MOXIE, SOPHIE JONES, JUMBO, and films from the Boston Israeli Film Festival on Episode #348

Hadley Robinson stands in the rain angrily holding her zine Moxie in the movie Moxie

Moxie. Hadley Robinson as Vivian in Moxie. Cr /NETFLIX © 2020

Evan starts this week by recapping two feature-length films he saw from the Boston Israeli Film Festival (1:29). He talks about Nir Bergman’s HERE WE ARE, a drama about a father’s changing relationship with his autistic son, and Yohanan Weller’s LOVE IN SUSPENDERS, a rom-com about finding love again later in life. Then Megan and Dave review Zoé Wittock’s JUMBO (13:04), romantic drama about a woman who falls in love with an amusement park ride. Next, we all discuss Jessie Barr’s SOPHIE JONES (28:25), a coming-of-age story about a teenager processing the grief of her mother’s death. Lastly, we cover Amy Poehler’s MOXIE (44:52), a dramedy about a teenager who takes on sexism at her high school by starting a feminist zine. And on this week’s Patreon exclusive audio, we celebrate the 35th anniversary of PRETTY IN PINK with an in-depth discussion about the Howard Deutch/John Hughes 80s classic.

Listen:

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RAYA AND THE LAST DRAGON, LUCKY, THE UNITED STATES VS. BILLIE HOLIDAY, BOOGIE, and shorts from the Boston Israeli Film Festival on Episode #347

Raya looks at Sisu the dragon smiling in the movie Raya and The Last Dragon

Kelly Marie Tran and Awkwafina are delightful together in Disney’s RAYA AND THE LAST DRAGON

This week, Evan opens with a plug for the Boston Israeli Film Festival, where he briefly mentions some moving shorts he saw from it (1:56). Then, Dave shares quick thoughts about the ending of I CARE A LOT (3:57). Megan starts the new movies with BOOGIE (7:58), Eddie Huang’s coming-of-age story about a Taiwanese American high school basketball player (Taylor Takahashi). Next, everyone discusses Lee Daniels’ Hulu film THE UNITED STATES VS. BILLIE HOLIDAY (17:16), a story about singer Billie Holiday’s turbulent life (starring Andra Day) and the FBI’s targeted campaign to harass her. After that we dig into LUCKY (31:35), Natasha Kermani and Brea Grant’s horror film about a woman (Grant) stalked by the same killer every night. We wrap up with Disney’s RAYA AND THE LAST DRAGON (47:36), an epic post-apocalyptic fantasy animated film starring Kelly Marie Tran and Awkwafina. For our Patreon bonus audio, we continue our James Cameron kick by digging into his 1984 film THE TERMINATOR.

Listen:

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HORSE GIRL, INCITEMENT, GRETEL & HANSEL, and Women in Horror Month on Episode #293

Alison Brie looking sad wearing a craft store smock in the movie Horse Girl
Alison Brie is fantastic in HORSE GIRL, but its ambiguous ending is annoying

Dave is on vacation so friend of the show Dede Crimmins returns as a guest this week! She starts off with her picks for Women in Horror Month: THE LODGE (6:47), PELICAN BLOOD (13:00), and DEAD DICKS (14:50). Then Evan reviews INCITEMENT (20:31), a tense thriller from the Boston Israeli Film Festival. Next Megan and Dede tackle GRETEL & HANSEL (30:35), a fun spin on the classic fairy tale. The gang wraps up with HORSE GIRL (45:05), the Netflix thriller starring Alison Brie that’s annoyingly ambiguous.

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PORTRAIT OF A LADY ON FIRE, the Boston Sci-Fi Film Festival, and the Boston Israeli Film Festival on Episode #292

Noémie Merlant and Adèle Haenel stand longingly with each other in the movie PORTRAIT OF A LADY ON FIRE
Noémie Merlant and Adèle Haenel star in PORTRAIT OF A LADY ON FIRE

Hanging chads, pepperoni, and things swingin’ are big topics of conversation this week. Plus, we have lots of movies. Megan talks about PORTRAIT OF A LADY ON FIRE (4:18), which is FINALLY coming out in the U.S. Then Evan spills the beans about the Boston Israeli Film Festival and the documentary BREAKING BREAD (15:50), the dark comedy FORGIVENESS (19:28), starring what Evan calls Israel’s Nick Frost and Simon Pegg, the documentary I WAS NOT BORN A MISTAKE (23:50), about an orthodox trans woman, and the dark comedy BORN IN JERUSALEM AND STILL ALIVE (31:00). Then it’s the Boston Sci-Fi Film Festival, with PROXIMA (38:06) leading off the discussion, followed by THE LONG WALK (47:48), a horror/sci-fi movie featuring an older man and a ghost who helps him to travel through time, and the fallout that results from it. Finally it’s AFTER WE LEAVE (55:10), a dystopian future flick that has some good elements and not so good elements

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