CROWN HEIGHTS, I DO…UNTIL I DON’T, THE FRIENDS OF EDDIE COYLE, and REAL GENIUS on Episode #164

Ed Helms and Lake Bell sitting next to each other on the couch with disappointed looks in I DO...UNTIL I DON'T.

Ed Helms and Lake Bell reflecting on their marriage in I DO…UNTIL I DON’T.

This week the guys explore ideas for new expletives that are safe to use around children before they dig into the movies. Since it’s the end of August, there aren’t as many to discuss, although they do have a couple of recaps and two new releases, as well as some fun tangents in between. First, Dave recaps THE FRIENDS OF EDDIE COYLE (3:32), a Boston gangster movie from the 70s with Robert Mitchum that was actually shot in the city. Following a tangent on another Boston movie, THE DEPARTED, Evan Crewinds everyone to the 80s with REAL GENIUS (15:08), a cute comedy that causes the guys to wish Val Kilmer could be their college roommate too. Then all three guys review I DO…UNTIL I DON’T (24:36), the disappointing sophomore effort by Lake Bell, which has some sweet moments, and some misguided ideas about documentaries. Lastly, Evan and Dave spoilerpiece CROWN HEIGHTS (43:09), a wrongful conviction film that showcases great performances and makes excellent points about the American criminal justice system, but feels much longer than it should due to its shifting perspectives.

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DETROIT, SHINING THROUGH, and THOR on Episode #160

John Boyega in DETROIT

John Boyega looking about as happy as the guys were watching DETROIT.

This week Dave admits why he’s way too excited about his car getting detailed, before Kris declares that his beard might be magical. Prior to the week’s main event, the guys serve up a heaping helping of recaps. Evan leads off with a segment of “Crewind,” where he offers his take on PHOENIX (6:06), a film that Dave spoilerpieced many moons ago. After he talks about his reaction to the German film’s incredible ending, he tackles SHINING THROUGH (10:35), the Melanie Griffith picture where she’s a sharp half-Jewish woman who spies on the Germans with Michael Douglas during World War II. Then Dave takes over with “Riedel’s Recaps” of I DON’T FEEL AT HOME IN THIS WORLD ANYMORE (20:43), a movie he liked more than Evan, who spoilerpieced it earlier this year, and THOR (24:41), which he was not impressed by. Finally, all three gents delve into DETROIT (34:01), Kathryn Bigelow’s chronicle of the brutality and murder at the Algiers Motel during the 1967 Detroit riot. In their commentary, the guys address criticisms leveled by other critics that the film is exploitative, while also sharing their personal reactions to it.

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BOSCH, COLOSSAL, 13 REASONS WHY, and THE GOLDEN GIRLS on Episode #146

Hi everyone! This week there were some major releases, but none of them screened for critics? Like, for real. So none of saw THE CIRCLE or HOW TO BE A LATIN LOVER, and honestly, we’re probably all better off. But we didn’t just sit around with our thumbs up our wazoos. Dave watched all 10 episodes of the Amazon series BOSCH (5:45), Kris saw the new Anne Hathaway/Jason Sudeikis movie COLOSSAL (26:45), and Evan saw most of the Netflix series 13 REASONS WHY (51:30). At 17:49, Kris and Dave go off on a major GOLDEN GIRLS tangent. And words of warning: We had some serious audio problems while recording this episode and you’ll hear some white noise fading in and out of the background starting at about the 35:00 mark (I didn’t write down the exact spot, so that’s a guess). We’re working on getting new recording equipment, so hopefully these audio glitches will soon be a thing of that past, yo. Peace!

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BEAUTY AND THE BEAST, PERSONAL SHOPPER, and O.J.: MADE IN AMERICA with Movie Bob on Episode #140

Dan Stevens and Emma Watson in BEAUTY AND THE BEAST

Dan Stevens and Emma Watson in the blow by blow remake BEAUTY AND THE BEAST

Kris is on a tight deadline and can’t make it this week, so Movie Bob Chipman joins Evan and Dave to discuss logistical questions about day to day operations of the Death Star. Bob shares insights into one of his upcoming videos before being their guest, i.e. reviewing BEAUTY AND THE BEAST (at 6:08). After some tangents about PIRATES OF THE CARIBBEAN and other live action Disney adaptations, Bob describes why BEAUTY AND THE BEAST is a tribute to itself; a fine, blow by blow remake of the animated movie. Next, all three of them discuss the Oscar-winning documentary O.J.: MADE IN AMERICA (at 22:24), by revealing how it provides deep context into O.J.’s successful athletic career and his abusive past, which leads the guys to ruminate on other celebrities with abusive histories. Finally, Evan and Dave tackle PERSONAL SHOPPER (at 42:26), an Olivier Assayas/Kristen Stewart film that’s oozing with esoteric weirdness and needlessly confusing plot points. Fear not, the show isn’t entirely without Kris! Stay tuned after the closing credits for a brief message from him.

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DEEPWATER HORIZON and a Robert Davi Story on Episode #116

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Kurt Russell looking super serious as Mr. Jimmy in DEEPWATER HORIZON.

A conversation about celebrity encounters on this week’s episode leads to an anecdote about Kris’s brief run in with James Taylor. Then the guys jump into the one movie they’re allowed to talk about: DEEPWATER HORIZON. Since other films they’ve seen don’t come out until next week, Kris and Evan go in-depth with this Peter Berg/Mark Wahlberg disaster flick. The picture’s character development is stupid and it doesn’t know which plot points should be explained, but it does a good job playing up the enormity of the events, and Mark Wahlberg is solid as an average guy who rises to the occasion in a way that’s not annoying. Following that conversation, Dave caps off this short episode with an accidental spoilerpiece of the Bond movie LICENCE TO KILL, as he shares his story of meeting Robert Davi.

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BLAIR WITCH, DEMON, and THE GET DOWN on Episode #114

blair-witch

BLAIR WITCH is not nearly as scary as this photo makes it seem.

This week Kris shares how he learned to separate reality from movies as a child, before he reveals his reaction to Baz Luhrmann’s Netflix show THE GET DOWN (at 4:22). Next Evan talks about the Polish/Israeli horror film DEMON (at 11:11), which has Polish, English, and Yiddish, but no sign language. It’s not particular scary, yet Evan still captures Kris’s interest anyway with his description of it. Following some tangents about a Jewish themed X-FILES episode and Gary Gulman’s stand up, the guys reach their main movie, BLAIR WITCH (at 25:50), which miraculously they have all seen. Evan never saw THE BLAIR WITCH PROJECT so he thinks this sequel is okay, but Dave and Kris have, so they share their experiences seeing it for the first time, before they launch into their critique of the new movie, which they find redundant and needlessly confusing.

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JASON BOURNE, CAFE SOCIETY, and TALLULAH on Episode #107

Jason Bourne

Matt Damon in THE BOURNE REDUNDANCY aka JASON BOURNE.

Sean Burns joins Evan and Dave to discuss why Wesley Snipes movies have the best one-liners in their trailers. Since Sean hasn’t seen the week’s big movie JASON BOURNE (at 3:12), he plays a fun game where he tries to guess its plot while Evan and Dave tell him what he got right. Following some jokes about THE BOURNE LEGACY (or THE BOURNE LAZENBY as Sean calls it), some questions about why we got another Bourne movie, and a tangent on Michael Douglas, Sean covers Woody Allen’s CAFÉ SOCIETY (at 34:10). Listeners know that Dave normally hates Woody Allen, however Sean manages to spoilerpiece him into tolerating the movie by sharing how much Allen gives a shit visually in this 1930s outing. After Sean explores its message that “It ain’t like it used to be, and it never was,” he reviews Sian Heder’s TALLULAH (at 48:52), a strong first effort starring Ellen Page and Allison Janney. From there, they all descend into tangents about the Coolidge’s upcoming horror movie marathon and differing opinions on various De Palma films (mainly Sean and Dave’s).

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