Jason Bateman and Rachel McAdams take cover in the surprising action comedy GAME NIGHT.
Hello there! On this week’s episode, Evan and Dave run us through quintessential early ’90s psycho stalker flick PACIFIC HEIGHTS (5:04) that lets Keaton be Keaton. Next up, Dave unleashes his disdain for the pointless and needlessly infuriating THE LEISURE SEEKER (17:19), which thankfully no one is going to see anyway. Then it’s on to Kris, who watched two films nominated for Best Animated Feature, THE BOSS BABY (24:41) and LOVING VINCENT (30:48). He hated one and tolerated the other. Guess which is which — then flip that guess, and that’s the correct answer. Last up is the main event, GAME NIGHT (33:55), which has massively undersold just how funny and exciting it is through awful, horrendous trailers. It’s the rarest of all movies: an action-thriller-comedy where all three components work!
ROUGH NIGHT is pretty rough. Too bad it’s not funnier.
We begin episode 153 with a brief discussion of annoying T-shirts. Then it’s on to the annoying ROUGH NIGHT (3:35). More like ROUGH MOVIE, AMIRITE? Anyspray, it has Kris saying more than once, “I wish it were funnier.” Then Evan regales Kris and Dave with the truly fucked-up sounding THE BOOK OF HENRY (31:38), a movie that feels as if it’s actually 14 different movies crammed into one. Kris takes us down to the basement for a recap of the creepy HELL HOUSE LLC (43:45), and Dave chomps at the bit to get into 47 METERS DOWN (56:32), a Mandy Moore movie that features some sharks, some blood, and the incomparably not-great Matthew Modine. Stay tuned after the closing credits for extra silliness.
The cast of BAYWATCH looking way cooler in this photo than they do in the movie.
Hi, kids! Welcome to episode 150 of Spoilerpiece Theatre! It’s a totes spesh episode! So special, in fact, that we forgot to mention it was a special episode until the closing credits. In fairness, our brains were so fried this week by the convoluted plots of the movies we watched, we weren’t able to retain any other information. But we were able to discuss the DUCKTALES theme song before Dave launches into his take on PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES (3:51). Then we get into BAYWATCH (34:13), which everyone saw (even if they all didn’t see each other at the screening). Please make sure you listen after the closing theme song!
Goldie Hawn and Amy Schumer in the uneven comedy SNATCHED.
On this week’s episode, the guys stumble onto a question for actor Ken Marino that they never knew they had, while discussing DVD menus. After briefly reviving their time-honored hey-o gag during some pre-show shenanigans, they delve into the week’s movies. First, Kris briefly shares the adrenaline rush he felt watching John Woo’s FACE/OFF (at 5:51) with a very appreciative crowd on the big screen following a Nicolas Cage-themed burlesque show. Next, Dave describes the documentary RISK (at 12:05), which fortunately isn’t from the people who brought you BATTLESHIP. Instead it’s a sparsely narrated chronicle about WikiLeaks founder Julian Assange with more lawyers on screen than you can count. Lastly, Evan and Kris review the Amy Schumer/Goldie Hawn comedy SNATCHED (at 32:04), an uneven film that pulls back in strange places and doubles down in what the heck ways. As a special treat, stay tuned after the closing for a mini sing along the guys had when they got on the mic this week.
FANTASTIC BEASTS AND WHERE TO FIND THEM (i.e. inside Eddie Redmayne’s suitcase)
We’ve got movies coming out the wazoo this week! First, Dave and Kris tackle the ambitious Harry Potter prequel FANTASTIC BEASTS AND WHERE TO FIND THEM (at 4:00), which tries to cram five movies into one. Much to their annoyance, only three of those five movies are good. Next, Dave explores NOCTURNAL ANIMALS (at 24:56), writer/director/fashion designer Tom Ford’s sophomore film. It has two stories about toxic masculinity that don’t add up to a whole movie, so during the review Kris develops a new segment called “Dr. Kris, Medicine Man,” where he shares how he’d fix the film. Following that segment, Dave offers his brief thoughts on the music documentaries OASIS: SUPERSONIC and RUSH: TIME STAND STILL, which only seem to be for diehard fans. Evan bats cleanup with three more movies from the Boston Jewish Film Festival (at 51:00): the mediocre crime thriller A GRAIN OF TRUTH, the emotionally compelling documentary FREEDOM TO MARRY, and the thought-provoking comedy doc THE LAST LAUGH.
QUEEN OF KATWE hits all the right notes as a fun, inspirational Disney sports movie.
This week the guys get in on the game of using three fictional characters to describe themselves. Then Evan and Kris talk about the 70mm and Widescreen Festival at the Somerville Theatre (at 7:04), where they TRON and SLEEPING BEAUTY. While discussing how beautiful these films look, they each share new elements that they discovered by watching them on the big screen. After that, Dave provides a “Riedel’s Recap” of GREEN ROOM (at 15:56), which offers specific comparisons to Jeremy Saulnier’s previous movie BLUE RUIN. Next, Kris delivers a “Keeping up with the Jensons” about DEMON (at 21:32), where he offers a very different take on the picture than Evan. Dave transitions into THE BEATLES: EIGHT DAYS A WEEK – THE TOURING YEARS (at 29:57), a Ron Howard documentary that attempts to whitewash tensions between the band’s members. Finally, Kris and Evan close out with QUEEN OF KATWE (at 39:10), a Disney sports movie about chess, which is carried by good humor and cute kids learning about life.
Tom Hanks as Captain Sullenberger and Aaron Eckhart as his trusty co-pilot Jeff in SULLY.
This week Kris shares the advantages to playing board games with Canadians, before he reviews Clint Eastwood’s latest movie SULLY (at 2:38). The mediocre film has a lot in common narratively with Eastwood’s last effort AMERICAN SNIPER, especially since the same things work well (a focus on the effects of trauma) and the same things don’t (artificially created villains). After Kris explains how the movie ends awkwardly on a joke, Dave delivers a quick “Riedel’s Recap” of DON’T BREATHE (at 19:57). Following the segment, Evan describes the coming-of-age film MORRIS FROM AMERICA (at 20:58), which has great music, and features the fantastic Craig Robinson in a rare dramatic role. Finally, the guys arrive at their main event: the ‘80s horror flick SLEEPAWAY CAMP (at 30:32). They describe its weird flashbacks, its endearing incompetence, and the craziness that runs in its blood as they dig into this time capsule, which 2/3 of them agree is good for what it is. Be sure to stick around post-credits for a completely unrelated bonus story.