michael B. Jordan.

Happy Thanksgiving! We at Spoilerpiece couldn’t help but launch into a short riff about the beauty of John Hughes’ PLANES, TRAINS & AUTOMOBILES. It’s that time of year, and it’s also funny to hear Steve Martin say, “I do not play with my balls.” Then Kris and Evan get into THE GOOD DINOSAUR, which, to hear them tell it, ain’t a good movie. And finally, Kris spoilerpieces the hell out of CREED, the new ROCKY movie that is apparently better than it has any right to be. There’s also a Henry update and a brief installment of “Riedel’s Recaps.” Hope everyone didn’t eat themselves sick!

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Download Here – and don’t forget to subscribe on iTunes! Call us at 862-21PIECE (862-217-4323) or send us an e-mail: spoilerpiece gmail.com.