Megan and Dave start this week by reviewing the Robert Eggers Viking revenge tale THE NORTHMAN (1:55), which they disagree about in a lot of places. They can at least agree Nicole Kidman is amazing in it. Next everyone discusses Gustavo Hernández’s horror film VIRUS: 32 (23:31), which puts a very specific and interesting spin on its zombie narrative. Then we’re excited to finally cover Jon Watts’s SPIDER-MAN: NO WAY HOME (39:38), digging into everything that we love and everything we find annoying about it. And in this week’s Patreon exclusive audio, we review the 1992 Penelope Spheeris comedy WAYNE’S WORLD, starring Mike Meyers, Dana Carvey, Tia Carrere, and Rob Lowe.
Dave kicks off this week’s episode with a brief review of R.J. Cutler’s Apple TV+ documentary BILLIE EILISH: THE WORLD’S A LITTLE BLURRY (1:43), which examines the singer-songwriter’s life on the road and at home while she creates her debut album. Next, everyone reviews J Blakeson’s Netflix crime drama/dark comedy I CARE A LOT (8:20), where Rosamund Pike plays a queer woman con artist, a legal guardian whose scheme to take advantage of her elderly wards hits a snag when one of her marks turns out to be more than she seems. Then we talk about Keith Thomas’s unique Jewish horror film THE VIGIL (23:35), about a shomer (Dave Davis) who encounters a demon while providing overnight watch to a deceased member of his former Orthodox Jewish community. We wrap up with Joe and Anthony Russo’s Apple TV+ drama CHERRY (37:04), where Tom Holland is a soldier suffering from PTSD who turns to bank robbing after his drug addiction puts him in serious debt. And in this week’s Patreon bonus audio, we talk about John Landis’s 1988 Eddie Murphy film COMING TO AMERICA, in anticipation of its sequel, which comes out next week.
An old feminine hygiene commercial inspires a new band name before the movies this week. Megan and Evan lead with RESIDUE (2:48), Merawi Gerima’s drama that’s a compelling commentary on racism and gentrification. Next, everyone discusses OTTOLENGHI AND THE CAKES OF VERSAILLES (15:18), a food documentary about a special project for The MET. Then they review THE DEVIL ALL THE TIME (29:23), a Netflix crime drama with Tom Holland. Lastly, they cover Miranda July’s KAJILLIONAIRE (47:08), an eccentric crime drama starring Evan Rachel Wood and Gina Rodriguez. In this week’s Patreon bonus audio, we review a Patron’s selection, John Carpenter’s 1995 horror film IN THE MOUTH OF MADNESS.
Dave’s on vaca one last week, so Kristen Halbert fills in to discuss a panel about video game to film adaptations (4:05) that she and Evan attended at PAX East. After they explore ideas for future adaptations, Megan reviews the new Pixar film ONWARD (21:23), a heartwarming family tale. Next she and Evan discuss THE LODGE (29:30), a creepy horror flick they’re split on. Finally, everyone digs into THE WAY BACK (47:35), a Ben Affleck film about addiction that leaves one host feeling less than enthusiastic.
A whole lot of show for you this week! Kicking things off is Dave with his recaps of the forgettable THE BABYSITTER (3:31), the almost-good THE LITTLE HOURS (10:04), and fantastically cheesy Spaghetti Western MY NAME IS NOBODY (14:11). Then Kris and Dave recount their experience at Coolidge Corner Theatre’s Keanu-thon (19:42), six Keanu Reeves movies from midnight to noon, ranging from classics (POINT BREAK, SPEED), ’90s time capsules (BILL & TED’S BOGUS JOURNEY, JOHNNY MNEMONIC), art house trips (A SCANNER DARKLY), and unexpected triumphs (CONSTANTINE). Closing out the episode, all three hosts give an overall solid recommendation for SPIDER-MAN: FAR FROM HOME (43:10).
This week the guys discuss their favorite Beach Boys song before they talk movies. They only have one big film to talk about, so they spend some time catching up on others they caught recently. In a segment of “Evan Can Wait” aka “Crewind,” Evan shares his experiences watching CADDYSHACK (6:08) and OUTSIDE PROVIDENCE (14:01) again, as well as his first-time viewing of the romantic OUTSOURCED (20:00). Then Dave recaps his latest time through A FISTFUL OF DOLLARS (26:29), where he talks about what it has in common with other Sergio Leone Westerns and samurai films. Lastly, the guys all team up to review SPIDER-MAN: HOMECOMING (33:40), a Marvel superhero outing that they all really enjoy with believable teenagers facing believable troubles.
Dave is back from sick leave to share his unique take on a classic lullaby. Then Evan and Kris jump into reviewing Ron Howard’s IN THE HEART OF THE SEA, or IN THE FART OF THE SEA, as Dave calls it. The film stars the Greater Hemsworth (Chris) and Brendan Gleeson, but not Dave’s favorite actor Ray Winstone. It’s a movie about a sperm whale that kills seamen, and yes the guys milk that fact for all the laughs it’s worth. They also don’t shy away from making CABIN BOY references whenever possible. Probably the biggest surprise is how much Evan and Kris disagree about it. Their conversation veers into a tangent about Ron Howard films, before all three guys get into this year’s Boston Online Film Critics Association (BOFCA) awards. The three of them share their top 10 lists, and delve into some of the categories where they had completely different items in their ballots like Best Foreign Film and Best Documentary. Highlights include PEACE OFFICER, FINDERS KEEPERS, STRAY DOG, and JAFAR PANAHI’S TAXI. Before they sign off, the guys have a few words of appreciation for the marketers giving BOFCA’s awards some attention, and a few choice words for the organization’s critics.