We start the show this week by reviewing Claire Scanlon’s impressively unfunny comedy THE PEOPLE WE HATE AT THE WEDDING (2:30), which is about dysfunctional siblings (Kristen Bell and Ben Platt) who reluctantly travel to the UK with their mom (Allison Janney) for their half-sister’s wedding. Next, we delve into Mark Mylod’s delicious social satire/horror film THE MENU (18:48), where a hyper-exclusive dining experience turns into a battle of wits between its mastermind chef (Ralph Fiennes) and an unexpected diner (Anya Taylor-Joy). Then we wrap up with Rian Johnson’s wildly entertaining whodunnit GLASS ONION: A KNIVES OUT MYSTERY (42:10), the much-anticipated sequel to Johnson’s murder mystery hit KNIVES OUT. And in this week’s Patreon exclusive audio, we talk about a Patron’s choice, Griffin Dunne’s 1998 film PRACTICAL MAGIC, starring Sandra Bullock and Nicole Kidman!
We start this week by reviewing Jerrod Carmichael’s directorial debut ON THE COUNT OF THREE (1:43), a dark comedy/drama about two best friends (Carmichael and Christopher Abbott) trying to make the most of the last day of their lives. Next, we cover Aaron and Adam Nee’s goofy rom-com THE LOST CITY (19:43), which stars Sandra Bullock and Channing Tatum as a romance novelist and her cover model who end up on a jungle adventure. We wrap up with Sam Raimi’s DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS (32:19), a Marvel movie that’s a frustrating mixed bag. And on this week’s Patreon exclusive audio, we’re talking about David Cronenberg’s 1981 sci-fi horror film SCANNERS, which is technically the runner-up in our body horror poll.
Happy New Year Spoilerpiece fans! This week the guys start out by revealing their unconventional New Year’s Eve plans. For films, there are three on the docket, and everyone has seen them, which makes for lively discussion! First, the guys review THE FAVOURITE (4:48), a period piece by Yorgos Lanthimos that Kris and Dave loved, but Evan couldn’t stand. Next they cover IF BEALE STREET COULD TALK (17:37), the beautiful Barry Jenkins movie they all agree is fantastic because the theme of love permeates it. Lastly, the guys take on the much-discussed Sandra Bullock Netflix original BIRD BOX (30:17), a tense horror flick with good performances that is stunted by numerous flaws. If all that’s not enough, you can also hear exclusive audio of the guys discussing New Year’s Eve movies if you sign up and support them this week on Patreon.
This week, Kris teases with some tasty tidbits about HEREDITARY (2:58) that don’t give anything away, tabling that conversation for when all of the hosts have seen it. (Do see it yourself before then, though!) Then, Evan and Dave revisit old favorites: TOTAL RECALL (7:15) and HEAT (18:14) respectively, delivering some choice observations that come from repeat viewings. Was it all a dream in TOTAL RECALL? What exactly is this “cowboy” business all about in HEAT? Listen to find out! Then it’s on to the main event: OCEAN’S 8 (29:45), a totally fun heist flick full of terrific stars doing what they do best. Though technically a sequel to the OCEAN’S movies of yesterdecade, it charts its own path and will charm its way into your good graces thanks to its dedicated cast and solid screenplay. Could it have benefitted from Soderbergh’s direction? Maybe! Is it a blast anyway? Hell yeah!
Following a brief Eddy mix up, the guys review movies new to old. First up is Evan with BURNT, a Bradley Cooper film about disgraced chef who does not pee in soup. It’s a super predictable picture where there are gratuitous montages that focus on mundane things and everyone is waiting around for him to get better. Kris is next to discuss OUR BRAND IS CRISIS, a political film that’s reminiscent of PCU, but without George Clinton to bring everyone together. The director doesn’t belong and it’s so uneven, although when it’s cynical it does have points to make. Finally, Evan has seen Dave’s favorite movie, HIDING OUT, starring John Cryer, so the two of them give it the full spoilerpiece treatment. Dave can “quote the motherfucker backwards and forwards,” and Evan reveals his surprise about how part of it takes place in Boston, while pausing to analyze its 80s yuppie mentality.